Minnesota Music Awards (May 12, 1989) Replacements Irreplaceable – Star Tribune
- GlamSlamEscape

- May 12, 1989
- 2 min read
A detailed Star Tribune report on the 9th annual Minnesota Music Awards, published May 12 1989, highlighting The Replacements’ continued dominance and the vibrant local music scene. The article captures the event’s energy at the Orpheum Theatre in Minneapolis, where Prince, The Replacements, and other Minnesota artists were honoured for their contributions.

Writer: Jon Bream (Staff Writer)
Publication: Star Tribune (USA)
Date: May 12 1989
Length: 2 pages feature
The piece, titled “Replacements Irreplaceable as Minnie
Award Winners,” recounts the ceremony’s highlights and performances. The Replacements were named top rock performers for the second consecutive year, while Prince received awards for Best Album (“Lovesexy”) and Best R&B Composition (“Alphabet St.”). The article notes that Prince, though not present, remained a defining figure of the evening — his influence on Minnesota’s music culture acknowledged alongside emerging acts. The coverage situates him as both local legend and international innovator, bridging the Minneapolis Sound with broader pop and R&B movements.
The Replacements were named top rock performers for the second consecutive year, while Prince received awards for Best Album (“Lovesexy”) and Best R&B Composition (“Alphabet St.”). The article notes that Prince, though not present, remained a defining figure of the evening — his influence on Minnesota’s music culture acknowledged alongside emerging acts. The coverage situates him as both local legend and international innovator, bridging the Minneapolis Sound with broader pop and R&B movements
PRIMARY QUOTE
“Prince was awarded Best Album for
‘Lovesexy’ and Best R&B Composition for
‘Alphabet St.’ at the Minnesota Music
Awards.”
PUBLICATION
Publication: Star Tribune (USA)
Date: May 12 1989
Country: United States
Section / Pages: Entertainment / Music Awards Coverage
Title: Replacements Irreplaceable as Minnie
Award Winners
FEATURE HIGHLIGHTS
Event: 9th annual Minnesota Music Awards
coverage
Era: 1989 – Lovesexy and local rock renaissance
Tone: Journalistic and celebratory
Photography: Duane Braley photo of Christopher Winter and friends
Audience: Minnesota music press readers and
regional fans
THE STORY BEHIND IT
The 1989 Minnesota Music Awards reflected the state’s creative diversity at the end
of the decade. Prince’s wins for “Lovesexy” and “Alphabet St.” affirmed his continued influence on R&B and pop, while The
Replacements cemented their status as
the region’s premier rock band.
Jon Bream’s coverage captures the
balance between local pride and national
recognition, showcasing Minnesota’s
music scene as a microcosm of American
innovation. Prince’s absence from the
ceremony is noted as characteristic of his reclusive phase during the Lovesexy
period, yet his presence was felt through his music and the awards that celebrated
his artistic reach.
“Prince remained a defining figure of the evening — his influence on Minnesota’s music culture acknowledged alongside emerging acts.”
WHAT THE CLIPPING SHOWS
Event: Star Tribune coverage of Minnesota Music Awards 1989
Era: 1989
Tone: Reportage and regional celebration
Photography: Black‑and‑white photo by Duane Braley
Audience: Minnesota music press and local readers
CONTEXT AND NOTES
The article illustrates Minnesota’s dual
identity as a local music hub and a national influence. Prince’s recognition for
“Lovesexy” and “Alphabet St.” underscored his artistic continuity after the 1988 tour, while The Replacements’ repeat victory
highlighted the strength of the Twin Cities rock scene. Jon Bream’s report balances
factual coverage with cultural insight,
making this clipping a snapshot of
Minnesota’s music renaissance at the
close of the 1980s. Prince’s awards symbolised his ongoing connection to his home
state and its creative community, even as his career continued to expand globally.
COPYRIGHT NOTICE
All newspaper scans, photographs, and original text excerpts remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.





Comments