Publication: Newsday (New York, NY) Date: Friday, July 15 1994 Country: United States Section / Pages: Arts / Music Feature Title: The Prince Is Dead, Long Author: David Herndon – Staff Writer This mid‑1994 feature reviews Prince’s transformation into TAFKAP  and his benefit concert for the Dance Theater of Harlem at the Palladium, Manhattan. The article opens with the line “Prince is dead,” marking his symbolic rebirth under the unpronounceable glyph identity. Critic David Herndon frames the performance as both obituary and celebration — a farewell to the old Prince and a welcome to his new incarnation. He recalls the artist’s earlier excesses, from the Purple Rain triumph to the self‑indulgent Arabian Nights stage show of 1993, describing the Palladium concert as a return to focus and vitality. The review praises the stripped‑down New Power Generation ensemble — go‑go dancer, piano, organ, drums, bass, and Prince on guitar — for delivering a loose, funky set anchored by “Days of Wild,” whose George Clinton‑esque groove underscored Prince’s renewed connection to raw funk. CONTEXT AND NOTES This article captures a pivotal moment in Prince’s career when he shed his name to protest record‑label control and reinvented himself as a symbol. The review’s tone — half elegy, half celebration — mirrors the tension between public perception and artistic liberation. It stands as one of the earliest mainstream press accounts of his TAFKAP era. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Promo CD single - UK Artist: Prince Title: This Could B Us (Remix) Label: NPG Records / Universal Music Group Country: Worldwide Catalogue: Digital release Date: 28 August 2015 F ormat: Digital Single Tracklist (Digital): 1 — This Could B Us (4:11) Tracklist (CD Promo): 1 — This Could B Us (4:11) This Could B Us (Remix) was released digitally on 28 August 2015 as the third single from Prince’s 38th studio album Hitnrun Phase One, issued two weeks later. Although the album had already been announced, this was the first single released following that announcement. The single version matched the mix first streamed on Tidal three days earlier — a newly recorded and remixed version of the track originally released the previous year on Art Official Age. The remix incorporated additional production and arrangement changes, reflecting Prince’s evolving digital‑era release strategy. Promo CD single - UK RECORDING [Your recording text here] STYLE & THEMES [Your style & themes text here] TRACK‑BY‑TRACK NOTES • This Could B Us — Remix version first streamed on Tidal; additional recording and production compared to the Art Official Age original. RELEASE HISTORY Released digitally worldwide on 28 August 2015. First appeared on Tidal three days prior. Issued as part of the rollout for Hitnrun Phase One. Digital platforms included iTunes, Amazon, JunoDownload and Qobuz. A UK CD promo was also circulated without a catalogue number. The Duluth News-Tribune Duluth, Minnesota · Thursday, September 17, 2015 CHARTS & CERTIFICATIONS USA — Billboard Adult R&B Songs Entry Date: 21 Feb. 2015 Peak Position: 19 Weeks on Chart: 12 PERSONNEL Prince — vocals, instruments, production PRODUCTION Produced by Prince Label: NPG Records / Universal Music Group Catalogue numbers: CONTEMPORARY PRESS ARCHIVE SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The 2011 compact disc edition of A.C. marks the album’s first release on CD. It is an expanded and remastered version of the original LP, adding several bonus tracks including single edits, remixes, and vault material. The CD focuses on André Cymone’s original album while highlighting Prince’s involvement, particularly on The Dance Electric, which remains the album’s most notable Prince‑related track. This edition restores the full album sequence, adds previously unavailable mixes, and presents the material in improved audio quality. The expanded tracklist includes the original LP songs, additional single versions, and club mixes. Album Details Released: 29 August 2011 Producer: Prince; André Cymone Track Listing (CD Format — Expanded) All songs written by Prince, except where indicated. • The Dance Electric — Prince — 5:44 • Lipstick Lover • Pretty Wild Girl • Book Of Love • Satisfaction • Sweet Sensuality • Vacation • Neon Pussycat • Fallin’ Fallin' • Red Light • The Dance Electric (Single Version) — Prince — 4:13 • Lipstick Lover (Clubmix) • Satisfaction (12" Remix) Technical • Prince — producer • André Cymone — producer, engineer • Bobby Brooks — engineer • David Ahlert — assistant engineer • Susan Rogers — assistant engineer • Wayne Edwards — executive producer • Bernie Grundman — mastering COUNTRY VARIANTS (DISCOGS) • CD Expanded Edition — USA — 2011 • CD Expanded Edition — 2011 • CD Expanded Edition — Europe — 2011 • CD Expanded Edition — Japan — 2011 Personnel André Cymone • vocals Prince • all instruments (uncredited) Wendy Melvoin • background vocals Lisa Coleman • background vocals Additional Personnel • Bobby Brooks — engineer • David Ahlert — assistant engineer • Susan Rogers — assistant engineer • Wayne Edwards — executive producer • Bernie Grundman — mastering SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. They are included strictly for historical, educational, and archival purposes under fair‑use principles. No ownership is claimed.

This Star Tribune advertisement from September 8 1986 promotes the final weekends of the Valleyfair Family Amusement Park season, featuring a special live performance by Mazarati, the Minneapolis funk band associated with Prince and the Paisley Park sound. Publication: Minneapolis Star and Tribune Date: September 8, 1986 Country: United States The advert announces “ONLY 5 DAYS LEFT” for the park’s 1986 season, listing the closing dates — September 13–14, 20–21, and 27. The central image shows Mazarati, captioned “Sept. 13th Only.” Beneath, bold text reads: “Plus MAZARATI – If you love the sound of Prince, you’ll love Mazarati!” The band was scheduled to perform two shows at 6 PM and 8 PM on  September 13,included in the regular  admission price of $11.95. The lower section lists park hours for each remaining date, followed by the Valleyfair logo and slogan “Now That’s Entertainment!” — emphasizing the park’s blend of rides, shows, and live music. CONTEXT AND NOTES Mazarati, formed by BrownMark of The Revolution, was part of Prince’s Minneapolis music circle and known for their self‑titled 1986 album featuring the original version of “Kiss.” This advert captures their local prominence and the city’s pride in its homegrown funk scene, linking Paisley Park’s sound to Minnesota’s family entertainment culture. FEATURE HIGHLIGHTS Event: Valleyfair Season  Finale with Mazarati Live Era: 1986 – Paisley Park / Minneapolis Sound Peak Tone: Promotional, energetic, and local Photography: Group portrait of Mazarati within advert layout WHAT THE CLIPPING SHOWS Valleyfair’s closing weekend announcement Mazarati live performance details (Sept. 13 only) Park hours and admission information Valleyfair logo and slogan “Now That’s Entertainment!” All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Star Tribune full‑page advertisement from September 8 1984 promotes Prince’s debut motion picture Purple Rain, celebrating its seventh consecutive week in theatres. The ad features the bold endorsement from Newsweek critic David Ansen, who hailed Prince as “The New Prince of Hollywood.” Publication: Minneapolis Star and  Tribune Date: September 8, 1984 Country: United States The advertisement highlights Purple Rain’s enduring success in Minneapolis cinemas, listing six local venues — Skyway 5, Southdale, Northtown, Hopkins 4, Apache 4, and Brookdale Square — under the banner “7th Week!” The layout combines striking black‑and‑white typography with the film’s iconic logo and Warner Bros. insignia. The quote from Newsweek underscores Prince’s meteoric rise from local musician to international film star. The tagline “in his first motion picture” emphasizes the cultural milestone of his cinematic debut, which blended autobiographical drama with electrifying live performances. CONTEXT AND NOTES By September 1984, Purple Rain had become a phenomenon, dominating box offices and solidifying Prince’s dual legacy as musician and actor. The Star Tribune advert reflects Minneapolis pride in its hometown hero’s global breakthrough, marking the film’s sustained popularity well beyond its initial release. FEATURE HIGHLIGHTS Event: Purple Rain Film Promotion – 7th Week Run Era: 1984 – Minneapolis Sound / Film Debut Period Tone: Celebratory, cinematic, and local Photography: Text‑based layout with film logo and cinema listings WHAT THE CLIPPING SHOWS Newsweek quote: “The New Prince of Hollywood.” Purple Rain title and Warner Bros. logo Minneapolis cinema listings for the film’s 7th week run All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A bold full-page French promotional advertisement for Prince & The New Power Generation’s European Tour 1993 Act II, highlighting two special nights at the legendary Bercy venue in Paris, sponsored by Coca-Cola. PUBLICATION Publication: Concert Promotion / Magazine Advert (French market) Date: August 31 & September 1, 1993 Country: France Section / Pages: Full-page advertisement Title: Prince & The New Power Generation – European Tour 1993 Act II THE STORY This striking black-background poster features a dramatic portrait of Prince in a red-and-black plaid vest, holding and biting a long gold chain while looking directly at the camera. The massive white typography announces the tour dates at Bercy, with supporting logos from Coca-Cola, NRJ, WEA Music, M6, and Inter Concerts. It promotes the shows as part of the major European leg of the tour. CONTEXT AND NOTES This was during the Act II phase of Prince’s 1993 European Tour, following the success of The Hits/The B-Sides and the Act I shows earlier that year. The Bercy concerts were among the biggest indoor dates on the tour. The imagery (Prince with the chain, intense stare) is classic mid-90s Prince — bold, sensual, and theatrical. FEATURE HIGHLIGHTS Event: Live Concerts at Bercy, Paris Dates: 31 Août & 1er Septembre 1993 Tour: European Tour 1993 – Act II Sponsor: Coca-Cola Venue: Palais Omnisports de Paris-Bercy Visual Style: High-contrast, dramatic portrait with gold chain motif WHAT THE CLIPPING SHOWS Full promotional concert poster/advert with Prince centered, bold white headline text, Coca-Cola branding at the top, and all ticket/contact information at the bottom in French. RELATED MATERIAL Prince (October 1993) Prince Talks! – Satellite Times (UK) Prince (May 5–12, 1993) AAOOW! – Time Out London (UK) Prince (Fall/Winter 1993) NPG Catalogue Volume 1 COPYRIGHT NOTICE All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This Vincennes Sun‑Commercial television listing from September 5 1991 highlights the MTV Video Music Awards, noting Prince’s first appearance as a performer at the event. Hosted by Arsenio Hall, the broadcast marked a major moment in Prince’s Diamonds and Pearls era, coinciding with his Gett Off single and the debut of the New Power Generation. Publication: The Vincennes Sun Commercial Date: September 5, 1991 Country: United States The listing promotes the eighth annual MTV Video Music Awards airing at 8 p.m., emphasizing Prince’s live performance alongside other major acts including L.L. Cool J and Poison. The awards featured 22 categories, introducing the new Best Long Form Video honor, with R.E.M. receiving the most nominations. Prince’s participation was widely anticipated, marking his return to MTV’s stage after years of cultivating a more independent artistic identity. His performance of Gett Off became one of the night’s defining moments, blending provocative choreography with the sleek funk sound of his new band. CONTEXT AND NOTES By 1991, MTV’s Video Music Awards had become a cultural touchstone, showcasing the intersection of music, fashion, and performance art. Prince’s appearance symbolized his re‑engagement with mainstream pop audiences while maintaining his creative autonomy. The Vincennes Sun‑Commercial listing reflects how local newspapers helped build anticipation for televised music events, connecting regional readers to national pop culture milestones. FEATURE HIGHLIGHTS Event: 1991 MTV Video Music Awards broadcast Era: 1991 – Diamonds and Pearls   New Power Generation Era Tone: Promotional, concise, and anticipatory Photography: Text‑only listing; no accompanying image SOURCES Prince Vault, Sleevographia2, Discogs. All single artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Boca Raton News article from September 5 1991 announces the release of Prince’s Gett Off Maxi Video, a thirty‑minute visual collection featuring exclusive tracks tied to his upcoming Diamonds and Pearls album. The piece highlights Prince’s innovative decision to make several new songs available only through video format. Publication: Boca Raton News Date: September 5, 1991 Country: United States The article explains that fans eager to hear Prince’s latest material would have to “see it” rather than find it on television, as the videos were unavailable for broadcast. Conceived and directed by Prince at both his Minneapolis home and Paisley Park Studios, the Gett Off video includes five segments: Gett Off, Violet the Organ Grinder, Gangster Glam, Clockin’ the Jizz, and Gett Off (Housestyle). Warner Reprise Video promoted the release as a five‑song “EP” featuring four tracks not included on the forthcoming Diamonds and Pearls LP. The videocassette, running approximately thirty minutes, was scheduled for release on September 10 1991 at a retail price of $14.98, complete with a Parental Advisory label. CONTEXT AND NOTES By 1991, Prince was redefining how music and visuals intertwined, using filmic storytelling to expand his artistic reach. The Gett Off Maxi Video represented a bold marketing move — a hybrid of music video and short film that previewed the sensual, cinematic tone of Diamonds and Pearls. The Boca Raton News coverage reflects the growing anticipation for Prince’s new era with the New Power Generation, emphasizing his control over every creative detail from concept to execution. FEATURE HIGHLIGHTS Event: Announcement of Prince’s Gett Off Maxi Video release Era: 1991 – Diamonds and Pearls  New Power Generation  Era Tone: Promotional, informative, and anticipatory Photography: Black‑and‑white portrait of Prince accompanying the article WHAT THE CLIPPING SHOWS Boca Raton News feature announcing Prince’s video‑only release Details of the five included tracks and production at Paisley Park Release date and pricing information for the videocassette SOURCES Prince Vault, Sleevographia2, Discogs. All single artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Kansas City Star article from September 6 1991 reports on Prince’s decision to release his new Gett Off video directly to home video, following the success of Madonna’s Justify My Love. The piece highlights Prince’s innovative approach to distribution and his continued experimentation with visual formats tied to his upcoming Diamonds and Pearls album. Publication: The Kansas City Star Date: September 6, 1991 Country: United States Written by Scott Hettrick, the article explains that Prince’s thirty‑minute video, titled Nothing Can Stop … Prince and the  New Power Generation ‘Gett Off’, would be released through Warner Reprise Video at $14.98. The project includes several new songs not featured on Diamonds and Pearls, filmed at both Prince’s home and Paisley Park Studios. The report situates Prince’s release within a growing trend of direct‑to‑video music projects, noting Madonna’s precedent and Warner’s simultaneous release of other artist profiles. The article also mentions that the Gett Off video would feature exclusive performances and carry a Parental Advisory label due to its provocative content. CONTEXT AND NOTES By 1991, Prince was redefining multimedia artistry, merging music, film, and performance into cohesive visual experiences. The Gett Off Maxi Video marked a turning point in how artists used home video to reach audiences beyond television censorship. The Kansas City Star coverage underscores Prince’s role as a pioneer in music marketing, blending sensual imagery with creative independence. His direct‑to‑video release strategy mirrored his broader artistic philosophy — control over both sound and vision. FEATURE HIGHLIGHTS Event: Announcement of Prince’s Gett Off Maxi Video release Era: 1991 – Diamonds and Pearls  New Power Generation Era Tone: Informative, industry‑focused, and forward‑looking Photography: Black‑and‑white portrait of Prince accompanying the article WHAT THE CLIPPING SHOWS Kansas City Star feature announcing Prince’s direct‑to‑video release Details of the Gett Off project and its exclusive tracks Context linking Prince’s innovation to broader entertainment trends SOURCES Prince Vault, Sleevographia2, Discogs. All single artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

How Late Do U Have 2BB4UR Absent? is a double studio album by George Clinton and the P‑Funk All‑Stars. The album contains Paradigm, co‑written and co‑produced by Prince, who also appears as a singer and musician on the track. As the first studio album by George Clinton and the P‑Funk All‑Stars in nine years, the album compiles tracks recorded over the course of a decade. Prince’s contribution was most likely recorded in 2000, but this is unconfirmed. Clinton noted they worked separately, writing on the Paradigm CD‑R label: “I peed on it, sent it to him, he peed on it, and sent it back.” The album was preceded by the Sneak Peek EP, featuring three tracks from the album including Paradigm. Paradigm had previously appeared as a limited CD‑R sold at George Clinton shows in early 2001. The album did not chart. Track Listing (CD Format — Full Expansion) Disc 1 • Bounce 2 This — Kendra Foster featuring P‑Funk All Stars • Su, Su, Su — P‑Funk All Stars featuring Trey Lewd • Paradigm (6:50) — George Clinton featuring Prince — Written by George Clinton, Tracey “Trey Lewd” Lewis and Prince • U Can Depend On Me — Kendra Foster • U Ain’t Runnin’ Shit — George Clinton • Inhale Slow — P‑Funk All Stars featuring Paul Hill • Because / Last Time Zone — Funkadelic • Never Ending Love — Funkadelic • Sexy Side Of You — George Clinton • Saddest Day — Belita Woods • I Can Dance — P‑Funk All Stars featuring Susy’s Posse • I’ll Be Sittin’ Here — George Clinton featuring Joi Total length: 76:02 All songs written by George Clinton, except where indicated. Disc 2 • Don’t Dance Too Close — Belita Woods • More Than Words Can Say (Live) — Belita Woods featuring Parliament/Funkadelic • Butt‑A‑Butt — Parliament • Something Stank — Sativa • Our Secret — P‑Funk All Stars featuring Trey Lewd • Viagra — Funkadelic • Gypsy Woman — George Clinton • Whole Lotta Shakin’ — P‑Funk All Stars featuring Bobby Womack • Goodnight Sweetheart, Goodnight — Parliament • Whatchamacallit — George Clinton • Trust In Yourself — Kendra Foster featuring George Clinton • Booty — Louis “Babbling” Kabbabie featuring P‑Funk All Stars • The Other Side Of The Door (Live) Total length: 76:03 Album Details Released: 6 September 2005 Recorded: Over a decade Studios: DARP Studios (Atlanta GA); Paisley Park Studios (Chanhassen MN) Length: 76:02 / 76:03 Labels: The C Kunspyruhzy Producer: George Clinton Singles from How Late Do U Have 2BB4UR Absent? Sneak Peek EP — b/w Paradigm Paradigm (promo only) — b/w None SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Anniston Star preview from September 4 1991 announces the upcoming 1991 MTV Video Music Awards, hosted by Arsenio Hall and broadcast live from Los Angeles. The notice highlights the star‑studded lineup of performers, including Prince, LL Cool J, Paula Abdul, Van Halen, Poison, and Mariah Carey. Publication: The Anniston Star Date: September 4, 1991 Country: United States The short column promotes the televised event scheduled for Thursday at 8 p.m. on MTV, emphasizing Arsenio Hall’s role as host and the diversity of performers representing pop, rock, and R&B. Prince’s inclusion reflects his prominence during the Diamonds and Pearls era, when his live appearances were known for theatrical flair and musical innovation. The preview captures the anticipation surrounding one of MTV’s most watched annual broadcasts. CONTEXT AND NOTES By late 1991, MTV’s Video Music Awards had become a defining pop‑culture event, blending television spectacle with live artistry. Prince’s performance that year continued his streak of memorable award‑show appearances, coinciding with his Gett Off single and the launch of the New Power Generation. The Anniston Star listing exemplifies how regional newspapers promoted national entertainment, giving readers a glimpse of major televised music moments. FEATURE HIGHLIGHTS Event: 1991 MTV Video Music Awards preview Era: 1991 – Diamonds and Pearls / N.P.G. Era Tone: Promotional, concise, and anticipatory Photography: Black‑and‑white portrait of Arsenio Hall accompanying the event notice WHAT THE CLIPPING SHOWS Announcement of the 1991 MTV Awards hosted by Arsenio Hall Performer lineup including Prince and other major artists Broadcast details: Thursday 8 p.m. on MTV All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The 26 August 1994 edition of The Flint Journal features a record review of Prince’s album Come, headlined “No-name Prince stays in groove.” Publication: The Flint Journal Date: August 26, 1994 Country: United States The review notes that just as listeners were getting used to thinking of him as the Artist Formerly Known As Prince, along comes Come, a new album of generally naughty numbers credited to Prince. It states that according to the official line the tracks date from before he dropped his more pronounceable name, though they do not sound as if they had been in the vaults long. Most tracks are said to bear the loping, jazzy groove associated with the New Power Generation, with heavy breathing and room for instrumental extrapolation. Titles such as “Loose,” “Let It Go” and “Orgasm” are cited. The reviewer finds most of the sex songs pretty boring but praises the wonderfully soulful “Dark.” A photograph of Prince performing is captioned “It’s Prince, not that silly symbol guy, singing on ‘Come.’” CONTEXT AND NOTES The piece reviews the Warner Bros. album during the period when Prince was publicly using the Love Symbol while still releasing material under the name Prince. FEATURE HIGHLIGHTS Event: Album review Era: 1994 (Come era) Tone: Mixed, observational Photography: Black-and-white performance photograph of Prince WHAT THE CLIPPING SHOWS Headline “No-name Prince stays in groove” Discussion of the album’s sexual themes and New Power Generation groove Positive note on the track “Dark” Photograph of Prince with caption referencing the symbol name All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.