On 6 September 2018, the Piano & A Microphone 1983 version of 17 Days was released worldwide as a digital download, serving as an advance preview of the posthumous album Piano & A Microphone 1983. This early release arrived two weeks before the album itself, offering listeners a raw, intimate glimpse into Prince’s 1983 piano rehearsal tapes. The track’s full copyrighted title — 17 Days (the rain will come down, then U will have 2 choose. If U believe look 2 the dawn and U shall never lose.) — reflects Prince’s poetic phrasing and the lyrical tone of the era. The original studio version of 17 Days had been issued in 1984 as the B‑side of When Doves Cry, later appearing in 1993 on The Hits / The B‑Sides. The 1983 piano rehearsal included on the 2018 album was also distributed physically as the A‑side of a 7" vinyl single titled 17 Days (Piano Version), given away as a covermount with the October 2018 edition of Rolling Stone magazine in Germany. RECORDING While exact recording dates for 17 Days are not fully documented, the earliest known version was tracked at The Warehouse in St. Louis Park, Minnesota in August 1983. This session likely took place only days after work on Let’s Go Crazy and Computer Blue. Brenda Bennett contributed vocals to this early version. At the time, Vanity had just departed the Prince camp, and Apollonia had not yet been cast, creating a transitional moment within the Purple Rain era. Although long believed not to have been intended for Vanity 6 or Apollonia 6, Brenda Bennett later recalled that 17 Days was originally recorded for a second Vanity 6 album and was at one point considered for a solo project Prince envisioned for her. A new studio version was recorded on 8 January 1984 at Sunset Sound in Hollywood, three days after Oliver’s House, with Wendy Melvoin and Lisa Coleman providing background vocals. Additional work continued in March. Although the When Doves Cry single was credited solely to Prince, 17 Days carried the credit Prince and the Revolution, making it the earliest released track to bear that designation. In 2000, a fan asked on NPGonlineltd about the identity of the uncredited backing vocalist heard near the end of the track. The response confirmed: “BRENDA BENNETT.” Her contribution may originate from her own earlier version. The song received its first public airing in early April 1984 when Prince brought a tape of it to First Avenue to be played there. RELEASE HISTORY Released worldwide on 6 September 2018 as a digital download preview for the album Piano & A Microphone 1983. The same piano version was issued physically as the A‑side of a 7" vinyl single titled 17 Days (Piano Version), distributed as a covermount with the October 2018 edition of Rolling Stone (Germany). PERSONNEL Prince — piano, vocals Brenda Bennett — background vocals (uncredited, archival version) Wendy Melvoin — background vocals (1984 studio version) Lisa Coleman — background vocals (1984 studio version) SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Anthology: 1995–2010 is the seventh compilation album of Prince’s studio work, and the third official posthumous album release, released with no prior announcement in August 2018 as the first Prince release through a new deal through Sony’s Legacy Recordings covering Prince’s post‑Warner Bros. independent output (some of which was originally released as ). As such, this was the first compilation to include material from this era, although a few tracks were included from ’s Warner Bros. releases The Gold Experience and Chaos And Disorder. Although billed as an anthology from 1995–2010, the tracks Dream Factory and Crucial, released on Crystal Ball in 1998, were recorded in November 1985 and September 1986 respectively. Additionally, many of the tracks originally released on The Gold Experience and Chaos And Disorder (along with Strays Of The World), released on Crystal Ball, were recorded in 1993 or 1994. The “1995–2010” designation refers only to original release dates. The 37 tracks come from 20 albums released from 1995–2010, and all are studio tracks with the exception of Empty Room, taken from the C‑Note live album. All 20 albums were made available for streaming on the same day as the compilation’s release, under the same deal with Sony’s Legacy Recordings. Most albums were represented by only one track on the album. Chaos And Disorder, Emancipation, Rave Un2 The Joy Fantastic, Musicology, The Chocolate Invasion and Lotusflow3r were represented by two songs each, while Crystal Ball, The Rainbow Children and Planet Earth were represented by three songs each. The Gold Experience had six tracks. Notably absent was The Most Beautiful Girl In The World. Also absent was material from Old Friends 4 Sale and Girl 6. There were no previously‑unreleased tracks. Crucial appeared with a clean fade‑out. Hate U was the longer full‑length version. The compilation is available for streaming and download in digital formats only. Track Listing All songs written by Prince, except where indicated. Emancipation — Prince — 4:13 Black Sweat — Prince — 3:11 P. Control — Prince — 5:59 Crucial — Prince — 5:08 The Love We Make — Prince — 4:39 Hate U — Prince — 6:07 The Greatest Romance Ever Sold — Prince — 5:33 Love U, But Don’t Trust U Anymore — Prince — 3:36 Gold — Prince — 7:22 Guitar — Prince — 3:45 Dream Factory — Prince — 3:07 The Work Pt. 1 — Prince — 4:28 Call My Name — Prince — 5:15 Strays Of The World — Prince — 5:06 Shhh — Prince — 7:17 Dreamer — Prince — 5:32 Chaos And Disorder — Prince — 4:19 Endorphinmachine — Prince — 4:06 Musicology — Prince — 4:24 Northside — Prince — 6:31 When Lay My Hands On U — Prince — 3:40 Beautiful Strange — Prince — 4:55 Future Soul Song — Prince — 5:08 Empty Room (Live) — Prince — 4:00 3rd Eye — Prince — 4:54 U’re Gonna C Me — Prince — 5:16 Dinner With Delores — Prince — 2:46 Ol’ Skool Company — Prince — 7:30 4ever — Prince — 3:47 West — Prince — 14:00 Xpedition — Prince — 8:23 Muse 2 The Pharaoh — Prince — 4:21 Somewhere Here On Earth — Prince — 5:46 U Make My Sun Shine — Prince — 7:05 1+1+1 Is 3 — Prince — 5:17 Chelsea Rodgers — Prince — 5:41 We March — Prince — 4:49 Charts USA (iTunes) — 22 Canada (iTunes) — 35 Australia (iTunes) — 67 UK (iTunes) — 28 France (iTunes) — 15 USA — 17 Aug. 2018 — 22 — 8 days Canada — 17 Aug. 2018 — 35 — 7 days Australia — 17 Aug. 2018 — 67 — 3 days UK — 17 Aug. 2018 — 28 — 8 days France — 17 Aug. 2018 — 15 — 8 days Prince Anthology: 1995-2010 Promo sampler CD - Japan - SDCI-82404 SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Prince’s original version of the iconic ballad Nothing Compares 2 U released as a limited-edition picture disc 7" single to promote the album Originals. RELEASE / PUBLICATION DETAILS Artist: Prince Title: Nothing Compares 2 U Date: April 22, 2018 (Picture Disc) Label: NPG Records / Warner Bros. Records Format / Type: Vinyl, 7", Single, Picture Disc, Limited Edition Country: USA Catalogue: RPD7-567338 TRACK LIST Side A Nothing Compares 2 U (Edit) Side B Nothing Compares 2 U (Full-Length Version) THE STORY Prince’s original 1985 recording of Nothing Compares 2 U was officially released in 2018 on the album Originals. This picture disc 7" single was made available starting April 22, 2018 via the official Prince store (often bundled with a matching T-shirt). A purple vinyl version appeared at Electric Fetus on April 21, 2018, followed by a black vinyl edition on May 25, 2018. CONTEXT & NOTES The single features both an edited and full-length version of the track. The striking silhouette artwork matches the Originals campaign aesthetic. These limited 7" releases were among the first physical singles tied to the posthumous Originals project. PERSONNEL Prince – vocals, instruments, production Susannah Melvoin – backing vocals PRODUCTION Produced, Arranged, Composed and Performed by Prince CHARTS Weekly Charts N/A (Limited Single Release) PACKAGING / ARTWORK HIGHLIGHTS Picture disc vinyl with silhouette artwork Matching T-shirt bundle option Elegant purple/blue design WHAT THE SLEEVE SHOWS The picture disc features a dramatic blue/purple silhouette of Prince playing guitar with “Prince” and “Nothing Compares 2 U” text. The packaging includes the iconic Originals aesthetic with the Love Symbol. RELATED MATERIAL See tags at foot of page. SOURCES Official Prince Estate / Warner Bros. release information, Discogs, Prince.com. and sleevographia2. All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A career-spanning 4LP vinyl compilation featuring 40 of Prince’s greatest songs, including the previously unavailable on LP track “Moonbeam Levels,” presented in a deluxe box set with exclusive Herb Ritts photo art prints. RELEASE / PUBLICATION DETAILS Artist: Prince Title: Prince 4EVER Date: September 15, 2017 Label: NPG Records / Warner Bros. Records Format / Type: 4 x Vinyl LP, Compilation, Box Set Country: Worldwide Catalogue: 9362-49130-4 / 558509-1 TRACK LIST LP 1 Side 1 1999 Little Red Corvette When Doves Cry Let’s Go Crazy Raspberry Beret I Wanna Be Your Lover Side 2 Soft and Wet Why You Wanna Treat Me So Bad? Uptown When You Were Mine Head Gotta Stop (Messin’ About) LP 2 Side 1 Controversy Let’s Work Delirious I Would Die 4 U Take Me With U Paisley Park Side 2 Pop Life Purple Rain Kiss Sign “O” The Times LP 3 Side 1 Alphabet St. Batdance Thieves in the Temple Cream Mountains Girls & Boys Side 2 If I Was Your Girlfriend U Got the Look I Could Never Take the Place of Your Man Glam Slam Moonbeam Levels* LP 4 Side 1 Diamonds and Pearls Gett Off Sexy MF My Name Is Prince Side 2 7 (Album Edit) Peach Nothing Compares 2 U Released on September 15, 2017, Prince 4EVER is a 40-track career retrospective compiled across four 180g vinyl LPs. It includes key hits from every era of Prince’s career, highlighted by the previously vinyl-unreleased track “Moonbeam Levels.” CONTEXT & NOTES This compilation serves as an excellent introduction to Prince’s vast catalog while offering collectors a high-quality vinyl pressing with exclusive art prints by Herb Ritts. It was released as part of the ongoing celebration of his legacy following his passing. PERSONNEL Varies by track — features Prince and The Revolution, The New Power Generation, and various collaborators. PRODUCTION Produced, Arranged and Performed by Prince (and associated bands) PACKAGING / ARTWORK HIGHLIGHTS Limited Deluxe 4LP Box Set 180g Vinyl Exclusive Herb Ritts photo art prints SOURCES Official Warner Bros. / Prince Estate release materials, Discogs and Sleevographia2. All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This Star Tribune front-page report by Chris Riemenschneider and Rochelle Olson announces plans for a Prince tribute as part of the festivities surrounding Super Bowl LII in Minneapolis. The proposed Prince-themed night was scheduled for January 29, 2018 as part of the free Super Bowl Live concert series on Nicollet Mall, with Jimmy “Jam” Harris and Terry Lewis involved in producing the programme. Publication: Star Tribune Date: October 28, 2017 Country: United States Writers: Chris Riemenschneider and Rochelle Olson THE STORY Published beneath the headline “A purple-hued party”, the article reports on plans being developed by the Super Bowl Host Committee for the celebrations leading up to Super Bowl LII. A major part of those plans was a series of free concerts on Minneapolis’ Nicollet Mall. Producers Jimmy “Jam” Harris and Terry Lewis promised a strongly Minnesota-focused musical programme. The proposed line-up was expected to include NFL outcast Janet Jackson, while the organisers made clear that the celebrations would also contain a dedicated Prince tribute. Lewis is quoted describing the intention to showcase music from their hometown and provide a celebration of Minnesota’s musical heritage. PRINCE-THEMED NIGHT The accompanying Super Bowl Live information identifies January 29, 2018 as the planned Prince tribute night. The wider Super Bowl Live event was scheduled to run from: January 26 to February 4, 2018 with daily free concerts on the “Verizon Up Stage at Ice Mountain” at the corner of 8th Street S. and Nicollet Mall. Jimmy “Jam” Harris and Terry Lewis were named as producers of the concert programme. The article states that the pair were trying to secure Janet Jackson alongside a combination of classic and newer Minnesota rock, R&B and hip-hop performers. MINNESOTA MUSIC The proposed Prince tribute formed part of a wider attempt to give the Super Bowl celebrations a distinctly Minnesota identity. The article describes organisers planning a programme built around musicians associated with the state rather than simply treating the event as a conventional national concert series. Prince’s inclusion therefore represented a central part of the musical identity being developed for the festivities. SUPER BOWL LIVE The article gives the following details for the wider event: Where: Nicollet Mall When: January 26 to February 4, 2018 Activities: Daily free concerts at the Verizon Up Stage at Ice Mountain Prince Tribute Night: January 29, 2018 Other attractions planned for Nicollet Mall included a football-shaped walk-in snow globe, illuminated displays and ice sculptures containing NFL jerseys. The article reports that organisers expected the free event to attract one million visitors for its mixture of entertainment, activities and food. 100-DAY COUNTDOWN The news conference coincided with the beginning of the 100-day countdown to Super Bowl LII. The accompanying photograph shows Super Bowl Host Committee representatives and Minneapolis Mayor Betsy Hodges around large blocks of ice during the countdown celebration. The photograph is credited to: Glen Stubbe / Star Tribune The caption explains that the celebration marked 100 days until Super Bowl LII was due to arrive at U.S. Bank Stadium on February 4, 2018. CONTEXT AND NOTES The clipping documents the Prince-themed celebration at the planning and announcement stage, several months before the proposed January 29 tribute. It is therefore important not to treat the article as a review of an event that had already taken place. Instead, the report captures Minneapolis organisers publicly placing Prince at the centre of the city’s musical contribution to the forthcoming Super Bowl festivities. The article is particularly relevant to the Prince archive because the planned tribute was being incorporated into one of the largest public events scheduled for Minneapolis during 2018. FEATURE HIGHLIGHTS Event: Announcement of a Prince-themed Super Bowl Live night Publication Date: October 28, 2017 Planned Prince Tribute: January 29, 2018 Super Bowl Live Dates: January 26 - February 4, 2018 Location: Nicollet Mall, Minneapolis Producers: Jimmy “Jam” Harris and Terry Lewis Tone: News and event announcement Photography: Super Bowl LII 100-day countdown celebration Photo Credit: Glen Stubbe / Star Tribune WHAT THE CLIPPING SHOWS • Plans for a dedicated Prince tribute night on January 29, 2018 • Prince incorporated into the Minnesota-focused Super Bowl Live music programme • Jimmy “Jam” Harris and Terry Lewis producing the free concert series • An attempt being made to secure Janet Jackson • A mixture of classic and contemporary Minnesota rock, R&B and hip-hop planned • Super Bowl Live scheduled from January 26 through February 4 • Daily free concerts planned for Nicollet Mall • Super Bowl LII scheduled for February 4, 2018 at U.S. Bank Stadium • The announcement coinciding with the 100-day countdown to the Super Bowl All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The Issue 5 edition of CR Fashion Men’s Book features a striking cover portrait of Prince photographed by Steven Klein, with an exclusive purple “CR” signature overlay. Publication: CR Fashion Men’s Book Date: September 2011 (Issue 5) Country: United States / International Location: New York Section: Front Cover THE STORY This high-fashion cover showcases Prince in a dramatic, elegant pose wearing a sheer dark shirt, ornate belt, and jewellery. The minimalist yet powerful image, captured by renowned photographer Steven Klein, highlights Prince’s enduring status as a style icon and musical legend. CONTEXT AND NOTES By 2011 Prince continued to captivate the fashion world with his unique aesthetic. This CR Fashion Book cover represents one of the more artistic and stylish magazine features of his later career, blending high fashion photography with his unmistakable persona. FEATURE HIGHLIGHTS Event: High-fashion magazine cover shoot Era: 2011 (Later career / Fashion icon era) Tone: Elegant, mysterious, iconic Photography: Dramatic black & white portrait by Steven Klein WHAT THE CLIPPING SHOWS Prince in a sheer dark shirt with lace-up belt and jewellery, hand behind his head Large purple “CR” signature overlay across the image Clean minimalist layout with “PRINCE by Steven Klein” and “MEN’S BOOK” text Issue 5 branding RELATED MATERIAL This 2011 CR Fashion Men’s Book cover highlights Prince’s timeless fashion influence and pairs well with other later-career features in the scrapbook. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A detailed Star Tribune report on the 9th annual Minnesota Music Awards, published May 12 1989, highlighting The Replacements’ continued dominance and the vibrant local music scene. The article captures the event’s energy at the Orpheum Theatre in Minneapolis, where Prince, The Replacements, and other Minnesota artists were honoured for their contributions. Writer: Jon Bream (Staff Writer) Publication: Star Tribune (USA) Date: May 12 1989 Length: 2 pages feature The piece, titled “Replacements Irreplaceable as Minnie  Award Winners,” recounts the ceremony’s highlights and performances. The Replacements were named top rock performers for the second consecutive year, while Prince received awards for Best Album (“Lovesexy”) and Best R&B Composition (“Alphabet St.”). The article notes that Prince, though not present, remained a defining figure of the evening — his influence on Minnesota’s music culture acknowledged alongside emerging acts. The coverage situates him as both local legend and international innovator, bridging the Minneapolis Sound with broader pop and R&B movements. The Replacements were named top rock performers for the second consecutive year, while Prince received awards for Best Album (“Lovesexy”) and Best R&B Composition (“Alphabet St.”). The article notes that Prince, though not present, remained a defining figure of the evening — his influence on Minnesota’s music culture acknowledged alongside emerging acts. The coverage situates him as both local legend and international innovator, bridging the Minneapolis Sound with broader pop and R&B movements PRIMARY QUOTE “Prince was awarded Best Album for  ‘Lovesexy’ and Best R&B Composition for  ‘Alphabet St.’ at the Minnesota Music  Awards.” PUBLICATION Publication: Star Tribune (USA) Date: May 12 1989 Country: United States Section / Pages: Entertainment / Music Awards Coverage Title: Replacements Irreplaceable as Minnie  Award Winners FEATURE HIGHLIGHTS Event: 9th annual Minnesota Music Awards  coverage Era: 1989 – Lovesexy and local rock renaissance Tone: Journalistic and celebratory Photography: Duane Braley photo of Christopher Winter and friends Audience: Minnesota music press readers and  regional fans THE STORY BEHIND IT The 1989 Minnesota Music Awards reflected the state’s creative diversity at the end  of the decade. Prince’s wins for “Lovesexy” and “Alphabet St.” affirmed his continued influence on R&B and pop, while The  Replacements cemented their status as  the region’s premier rock band.  Jon Bream’s coverage captures the  balance between local pride and national  recognition, showcasing Minnesota’s  music scene as a microcosm of American  innovation. Prince’s absence from the  ceremony is noted as characteristic of his reclusive phase during the Lovesexy  period, yet his presence was felt through his music and the awards that celebrated  his artistic reach. “Prince remained a defining figure of the evening — his influence on Minnesota’s music culture acknowledged alongside emerging acts.” WHAT THE CLIPPING SHOWS Event: Star Tribune coverage of Minnesota Music Awards 1989 Era: 1989 Tone: Reportage and regional celebration Photography: Black‑and‑white photo by Duane Braley Audience: Minnesota music press and local readers CONTEXT AND NOTES The article illustrates Minnesota’s dual  identity as a local music hub and a national influence. Prince’s recognition for  “Lovesexy” and “Alphabet St.” underscored his artistic continuity after the 1988 tour, while The Replacements’ repeat victory  highlighted the strength of the Twin Cities rock scene. Jon Bream’s report balances  factual coverage with cultural insight,  making this clipping a snapshot of  Minnesota’s music renaissance at the  close of the 1980s. Prince’s awards symbolised his ongoing connection to his home state and its creative community, even as his career continued to expand globally. COPYRIGHT NOTICE All newspaper scans, photographs, and original text excerpts remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

At the 9th annual Minnesota Music Awards ceremony, held at the Orpheum Theatre in Minneapolis, Prince received two major honours: Best Album for “Lovesexy” and Best R&B Composition for “Alphabet St.” The event marked a triumphant hometown recognition of his creative resurgence following the intense artistic cycle of the late 1980s. Date: May 11 1989 Length: 1 event summary The ceremony celebrated Minnesota’s vibrant music scene, with Prince’s dual wins underscoring his continued dominance both locally and internationally. “Lovesexy,” released in 1988, was praised for its spiritual themes and intricate production, while “Alphabet St.” stood out as a playful, funk‑driven single that captured his effortless blend of rhythm and innovation. The Orpheum Theatre audience greeted his victories as a reaffirmation of his enduring influence on R&B and pop. Winners of the Minnesota Music Awards, as featured in the Star Tribune on Friday, May 12, 1989, highlighting accomplishments in diverse music categories including rock, R&B, blues, and folk. “Prince is awarded Best Album for Lovesexy and Best R&B Composition for Alphabet St.” Venue: Orpheum Theatre – Minneapolis, MN (USA) Date: May 11 1989 Country: United States Section / Pages: Awards Ceremony Summary Title: Minnesota Music Awards – Prince Honoured Event: 9th annual Minnesota Music Awards Era: 1989 – Lovesexy period Tone: Celebratory and local tribute Photography: Audience: Minnesota music community and Prince  fans THE STORY BEHIND IT Prince’s 1989 Minnesota Music Awards  recognition came at a moment of  transition between the Lovesexy Tour  and his next creative phase.  The awards validated his continued connection to his home state and its music  scene, even as his career expanded  globally. “Lovesexy” represented his  spiritual rebirth after the withdrawal of  “The Black Album,” and “Alphabet St.”  embodied his playful yet complex approach to funk and pop.  The ceremony cemented his status as  Minnesota’s most influential musical  figure of the decade. “Held at the Orpheum Theatre in  Minneapolis, MN – Prince honoured for Lovesexy and Alphabet St.” WHAT THE CLIPPING SHOWS Event: Prince receives two Minnesota Music  Awards Era: 1989 Tone: Triumphant and local celebration Photography: Award presentation and press coverage Audience: Minnesota music press and Prince  followers CONTEXT AND NOTES The Minnesota Music Awards were  established to honour regional artists  and industry contributors.  Prince’s wins for  “Lovesexy” and “Alphabet St.” highlighted his ability to balance global success with  local roots. The event at the Orpheum  Theatre symbolised his ongoing  relationship with Minneapolis — the city  that shaped his sound and remained  central to his identity throughout his  career. COPYRIGHT NOTICE All event details, photographs, and original text excerpts remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The Minneapolis Star Tribune reports on the second annual Minnesota Music Awards, noting that Prince won “Musician of the Year” for the second consecutive year while the Lamont Cranston Band dominated the event. PUBLICATION Publication: Minneapolis Star Tribune Date: Tuesday, May 25, 1982 Country: United States Section / Pages: Page 21 (7B) Title: Lamont Cranston overshadows field THE STORY The article covers the Minnesota Music Awards presented at the Prom Center. While the Lamont Cranston Band took home the most awards, Prince was named Musician of the Year for the second year in a row. The Time was also recognized as best R&B band. The piece includes a photo of Pat Hayes (Lamont Cranston lead singer) and mentions several other winners across genres. CONTEXT AND NOTES This clipping comes from very early in Prince’s rise — just before the release of his breakthrough album 1999 (October 1982). Winning Musician of the Year for the second straight year in his home state shows the local respect he was already commanding in the Minnesota music scene at age 23. This was still during the Controversy era. FEATURE HIGHLIGHTS Event: 2nd Annual Minnesota Music Awards Era: Controversy Era (1982) Tone: Local pride and celebratory Photography: Black & white photo of Pat Hayes (Lamont Cranston) Audience: Minnesota music community and general readers WHAT THE CLIPPING SHOWS A snapshot of the vibrant early-1980s Minnesota music scene, highlighting Prince’s growing local dominance even as other bands like Lamont Cranston won the most total awards. It captures the moment when Prince was transitioning from local hero to national superstar. RELATED MATERIAL Prince (May 24, 1984) Purple Rain Movie Announcement - St. Cloud Times The Time Artist Profile Early Prince Minnesota Awards Coverage COPYRIGHT NOTICE All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Debut solo album by Dale Bozzio featuring the Prince-written and recorded track “So Strong”. RELEASE DETAILS Artist: Dale Bozzio Label: Paisley Park / Warner Bros. Records Date: March 1988 Catalogue: Varies by country (see below) Format: LP, CD, Cassette Country: United States / Europe / Japan / Australia / Canada / Mexico Album: Riot In English (1988) THE STORY Riot In English is the first solo studio album by Dale Bozzio, former lead singer of Missing Persons. Released on Prince’s Paisley Park label in March 1988, the album includes “So Strong,” a track written, produced, and originally recorded by Prince, with Dale adding her vocals. It marks her only release on the label. CONTEXT & NOTES Prince also submitted “The Latest Fashion” and “2nd Thoughts” for the project, but they were not used. This album represents a brief but notable collaboration between Dale Bozzio and the Paisley Park camp. TRACK LIST (All Formats) Side One Simon Simon Giddi Up Baby – Be Mine Overtime So Strong — 4:28 (Written and recorded by Prince) Love Is Hard Work Side Two Riot In English He’s So Typical Ouch That Feels So Good The Perfect Stranger All Variants 🇺🇸 United States LP: 9 25599-1 (Specialty & Allied pressings) CD: 9 25599-2 Cassette: 9 25599-4 / 4-25599 🇪🇺 Europe LP: 925 599-1 CD: 925 599-2 Cassette: 925 599-4 🇯🇵 Japan CD: 32XD-976 (1988) CD Reissue: WPCP-3704 (1990) LP Promo: P-13650 🇦🇺 Australia LP: 25599 1 Cassette: 25599 4 🇨🇦 Canada LP: 92 55991 Cassette: 92 55994 🇲🇽 Mexico LP: LWB-6733 PACKAGING HIGHLIGHTS Bold multicoloured title logo Dramatic triptych cover photography Inner sleeve with lyrics (LP) WHAT THE SLEEVE SHOWS Front cover features three striking images of Dale Bozzio with wild blonde hair in black leather outfits, with pink-framed polaroid-style action shots at the bottom. Classic late-’80s Paisley Park design. RELATED MATERIAL Missing Persons – Color In Your Life (1986) Prince – Various mid-1980s unreleased tracks SOURCES Prince Vault, Discogs, Wikipedia COPYRIGHT NOTICE All album artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Madonna’s most ambitious studio album — and the only one to feature direct creative collaboration with Prince. RELEASE DETAILS Artist: Madonna Label: Sire / Warner Bros. Records Date: March 21, 1989 Catalogue: Varies by territory (e.g. 25844-1 US LP) Format: LP / Cassette / CD Country: Worldwide Album: Like A Prayer (1989) THE STORY Like A Prayer is Madonna’s fourth studio album, released on March 21, 1989. It marks her most personal and ambitious work to date, blending pop, rock, gospel, and dance. The album features significant contributions from Prince, including the duet “Love Song” and uncredited guitar and instrumentation on several tracks. CONTEXT & NOTES Prince and Madonna collaborated during 1988 sessions. Prince wrote, produced, and performed “Love Song” in full (all instruments and co-lead vocals). He also added guitar to “Like A Prayer,” “Keep It Together,” and constructed the sonic bed for “Act Of Contrition.” The album became a global blockbuster, spawning six singles and serving as the foundation for the Blond Ambition World Tour. A 30th Anniversary digital edition was released in 2019. TRACK LIST Standard CD / LP Tracklist Side One Like A Prayer — 5:42 (Guitar by Prince – uncredited) Express Yourself Love Song — 4:52 (Duet with Prince – all instruments by Prince) Till Death Do Us Part Promise To Try Side Two Cherish Dear Jessie Oh Father Keep It Together — 5:03 (Guitar by Prince – uncredited) Spanish Eyes Act Of Contrition — 2:19 (Instrumentation by Prince – uncredited) PACKAGING HIGHLIGHTS Iconic cover with Madonna’s face behind a burning cross 30th Anniversary digital edition includes bonus remixes WHAT THE SLEEVE SHOWS Front cover features a striking close-up of Madonna with religious imagery and bold typography. Classic late-’80s Warner Bros. design with high artistic impact. RELATED MATERIAL Madonna – Express Yourself (Single, 1989) Madonna – Keep It Together (Single, 1990) Prince – Various unreleased collaborations from 1988 SOURCES Prince Vault, Discogs, Wikipedia COPYRIGHT NOTICE All album artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Debut album from the Brownmark-led Paisley Park band, featuring three Prince-written tracks. RELEASE DETAILS Artist: Mazarati Label: Paisley Park / Warner Bros. Records Date: March 4, 1986 Catalogue: 9 25368-1 (US LP) Format: LP / Cassette / CD Country: United States / Europe / Japan / Canada THE STORY Mazarati is the self-titled debut album by the Minneapolis funk band led by former Revolution bassist Brownmark. Released on Prince’s Paisley Park label in March 1986, the album features three tracks written by Prince: “100 MPH,” “Strawberry Lover,” and “I Guess It’s All Over.” CONTEXT & NOTES Formed after Brownmark left The Revolution, Mazarati delivered a darker, harder-edged take on the Minneapolis Sound. Prince contributed three songs but did not participate in the actual recording sessions. Produced by Brownmark and David Z., the album has grown into a cult favourite among Prince collectors. TRACK LIST Side One Players’ Ball 100 MPH (Written by Prince) Stroke Suzy Boy Side Two Strawberry Lover (Written by Prince) I Guess It’s All Over (Written by Prince) The Saga of a Man Lonely Heart She’s Just That Kind of Lady All Variants United States LP: 9 25368-1 (Allied & Specialty pressings) Cassette: 9 25368-4 / 4-25368 Club Editions: W1-25368 / W4-25368 Europe LP: 925 368-1 Japan LP: P-13235 LP Promo: P-13235 CD: WPCP-3707 (1990 reissue) Canada LP: 92 53681 All Variants (Complete List) Multiple US LP pressings (Allied, Specialty, Club Editions) European LP Japanese LP & CD reissue US Cassette & Club Cassette CHART PERFORMANCE No major chart entries reported PERSONNEL Brownmark – bass, vocals, production Prince – writer of “100 MPH,” “Strawberry Lover,” and “I Guess It’s All Over” David Z. – co-production, engineering PACKAGING HIGHLIGHTS Dramatic blue-toned cover with band member in makeup Paisley Park logo on back cover WHAT THE SLEEVE SHOWS Front cover features a striking blue-lit portrait of a band member with glowing eyes and wild hair against a black background. Bold red “Mazarati” logo. RELATED MATERIAL The Revolution – Purple Rain (1984) Prince – Various unreleased mid-1980s compositions SOURCES Prince Vault, Discogs, Wikipedia COPYRIGHT NOTICE All album artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.