The official French promo CD single for the radio edit of “Dance 4 Me”, released on the same day as the digital single (31 August 2009), one week before the European release of the album MPLSound. RELEASE DETAILS Artist: Prince Label: NPG Records / Because Music Date: August 31, 2009 Catalogue: None (promo only) Format: Promo CD Single Country: France Genre: Funk / Pop Style: Mid-tempo funk (Radio Edit) A-Side: “Dance 4 Me (Radio Edit)” Written by: Prince Produced by: Prince TRACK LIST France Promo CD Single (August 31, 2009) Dance 4 Me (Radio Edit) LINKED RELEASES / VARIANTS Digital single – France (31 August 2009) – original album version Promo CD Single (Radio Edit) – France (31 August 2009) – This release Digital single (Icon Remix) – North America (29 September 2009) CD Single – Switzerland (PM 119, 9 December 2011) PERSONNEL Prince – vocals, all instruments, production THE STORY On 31 August 2009, exactly one week before the European release of MPLSound, Prince released “Dance 4 Me” as a digital single in France. At the same time, this physical promo CD was sent to French radio stations, featuring a specially edited “Radio Edit” version. The CD came in a standard jewel case with the striking MPLSound artwork and a white circular sticker on the front and back clearly marking it as the “Radio Edit”. CONTEXT & NOTES This was the only physical promo CD issued for “Dance 4 Me” in 2009. It was a low-key but targeted promotional tool for French radio. The radio edit has never been officially released on any commercial format outside of this promo CD. RELATED MATERIAL Prince (2009) MPLSound For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Discogs, sleevographia2. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

2gether was the first and only single from the New Power Generation’s debut ‘solo’ album, and the first credited solely to the band. It debuted at retail stalls during the Act II tour, starting with the 31 August 1993 show at the Palais Omnisports de Paris-Bercy in Paris, France. Later, it was sold at The New Power Generation Stores in Minneapolis and London, but never saw a wider retail release. Featuring multiple remixes with uncredited remixers, the single’s limited distribution meant it wasn’t eligible for the charts. Released: 31 August 1993 – first sold at concert retail stalls. CD 1. 2gether (Album Mix) (5:35) 2. 2gether (12 Inch Mix) (6:53) 3. 2gether (Interview) (4:22) 4. 2gether (Enlightenment) (5:19) 5. 2gether (Jeep Mix) (5:35) 6. 2gether (Instrumental) (5:40) TC A1. 2gether (Album Mix) (5:35) A2. 2gether (12 Inch Mix) (6:53) A3. 2gether (Interview) (4:22) A4. 2gether (Enlightenment) (5:19) A5. 2gether (Jeep Mix) (5:35) A6. 2gether (Instrumental) (5:40) SOURCES Album liner notes, official discography, Discogs, 45cat, Official Charts, Wikipedia, Prince Vault. All album artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference

What Time Is It? is the second full‑length studio album by The Time, released in August 1982, thirteen months after their debut. As with their first album, the project was largely written, recorded, and produced by Prince, with no instrumental or songwriting input from band members other than Morris Day, although all members were credited. Four of the six songs were credited to The Time and two to Morris Day, but Prince wrote all six tracks, with lyrics on one written by Dez Dickerson. The album was recorded in two phases: Gigolos Get Lonely Too, The Walk, and Wild And Loose were completed in mid‑January 1982, while 777‑9311, Onedayi’mgonnabesomebody, and I Don’t Wanna Leave You were recorded in May or June 1982. Morris Day provided lead vocals (and drums on three tracks), while Prince performed background vocals and all instruments. Additional songs recorded for possible inclusion included Jerk Out, International Lover, Bold Generation, and Colleen. Three singles were released — 777‑9311, The Walk, and Gigolos Get Lonely Too — and The Time supported the album on Prince’s 1999 Tour. The album reached number 26 on the US Billboard Pop Chart and number 2 on the US Billboard Soul LP’s Chart. It was certified gold on 3 November 1982 for 500,000 copies shipped in the USA. In 2015, the album was digitally remastered and reissued in Japan as part of the Warner 80’s Soul Classics Best Collection 1000 Series. Track Listing (LP Format) Side one • Wild And Loose — 7:32 • 777‑9311 — 7:57 • Onedayi’mgonnabesomebody — 2:27 Side two • The Walk — 9:30 • Gigolos Get Lonely Too — 4:40 • I Don’t Wanna Leave You — 6:30 Total length: 38:36 Released: 25 August 1982 Recorded: January – May/June 1982 (Wild And Loose recorded July 1981) Studios: Sunset Sound, Hollywood, CA, USA; Kiowa Trail Home Studio, Chanhassen, MN, USA Genre: Synth‑funk; Minneapolis sound Length: 38:36 Labels: Warner Bros. Producer: Prince (credited as The Starr ★ Company; credited to Morris Day and The Starr Company) Released: 25 August 1982 Recorded: January – May/June 1982 (Wild And Loose recorded July 1981) Studios: Sunset Sound, Hollywood, CA, USA; Kiowa Trail Home Studio, Chanhassen, MN, USA Length: 38:36 Labels: Warner Bros. Producer: Prince (credited as The Starr ★ Company; credited to Morris Day and The Starr Company) Chronology: The Time (1981) → What Time Is It? (1982) → Ice Cream Castle (1984) Tape Cassette Release (MC) All songs written by Prince, except where indicated. Side 1 • Wild And Loose — Prince, Dez Dickerson — 7:32 • 777‑9311 — Prince — 7:57 • Onedayi’mgonnabesomebody — Prince — 2:27 Side 2 • The Walk — Prince — 9:30 • Gigolos Get Lonely Too — Prince — 4:40 • I Don’t Wanna Leave You — Prince — 6:30 CD Release (first edition 1987) • Wild And Loose — 7:32 • 777‑9311 — 7:57 • Onedayi’mgonnabesomebody — 2:27 • The Walk — 9:30 • Gigolos Get Lonely Too — 4:40 • I Don’t Wanna Leave You — 6:30 Personnel (Full Track‑Specific Credits) Morris Day • lead vocals • drums on Wild And Loose, The Walk, Gigolos Get Lonely Too Prince • background vocals • all instruments (uncredited) Jesse Johnson • credited for guitar and vocals • appears on background vocals (Wild And Loose) • guitar on Gigolos Get Lonely Too Jellybean Johnson • credited for drums/percussion • likely background vocals only Terry Lewis • credited for bass/vocals • likely background vocals on Wild And Loose, 777‑9311 Jimmy Jam • credited for keyboards/vocals • likely background vocals on Wild And Loose Monte Moir • credited for keyboards/vocals • likely background vocals on Wild And Loose Susan Moonsie / Kim Upsher • background vocals on Wild And Loose Longbox CD - USA - 9 23701-2 Reissue 1987 Technical • Prince — producer, arranger (as The Starr Company), recording/mixing engineer (as Jamie Starr) • Don Batts — recording/mixing engineer • Peggy McCreary — recording/mixing engineer • Bernie Grundman — mastering • Al Beaulieu — photography Charts America Chart | Peak Position | Weeks in Chart | USA: Billboard 200 | 26 | 33 | USA: Billboard Soul LP’s | 2 | 38 | Certifications Region — Certification — Units USA — Gold — 500,000 (RIAA; 3 Nov. 1982) Singles from What Time Is It? 777‑9311 — 30 July 1982 The Walk November 1982 14 January 1983 (12") Gigolos Get Lonely Too 12 Mar. 1983-chart entry Got Your Number UK W 9952 1982 SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Clouds was released on 25 August 2014 as a promotional download to coincide with the announcement of Art Official Age and Plectrumelectrum. The track served as an early preview of Prince’s 37th studio album, arriving five weeks before the album’s official release. The digital single appeared alongside Breakdown, which had previously been issued as a standalone release. A European promo CD of Clouds was also circulated the week before the album, marking one of the earliest physical promotional items connected to the Art Official Age campaign. RECORDING While exact recording dates are not known, basic tracking is believed to have taken place during Spring or Summer 2014 at Paisley Park Studios in Chanhassen, Minnesota. British folk/soul singer Lianne La Havas contributed vocals to the track. In an interview from late February 2014, she stated she had not yet recorded with Prince, suggesting her parts were added later. A short excerpt of Clouds was played over the PA system prior to a live show at Paisley Park on 26 July 2014, alongside snippets from other Art Official Age tracks. Joshua Welton later remixed Clouds in 2014 or early 2015, developing the remix into a distinct track titled Mr. Nelson, which appeared on Hitnrun Phase One. Artist: Prince Title: Clouds Label: NPG Records / Warner Bros. Country: Worldwide Catalogue: Digital release Date: August 25, 2014 Format: Digital Single • Clouds — Promotional pre‑order track from Art Official Age, featuring Prince’s vocals and instrumentation with additional contributions from Lianne La Havas. RELEASE HISTORY Released 25 August 2014 as a digital pre‑order download. Issued to coincide with the announcement of Art Official Age and Plectrumelectrum. Promo CD distributed in Europe one week before the album release. A snippet premiered at Paisley Park on 26 July 2014. CONTEMPORARY PRESS ARCHIVE The Guardian London, Greater London, England · Friday, August 29, 2014 USA Today McLean, Virginia · Tuesday, August 26, 2014 SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

7" - USA - 7-22814 Partyman (LP Version 3:11) Partyman was released in the USA on 25 August 1989 as the second single from Prince’s eleventh album Batman, the soundtrack to Tim Burton’s 1989 film., with the maxi-single released on September 15 1989. Arriving two months after the album, the single continued the highly successful commercial partnership between Prince and the Batman franchise. The B‑side, Feel U Up, was previously unreleased, despite having been recorded years earlier and originally intended for the abandoned Camille album in late 1986. Its inclusion added further interest to the single, offering listeners a glimpse into Prince’s extensive vault material. 7" - USA - 7-22814 Feel U Up (Short Stroke 3:42) The maxi‑single expanded the release with several Prince‑created remixes, including Partyman (The Purple Party Mix), which opened with a collage of samples from Prince’s hits spanning 1979 to 1988. The single’s artwork again used the Batman logo, following Batdance, though in a more minimal form. The same symbol, recoloured, appeared on the subsequent single The Arms Of Orion. The track itself was one of the few songs from the Batman album to be prominently featured in the film, accompanying the Joker’s chaotic museum sequence. Prince later explained that the song was inspired by his meeting with Jack Nicholson on set, whose attitude reminded him of Morris Day. 12" - USA - 0-21370 Partyman (The Purple Party Mix 6:02) - Partyman (Partyman Music Mix 4:31) Partyman (The Video Mix 6:20) - Feel U Up (Short Stroke 3:42) Musically, Partyman is upbeat and humorous, built around horn samples and Prince’s sped‑up “Camille” vocals. The 12" single extended the track to around six minutes (the “Video Mix”) and paired it with Feel U Up, which was originally recorded in 1981 and re‑worked in 1986. Additional mixes, including the Purple Party Mix and the Partyman Music Mix, further expanded the single’s sonic palette. The song performed strongly on the charts, reaching number 18 on the US Billboard Hot 100 and number 5 on the US Billboard Hot Black Singles Chart. In the UK, it peaked at number 14, continuing a brief pattern in which Prince’s singles found greater consistency in the UK than in the US. The music video, filmed in Culver City in August 1989 and directed by Albert Magnoli, featured Prince’s “Gemini” persona in a half‑Joker costume, with Candy Dulfer appearing on saxophone. Due to licensing restrictions, Partyman and other Batman‑era singles have rarely appeared on Prince compilations, though the track saw renewed streaming interest after its inclusion in the 2020 documentary series The Last Dance. Cassette single - USA - 4-22814 Partyman (LP Version 3:11) Feel U Up (Short Stroke 3:42) RELEASE HISTORY Released 25 August 1989 in the USA. Second single from Batman. Worldwide release followed. Maxi‑single issued 15 September 1989. Included multiple Prince‑created mixes. B‑side previously unreleased. Featured prominently in the Batman film. Reached #18 US Billboard Hot 100 and #5 US Billboard Hot Black Singles. Peaked at #14 in the UK. CHARTS USA — Billboard Hot 100 — Entry: 26 Aug 1989 — Peak: 18 — Weeks: 10 USA — Billboard Hot Black Singles — Entry: 2 Sep 1989 — Peak: 5 — Weeks: 13 USA — Billboard Hot Dance Music – Club Play — Entry: 28 Oct 1989 — Peak: 45 — Weeks: 2 PERSONNEL Prince — vocals, instruments Candy Dulfer — saxophone VIDEO The Partyman music video was filmed in Culver City, California in August 1989 and directed by Albert Magnoli. The clip showcases Prince’s “Gemini” persona, dressed in a split “half‑Joker” costume that visually ties the video to the Batman universe and reflects the playful tone of the song. Dutch musician Candy Dulfer appears on saxophone, adding a live performance element that complements the video’s colourful, chaotic energy. Due to licensing restrictions surrounding the Batman soundtrack, Partyman — along with the other singles from the era — has rarely appeared on Prince’s later compilation releases, with the exception of the UK singles promoting The Hits/The B‑Sides. The video and song experienced renewed attention when Partyman was featured in an episode of the 2020 documentary series The Last Dance, resulting in a noticeable increase in streaming activity. The San Francisco Examiner • Page 21 Tuesday, 12 September 1989 Format & Variant Table — “Partyman” US Format / Variant Tracks Catalogue Numbers 7" Variant A — Partyman (3:11) B — Feel U Up (Short Stroke) (3:44) CA: 92 28147 CR US: 7‑22814 UK: W2814 DE/FR: 922 814‑7 JP: PRS‑2068 AU: MX304189‑90 7" Promo A — Partyman (LP Version) (3:11) B — Partyman (LP Version) (3:11) US: 7‑22814 SP: 1.145 MX: PRO‑391 Cassette Single A — Partyman (3:11) B — Feel U Up (Short Stroke) (3:44) US/AU: 4‑22814 UK: W2814C 12" Variant A1 — Partyman (The Purple Party Mix) (6:02) A2 — Partyman (Partyman Music Mix) (4:31) B1 — Partyman (The Video Mix) (6:20) B2 — Feel U Up (Short Stroke) (3:44) US: 0‑21370 CA: 92 13700 AU: MX304273‑4 12" Promo A — Partyman (LP Version) (3:11) B — Partyman (LP Version) (3:11) US: PRO‑A‑3705 CD Promo 1 — Partyman (LP Version) (3:11) US: PRO‑CD‑3705 SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied. Chris — this is perfectly aligned with your template. Ready for the next single whenever you are.

This Star Tribune feature, published on Sunday, July 26, 2009, commemorates the 25th anniversary of Purple Rain and explores how the film and soundtrack transformed Minnesota’s music identity. The article, written by Jon Bream with photography by David Brewster and Anthony Souffle, appears in the Variety section and blends retrospective commentary with updates on the film’s cast and crew. Publication: Star Tribune (Minneapolis, Minnesota, United States) Date: July 26 2009 Country: United States Section / Pages: Variety / E8 Title: ‘Purple’ Afterglow The piece opens with a “Where Are They Now?” sidebar, detailing the post‑film careers of Albert Magnoli, Bob Cavallo, Steve Fargnoli, William Blinn, Apollonia, Morris Day, and Clarence Williams III, alongside Prince himself, who had just performed two nights at the Montreux Jazz Festival earlier that month. The main article reflects on how Purple Rain propelled Minnesota onto the global music map, recounting the film’s production challenges, its box‑office triumph, and its enduring cultural resonance. A secondary section, “Prince’s Shadow Still Looms Large Among Local Musicians,” examines the film’s influence on Minneapolis artists decades later, noting how MTV’s Twin Cities Week and anniversary events revived interest in Prince’s legacy. The accompanying photograph shows patrons at First Avenue during the “Let’s Go Crazy” dance party celebrating the milestone. CONTEXT AND NOTES The article situates Purple Rain as both a cinematic and musical landmark, crediting Prince’s vision for redefining Minneapolis as a creative hub. It highlights the film’s grassroots origins, its impact on local musicians, and its continued relevance through modern tributes and retrospectives. Source: Star Tribune, Minneapolis, MN, July 26 2009. All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Abbotsford News Daily article, published on Monday, July 6, 2009, announces Prince’s return to the Montreux Jazz Festival in Switzerland for two performances on July 18, closing the event on the shores of Lake Geneva. The report, credited to Reuters, confirms that tickets were expected to sell out rapidly, continuing the excitement surrounding Prince’s previous Montreux appearance two years earlier. Publication: Abbotsford News Daily (Abbotsford, British Columbia, Canada) Date: July 6 2009 Country: Canada The article recalls Prince’s 2007 Montreux performance, where tickets sold out in ten minutes and ended with a spontaneous 3 a.m. jam session. Festival organizers described the upcoming shows as “even funkier this year,” confirming long‑standing rumours that the musician would perform twice. Supporting musicians Rhonda Smith, Renato Net, and John Blackwell were listed to join Prince on stage, with ticket prices set at $180 US (standing) and $443 US (seated). Founder Claude Nobs humorously noted Prince’s backstage requests for popcorn and a specific American bottled water, recalling that he had to send someone across Geneva to find the exact brand. CONTEXT AND NOTES Prince’s 2009 Montreux performances marked his third appearance at the prestigious jazz festival, blending funk, soul, and improvisation in a venue renowned for musical excellence. The event underscored his enduring global appeal and his reputation for spontaneity and perfectionism — traits that defined his relationship with Montreux audiences. Source: Abbotsford News Daily, Abbotsford, BC, Canada, July 6 2009. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Los Angeles Times article, published on Saturday, July 4, 2009, announces Prince’s return to the Montreux Jazz Festival in Switzerland for two performances on July 18. The report confirms that the Minneapolis‑born musician will close out the festival on the shores of Lake Geneva, with tickets expected to sell out rapidly. Publication: Los Angeles Times (Los Angeles, California, United States) Date: July 4 2009 Country: United States Title: Prince to Play at Montreux The article notes that Prince last appeared at Montreux two years earlier, performing at the Stravinski Auditorium and later joining his band for a spontaneous 3 a.m. jam session at a local jazz café. Organizers described the upcoming shows as “even funkier this year,” confirming long‑standing rumours on the festival’s opening day. Source: Los Angeles Times, Los Angeles, CA, July 4 2009. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Abbotsford News Daily article, published on Monday, July 20, 2009, covers the electrifying atmosphere surrounding Prince’s two sold‑out performances at the Montreux Jazz Festival in Switzerland. Fans from across Europe flocked to the lakeside town for the artist’s rare continental appearance, which stretched late into the morning hours. Publication: Abbotsford News Daily (Abbotsford, British Columbia, Canada) Date: July 20 2009 Country: Canada Section / Pages: Arts & Entertainment / Music News Title: Prince Fans Storm Montreux The report describes Prince, aged 51, closing the two‑week festival with a dynamic set blending classics like Little Red Corvette, Peach, and Purple Rain with new material from Elixir, his collaboration with Bria Valente. Dressed in a bright red suit, gold necklace, and platform shoes, he performed under his signature purple light, thanking the crowd before launching into an encore of Insatiable. Over 8,000 tickets, priced up to $480 US, sold out in just eight minutes — his only European booking that summer, announced shortly after Michael Jackson’s passing. Prince also debuted a jazz‑infused version of In A Large Room With No Light, praised by organizers as a “groovy mix of soul, jazz, and funk.” He closed the second show in a metallic grey outfit with Purple Rain, marking the song’s 25th anniversary. CONTEXT AND NOTES These performances reaffirmed Prince’s reputation as a genre‑defying showman, merging jazz sophistication with pop spectacle. His Montreux appearances became legendary for their precision, spontaneity, and emotional resonance — a fitting tribute to his enduring artistry. Source: Abbotsford News Daily, Abbotsford, BC, Canada, July 20 2009. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

TOUR DATES • May 8, 1987 — Stockholm, Sweden — Isstadion • May 9, 1987 — Stockholm, Sweden — Isstadion • May 10, 1987 — Stockholm, Sweden — Isstadion • May 12, 1987 — Gothenburg, Sweden — Scandinavium • May 14, 1987 — Berlin, West Germany — Deutschlandhalle • May 15, 1987 — Berlin, West Germany — Deutschlandhalle • May 18, 1987 — Zürich, Switzerland — Hallenstadion • May 19, 1987 — Zürich, Switzerland — Hallenstadion • May 20, 1987 — Zürich, Switzerland — Hallenstadion • May 22, 1987 — Munich, West Germany — Olympiahalle • May 23, 1987 — Munich, West Germany — Olympiahalle • May 25, 1987 — Frankfurt, West Germany — Festhalle • May 26, 1987 — Frankfurt, West Germany — Festhalle • May 29, 1987 — Vienna, Austria — Wiener Stadthalle‑Kiba (Halle D) • May 30, 1987 — Vienna, Austria — Wiener Stadthalle‑Kiba (Halle D) • June 1, 1987 — Dortmund, West Germany — Westfalenhallen (Halle 1) • June 2, 1987 — Dortmund, West Germany — Westfalenhallen (Halle 1) • June 4, 1987 — Stuttgart, West Germany — Schleyer‑Halle • June 7, 1987 — Milan, Italy — Palatrussardi • June 8, 1987 — Milan, Italy — Palatrussardi • June 9, 1987 — Milan, Italy — Palatrussardi • June 11, 1987 — Milan, Italy — Palatrussardi • June 13, 1987 — Paris, France — Palais Omnisports de Paris‑Bercy • June 14, 1987 — Paris, France — Palais Omnisports de Paris‑Bercy • June 15, 1987 — Paris, France — Palais Omnisports de Paris‑Bercy • June 17, 1987 — Paris, France — Palais Omnisports de Paris‑Bercy • June 19, 1987 — Utrecht, Netherlands — Stadion De Galgenwaard • June 20, 1987 — Utrecht, Netherlands — Stadion De Galgenwaard • June 21, 1987 — Utrecht, Netherlands — Stadion De Galgenwaard • June 22, 1987 — Utrecht, Netherlands — Stadion De Galgenwaard • June 26, 1987 — Rotterdam, Netherlands — Sportpaleis Ahoy’ • June 27, 1987 — Rotterdam, Netherlands — Sportpaleis Ahoy’ • June 28, 1987 — Rotterdam, Netherlands — Sportpaleis Ahoy’ (matinee) • June 29, 1987 — Antwerp, Belgium — Sportpaleis BAND LINEUP Prince — Vox, Guitar, Keyboards, Drums, Percussion Sheila E — Drums, Percussion, Vox Levi Seacer Jr — Bass, Vox Miko Weaver — Guitar, Vox Dr. Fink — Keyboards Boni Boyer — Keyboards, Vox Eric Leeds — Saxophone, Flute Atlanta Bliss — Trumpet Cat — Dance, Vox Wally Safford — Backing Vox, Dance Greg Brooks — Backing Vox, Dance OTHER TOUR PERSONNEL Alan Leeds — Tour Manager Dale Alexander — Drums (Madhouse) Mark Adelman — Road Manager Gwendolyn Gwyn — Assistant to Tour Manager Donald Peake — Tour Accountant Spencer Churchill — Tour Accountant Clayton Burton — Tour Security Robyn Lynch — Make‑Up Artist Beth Sidla — Wardrobe Leroy Bennett — Production & Lighting Designer Roland Fackel — Travel Coordinator Jennifer Walton — Wardrobe Rande Laiderman — Assistant to Prince Robbie Paster — Assistant to Prince Earl Jones — Hair Stylist Bevla Reeves — Hair Stylist Gilbert Davison — Security Director Hucky Austin — Tour Security Michael Oakvik — Tour Security Elizabeth Dorr — Wardrobe Supervisor Helen Hiatt — Wardrobe Assistant Lisa Jordan — Wardrobe Assistant Martha O’Connor — Wardrobe Assistant Patrick Wilson — Wardrobe Assistant Victoria Ayres — Assistant to Prince Karen Krattinger — Assistant to Prince Lyle Centola — Stage Manager Steven Gilbard — Stage Manager Matthew Larson — Band Technician Joel Bernstein — Guitar Technician Michael Soltys — Guitar/Bass Technician Bradley Marsh — Drum Technician Donald Johnson — Keyboard Technician David Rule — Keyboard Technician Terra Andrews — Hair/Make‑Up Assistant Robin Fox — Technician Peter Gauchi — House Security Leslie Lehr — Production Coordinator Jeffrey Mason — Production Manager Rebecca Boss — Production Secretary Terri Brook — Production Assistant Wendy Brooks — Assistant to Production Manager William Adie — Lighting Technician David Beazley — Lighting Technician Peter Currier — Lighting Technician Gary Massey — Lighting Technician Jeff Mateer — Lighting Technician Milan Rakic — Lighting Technician Steven Rusling — Lighting Technician John Wyer — Lighting Technician Dennis A. Frank — Electrician Dan Lutz — Electrician Sal Greco — Maintenance Engineer Eddie Garcia — Assistant Engineer Tim Jordan — Assistant Engineer Mike Kloster — Assistant Engineer Terry Wilson — Assistant Engineer Calvin “Mac” Mosier — Vari‑Lite Operator John Morgan — Vari‑Lite Technician Laurel Glowecki — Vari‑Lite Technician Aidan McCabe — Vari‑Lite Technician Andrew Watson — Vari‑Lite Technician David Dorr — Rigger Robert McKinney — Rigger Edward Monahan — Rigger Fred Moultrie — Business Manager Joanne Rabune — Production Accountant Ann Richman — Production Accountant Robyn Riggs — Publicist Gary Sanguinet — Monitor Mixer Laila Schirrmeister — Property Master Roger Harding — Turbosound Technician Nicholas Atkins — Turbosound Technician Mick Staplehurst — Turbosound Technician Therese Stoulil — Music Production Coordinator

August 12, 1986 – August 31, 1986 September 5, 1986 – September 9, 1986 TOUR DATES • August 12, 1986 — London, England — Wembley Arena • August 13, 1986 — London, England — Wembley Arena • August 14, 1986 — London, England — Wembley Arena • August 17, 1986 — Rotterdam, Netherlands — Sportpaleis Ahoy’ • August 18, 1986 — Rotterdam, Netherlands — Sportpaleis Ahoy’ • August 19, 1986 — Rotterdam, Netherlands — Sportpaleis Ahoy’ • August 21, 1986 — Copenhagen, Denmark — Valby‑Hallen • August 22, 1986 — Johanneshov, Stockholm, Sweden — Isstadion • August 25, 1986 — Paris, France — Le Zénith • August 26, 1986 — Frankfurt, West Germany — Eissporthalle • August 27, 1986 — Brussels, Belgium — Forest/Vorst Nationaal • August 29, 1986 — Essen, West Germany — Grugahalle • August 30, 1986 — Hamburg, West Germany — Alsterdorfer Sporthalle • August 31, 1986 — Hamburg, West Germany — Alsterdorfer Sporthalle • September 5, 1986 — Osaka, Japan — Osaka‑jō Hall • September 6, 1986 — Osaka, Japan — Osaka‑jō Hall • September 8, 1986 — Yokohama, Japan — Yokohama Stadium • September 9, 1986 — Yokohama, Japan — Yokohama Stadium BAND LINEUP Prince — Vox, Guitar, Keyboards, Drums Bobby Z — Drums Brown Mark — Bass Wendy Melvoin — Guitar Lisa Coleman — Keyboards Dr. Fink — Keyboards Eric Leeds — Saxophone, Flute Atlanta Bliss — Trumpet Miko Weaver — Guitar Jerome Benton — Dance, Backing Vox Greg Brooks — Dance, Backing Vox Wally Safford — Dance, Backing Vox OTHER TOUR PERSONNEL Alan Leeds — Tour Manager Leroy Bennett — Production & Lighting Designer Karen Krattinger — Road Manager Fred Moultrie — Tour Accountant Donald Peake — Tour Accountant Michele Mecca — Tour Accountant Jeffrey Mason — Tour Production Gwendolyn Gwyn — Assistant to the Tour Manager Stachia Fiedler — Management Norm Williams — Tour Coordinator Robbie Paster — Assistant To Prince Robyn Lynch — Make‑up Cindy Rae — Make‑up Nancy Pollock — Make‑up Earl Jones — Hair Rona Beyer — Hair Beth Sidla — Wardrobe Helen Hiatt — Wardrobe Penny Truax — Wardrobe Monica Caston — Wardrobe Nancy Swarts — Wardrobe Jeff Katz — Still Photographer Gilbert Davison — Security Harlan Austin — Security Michael Oakvik — Security Nur Muhammad — Security Dewey Muhammad — Security Mitchell James — Security Rob “Cubby” Colby — Sound Engineer Tom Hudak — Stage Manager Michael Horner — Stage Manager Dale Peters — Audio Technician Roseanne Longworth — Assistant Engineer Bruce Judd — Monitors David Dorr — Rigging Steve Fortney — Guitar Technician Rick Garcia — Guitar Technician Doug Breidenbach — Guitar Technician Mike Soltys — Bass Technician Todd Herreman — Keyboard Technician Wayne Williams — Keyboard Technician Brad Marsh — Drum Technician Matt Larson — Technician

June 2, 1990 – September 10, 1990 TOUR DATES — EUROPE • June 2, 1990 — Rotterdam, Netherlands — Stadion Feijenoord • June 3, 1990 — Rotterdam, Netherlands — Stadion Feijenoord • June 5, 1990 — Copenhagen, Denmark — Gentofte Stadion • June 6, 1990 — Kiel, West Germany — Ostseehalle • June 7, 1990 — Hamburg, West Germany — Alsterdorfer Sporthalle • June 9, 1990 — Hamburg, West Germany — Alsterdorfer Sporthalle • June 10, 1990 — Hannover, West Germany — Niedersachsenstadion • June 12, 1990 — Berlin, West Germany — Waldbühne • June 13, 1990 — Dortmund, West Germany — Westfalenhallen (Halle 1) • June 14, 1990 — Munich, West Germany — Olympiastadion • June 16, 1990 — Paris, France — Parc des Princes • June 17, 1990 — Lille, France — Grand Palais De La Foire De Lille • June 19, 1990 — London, England — Wembley Arena • June 20, 1990 — London, England — Wembley Arena • June 22, 1990 — London, England — Wembley Arena • June 23, 1990 — London, England — Wembley Arena • June 25, 1990 — London, England — Wembley Arena • June 26, 1990 — London, England — Wembley Arena • June 27, 1990 — London, England — Wembley Arena • June 29, 1990 — Birmingham, England — National Exhibition Centre • June 30, 1990 — Birmingham, England — National Exhibition Centre • July 1, 1990 — Birmingham, England — National Exhibition Centre • July 3, 1990 — London, England — Wembley Arena • July 4, 1990 — London, England — Wembley Arena • July 7, 1990 — Cork, Ireland — Páirc Uí Chaoimh • July 9, 1990 — London, England — Wembley Arena • July 10, 1990 — London, England — Wembley Arena • July 11, 1990 — London, England — Wembley Arena • July 13, 1990 — Birmingham, England — National Exhibition Centre • July 15, 1990 — Basel, Switzerland — Fussballstadion St Jakob • July 17, 1990 — Rome, Italy — Stadio Flaminio • July 18, 1990 — Cava de’ Tirreni, Italy — Stadio Simonetta Lamberti • July 22, 1990 — Madrid, Spain — Estadio Vicente Calderón • July 24, 1990 — Valencia, Spain — Estadio Luís Casanova • July 25, 1990 — Barcelona, Spain — Estadi Olímpic de Montjuïc • July 27, 1990 — Marbella, Spain — Estadio Municipal de Marbella • July 29, 1990 — La Coruña, Spain — Estadio Santa María del Mar SECOND LEG — EUROPE • August 4, 1990 — Werchter, Belgium — Festival Terrein • August 5, 1990 — Heerenveen, Netherlands — IJsstadion Thialf • August 6, 1990 — Dortmund, West Germany — Westfalenhallen (Halle 1) • August 8, 1990 — Mannheim, West Germany — Maimarkthalle • August 10, 1990 — Gothenburg, Sweden — Scandinavium • August 11, 1990 — Stockholm, Sweden — Stockholm Globe Arena • August 12, 1990 — Stockholm, Sweden — Stockholm Globe Arena • August 16, 1990 — Lausanne, Switzerland — Stade de la Pontaise • August 18, 1990 — Nice, France — Stade de l’Ouest • August 20, 1990 — London, England — Wembley Arena • August 21, 1990 — Manchester, England — Maine Road • August 22, 1990 — London, England — Wembley Arena • August 23, 1990 — London, England — Wembley Arena • August 24, 1990 — London, England — Wembley Arena TOUR DATES — JAPAN • August 30, 1990 — Tokyo — Tokyo Dome • August 31, 1990 — Tokyo — Tokyo Dome • September 2, 1990 — Nishinomiya — Hanshin Koshien Stadium • September 6, 1990 — Sapporo — Makomanai Open Stadium • September 10, 1990 — Yokohama — BAND LINEUP Prince — Vox, Guitar, Piano Michael B — Drums Levi Seacer Jr — Bass, Vox Miko Weaver — Guitar, Vox Dr. Fink — Keyboards Rosie Gaines — Keyboards, Vox Tony M — Dance, Rap Damon Dickson — Dance Kirky J — Dance, Percussion The Game Boyz: Tony M, Damon Dickson, Kirk JohnsonYokohama Stadium OTHER TOUR PERSONNEL Stiefel‑Philips Entertainment — Corporate Advisers Gary Stiffelman — Legal Representation Nancy Chapman — Business Management Jill Willis — Media & Public Relations Jacquelyne Ledent‑Vilian — Media & Public Relations Leroy Bennett — Production & Lighting Design Henry Neuman — Tour Director Mark Adelman — Tour Manager Lars Brogaard — Production Manager Skip Johnson — Advance Production Manager Jurgen Leipold — Stage Manager Tait Towers — Stage Construction Davy Moire — Audio Engineer Bruce Knight — Audio Engineer Harald Danker — Monitor Engineer Michael McNeil — Monitor Engineer Calvin “Mac” Mosier — Vari‑Lite Designer Joseph Chardukian — Vari‑Lite Technician James Tellson — Vari‑Lite Technician Matthew Larson — Electronic Technician (Crew Chief) Paul Froid — Electronic Technician (Crew Chief) Dallas Schoo — Guitar Technician (Prince) Thomas Moore — Guitar Technician (Miko & Levi) Robert Eagle — Keyboard Technician Bob Reddy — Keyboard Technician Toby Davis — Drum Technician Gilbert Davison — Security Director Mike McGinley — Tour Accountant Tony Flannery — Tour Accountant Tim Jahnke — Tour Accountant Helen Horatio — Wardrobe Manager & Designer Robbie Paster — Valet Sheira Rees Davies — Assistant to Tour Manager Craig Rice — Tour Production Rehearsals Mark “Red” White — Tour Production Rehearsals Alan Leeds — Paisley Park Records Therese Stoulil — Paisley Park Records Lisa Reker — Paisley Park Records Peter Rayel — Head Rigger Jan Bohse — Rigger Hangover Rigging — Tour Rigging Roland Fackel — Travel Coordinator Earl Jones — Hair Deborah Lake — Make‑up Cheryl Nick — Make‑up Simon Cramp — Dressing Room Coordinator Cheryl Brenner — Chef Christopher Finn — Catering Martin Vaughan — Catering Jay Hewitt — Catering Harlan Austin — Security Duane Nelson — Security Derrick Henry — Security Jim Shearon — Wardrobe Lou Eyrich — Wardrobe LeAnne Doescher — Wardrobe Sue Flesland — Wardrobe Heidi Presnail — Wardrobe Marta Prues — Wardrobe Mary Lohlien‑Thiess — Wardrobe Stacia Lang — Wardrobe Karen Winkler — Wardrobe Liz Languaard — Wardrobe Penny Truax — Wardrobe Richard Kordash — Sound Technician William Carus‑Wilson — Lighting Technician Peter Parchment — Lighting Technician Milan Rakic — Lighting Technician Mark Rahn — Lighting Technician Douglas Brant — Lighting Technician Laurence Dunnett — Electrician Jeffrey Gilreath — Head Carpenter Phillip Billey — Carpenter Charles Harris — Carpenter DB Sound — Sound LSD — Lights Vari‑Lite / Brian Croft — Computerized Lighting Trinifold Travel — Travel Rock It Cargo — Freight Agent David Bernstein — Freight Agent Ed Butler — Freight Agent Brockum Inc — Merchandising Jill Willis & Mark Adelman — Tour Book Concept Roger Gorman — Design John Campagna — Design Jeff Katz — Photography Matthew Rolston — Photography Bob MacNamara — Photography Joel Bernstein — Photography Paul Natkin — Photography Stephen Crawford — Special Effects Technician Hill Shorter Ltd — Printing John Basile — Video Engineer Mic Anger — Video Director James Cooper — Video Projectionist Mark Stutsman — Video Camera Mikkel Brogaard Design & Production — Staging APS — Staging Templine — Power Generator Company Bill Lawford — Ground Rigger Crawfords / Wharfedale — Bus Company TransAm — Truck Company