This short syndicated item reports on Prince’s interview in the July 1994 issue of Vibe magazine, where he publicly addressed his decision to change his name to the unpronounceable symbol. Identified as TAFKAP , he explained that the change followed “the advice of my spirit” and reflected a desire to move beyond his old persona and explore new musical directions. Publication: Star‑Gazette  (Elmira, New York) Date: Tuesday, July 12 1994 Country: United States Section / Pages: Entertainment News Title: Former Prince Explains Name Prince described his spiritual awakening and identity search, saying he would “wake up nights thinking ‘Who am I?’ ” and wanted to “close the door on Prince the Artist.” The article also notes his clarification that the symbol combines male and female elements, representing unity and transformation. When asked how to pronounce it, he replied simply: “You don’t.” CONTEXT AND NOTES This brief report captures the essence of Prince’s mid‑1994 identity shift — a moment of artistic liberation and personal redefinition. His remarks in Vibe were among the first to frame the name change as a spiritual act rather than a publicity move, marking the beginning of his Symbol‑era philosophy Source: Star‑Gazette, Elmira, New York, July 12 1994. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Early Life & Formation George Edward Clinton was born July 22, 1941 in Kannapolis, North Carolina and grew up in Plainfield, New Jersey. As a teenager, while working in a Plainfield barbershop, he formed a doo‑wop group called The Parliaments, inspired by Frankie Lymon & the Teenagers. Plainfield’s Silk Palace barbershop — partly owned by Clinton — became a hub for young musicians and future members of Parliament‑Funkadelic, shaping the early proto‑funk scene of the 1950s and 1960s. Rise to Fame & P‑Funk Revolution In the late 1960s, Clinton worked as a Motown staff songwriter, while The Parliaments scored a hit with “(I Wanna) Testify” (1967). By the early 1970s, Clinton evolved the group into two intertwined bands: Parliament and Funkadelic — collectively known as Parliament‑Funkadelic or P‑Funk. Their sound fused funk, psychedelia, Afrofuturism, surreal humor, and outrageous fashion, becoming one of the most influential movements in Black music. Clinton is widely regarded alongside James Brown and Sly Stone as one of funk’s greatest innovators. Throughout the 1970s, Parliament‑Funkadelic released over 40 R&B hit singles, including multiple No. 1s, and several platinum albums. Solo Career & Prince Connection Clinton launched his solo career with Computer Games (1982), featuring the R&B No. 1 hit “Atomic Dog.” He recorded for Capitol Records both as George Clinton and the P‑Funk All‑Stars, continuing to work with core P‑Funk musicians. In 1989, Clinton released The Cinderella Theory on Paisley Park, Prince’s label — marking a direct creative connection between the two artists. He continued with Paisley Park on Hey, Man, Smell My Finger (1993). Prince’s world and Clinton’s world overlapped heavily: • Clinton appeared in Graffiti Bridge (1990). • Prince’s label supported Clinton’s late‑80s/early‑90s output. • Clinton’s funk innovations deeply shaped Prince’s own musical language. Influence on Hip‑Hop & G‑Funk Clinton’s 1970s work became foundational for 1990s hip‑hop, especially Dr. Dre’s G‑funk era, which sampled Parliament‑Funkadelic extensively. Clinton collaborated with: • Tupac Shakur (“Can’t C Me”) • Ice Cube (“Bop Gun”) • Outkast (“Synthesizer”) • Wu‑Tang Clan (“Wolves”) • Redman, Souls of Mischief, Killah Priest, and more. Later Career, Honors & Legacy Clinton continued releasing albums, producing for other artists, and appearing in films and TV. Major recognitions include: • Rock & Roll Hall of Fame induction (1997, with Parliament‑Funkadelic) • Grammy Lifetime Achievement Award (2019) • Star on the Hollywood Walk of Fame (2024) • Songwriters Hall of Fame induction (2025) He also voiced characters (e.g., Trolls World Tour, 2020), exhibited artwork, and remained active in music well into the 2020s. Why George Clinton Matters Clinton didn’t just create funk — he expanded it into a universe: • Afrofuturist mythology • The Mothership • Outrageous stage shows • A massive collective of musicians • A sound that shaped Prince, hip‑hop, electronic music, and modern R&B He is one of the central architects of American funk, with a career spanning seven decades. SOURCES Wikipedia. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Guitar was the first single from the album Planet Earth. An alternate version was previously released on 3121.com. Promo CD versions also exist. Released July 9, 2007 CD Single Guitar (3:45) Somewhere Here On Earth (5:46) UK VARIANTS: • UK Promo CD CHART PERFORMANCE UK: Gallup Singles Chart – Peak 81 (1 week) INTERNATIONAL VARIANTS: • EU Promo CD • France Promo CD • Japan Promo CD RELEASE This was the lead single from Prince’s album Planet Earth. It was released physically in Europe and made available as a download earlier through Verizon Wireless and O2. BACKGROUND Guitar was released a week before the album Planet Earth was given away free with The Mail on Sunday in the UK and Ireland. The single received limited commercial success in Europe, reaching the top 20 only in the Netherlands and Italy. RECEPTION The song was ranked number 39 on Rolling Stone’s list of the 100 Best Songs of 2007. PRINCE SINGLES CHRONOLOGY "Fury" (2006) "Guitar" (2007) "F.U.N.K." (2007) SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts Prince Vault, Sleeveographia2 All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

One of the most exciting and important eras in Prince’s career arrived after the dark, heavy atmosphere surrounding The Black Album. Brimming with renewed inspiration, Prince channelled a powerful spiritual energy into the creation of Lovesexy, an album that radiated positivity, rebirth, and transcendence. The accompanying Lovesexy Tour took the live experience to new theatrical heights, revealing — through staging, narrative, and performance — the deeper reasons behind The Black Album’s cancellation. It was a transformative period that showcased Prince’s ability to reinvent himself completely, turning personal revelation into a vivid, celebratory musical journey. Prince and the full Lovesexy band deliver a sold‑out 130‑minute show at Paris‑Bercy, blending spiritual intensity with funk precision before 16,000 fans. SHOW DATA Venue: Palais Omnisports de Paris‑Bercy City, Country: Paris, France Advertised Start Time / Start Time: 20:30 / ? Length of Show: 130 minutes Attendance / Capacity: 16,000 / sold out Ticket Price: FF 16 BAND LINE‑UP Prince (vox, guitar, piano) Sheila E. (drums, vox) Levi Seacer Jr. (bass, vox) Miko Weaver (guitar, vox) Dr. Fink (keyboards) Boni Boyer (keyboards, vox) Eric Leeds (saxophone, flute) Atlanta Bliss (trumpet) Cat (dance, vox) Guest(s): none SHOW FACTS - Sold‑out capacity of 16,000 fans - Full Lovesexy band line‑up with Sheila E. and Cat featured prominently - Performance length approximately 130 minutes - Part of the European leg of the Lovesexy Tour - Known for its extended medleys and spiritual themes linking Lovesexy and Sign O' the Times eras CONTEXT AND NOTES The Paris show captured Prince at his creative peak - a fusion of theatrical lighting, religious imagery, and tight musicianship. The Lovesexy Tour was noted for its circular stage and symbolic narrative of temptation and redemption. This performance remains one of the tour's most celebrated European dates. SETLIST • Erotic City (incl. Escape intro & Sex Shooter instrumental) • Housequake • Slow Love • Adore • Delirious • Jack U Off (incl. It Don’t Mean A Thing / Twelve) • Sister (Adore coda) • U Got The Look • I Wanna Be Your Lover • Head • When You Were Mine (Blues improvisation & coda) • Little Red Corvette • Pop Life • Controversy • Dirty Mind • Superfunkycalifragisexy (Controversy coda) • Bob George • Anna Stesia Intermission • Eye No No • Alphabet St. • Glam Slam • The Cross • I Wish U Heaven (part 2 / God Is Alive) • Kiss • Dance On (drum solo coda) • When 2 R In Love (full band arrangement) • Let’s Go Crazy (incl. Shave And A Haircut) • When Doves Cry (incl. La, La, La, He, He, Hee instrumental / It coda) • Purple Rain • 1999 • Positivity • Lovesexy (incl. It’s Gonna Be A Beautiful Night & 80s Medley) All photographs, tickets, and original text excerpts remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference.

Rhino and Warner Records deliver a vibrant 40th anniversary expanded reissue of The Time’s groundbreaking 1981 self-titled debut album. Pressed on limited-edition red and white vinyl, this double-LP set includes the original album plus all single edits, celebrating the explosive birth of the Minneapolis Sound. RELEASE / PUBLICATION DETAILS Artist: The Time Title: The Time Date: July 16, 2021 (Original: July 29, 1981) Label: Warner Records / Rhino Records Format / Type: 2xLP (Red + White Vinyl), Album, Expanded, Remastered Country: USA & Europe Catalogue: 603497843954 / RCV1 654316 TRACK LIST LP1 – Red Vinyl Side One A1. Get It Up – 9:08 A2. Girl – 5:36 A3. After Hi School – 4:22 Side Two B1. Cool – 10:06 B2. Oh, Baby – 4:59 B3. The Stick – 8:22 LP2 – White Vinyl (Single Edits) Side One C1. Get It Up (Single Edit) – 3:01 C2. Girl (Edit) – 3:40 C3. Cool (Part I) – 3:12 Side Two D1. Cool (Part II) – 3:06 D2. After Hi School (Single Edit) – 2:48 D3. The Stick (Single Edit) – THE STORY The Time’s 1981 debut was largely written, performed, and produced by Prince (under the pseudonym Jamie Starr), with Morris Day on lead vocals. It introduced the world to the slick, funky Minneapolis Sound and launched a band that would become legendary for their high-energy live performances. CONTEXT & NOTES This expanded reissue marks the first vinyl release of the album since the original 1981 pressing. The red-and-white colored vinyl edition was part of Rhino’s Black Music Month celebrations. The album peaked at #50 on the Billboard 200 and #7 on the Top Soul LPs chart, eventually going Gold. It features iconic tracks like “Get It Up,” “Cool,” and “The Stick.” PERSONNEL Musicians Morris Day – lead vocals, backing vocals, drums Jesse Johnson – guitar, vocals Jellybean Johnson – drums, percussion Jimmy Jam – keyboards, vocals Monte Moir – keyboards, vocals Terry Lewis – bass, co-lead vocals, backing vocals Production Produced by Jamie Starr (Prince) & Morris Day Engineered & Mixed by Jamie Starr Remastered by Bill Inglot & Dan Hersch PACKAGING / ARTWORK HIGHLIGHTS Limited edition red and white vinyl Classic black & white front cover photo of the band on building steps Back cover with iconic “hands on the wall” silhouette photo Hype sticker noting the expanded content and colored vinyl WHAT THE SLEEVE SHOWS Front cover: The Time posing confidently on the steps of a brick building with a “Please No Loitering” sign. Back cover: The band from behind, hands against a wall in a playful police lineup pose, with red track titles listed above. RELATED MATERIAL Ice Cream Castle (1984) What Time Is It? (1982) Original 1981 Warner Bros. LP SOURCES Rhino Records, Discogs, Prince Vault, Wikipedia, Billboard All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. PERSONNEL Morris Day – lead vocals, drums Jesse Johnson – guitar Jellybean Johnson – drums Monte Moir – keyboards Jimmy Jam – keyboards Terry Lewis – bass Production Produced by Morris Day and The Starr Company PACKAGING / ARTWORK HIGHLIGHTS 180g black vinyl Faithful reproduction of the original gatefold artwork Rhino Reserve branding and premium mastering WHAT THE SLEEVE SHOWS The front cover features The Time posing in front of a stone castle with a yellow car, dressed in flamboyant 80s fashion. The iconic yellow “Ice Cream Castle” logo and red “THE TIME” title dominate the top. SOURCES Discogs, Rhino Records, All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Major 2021 cover feature in The Sunday Times celebrating the release of Prince’s long-lost album Welcome 2 America, exploring the prophetic themes of the 2010 recordings and the story behind its delayed release. PUBLICATION: Date: July 18, 2021 Country: United Kingdom Section / Pages: Culture Cover Story Title: PRINCE IS BACK THE STORY The Sunday Times dedicated its Culture cover to Prince with a striking portrait and the headline “Prince Is Back.” The extensive feature, written by Jonathan Dean, details the creation of Welcome 2 America in 2010 with Morris Hayes and the New Power Generation. It examines why Prince chose to shelve the album at the time and the decision to release it posthumously in 2021. CONTEXT AND NOTES Welcome 2 America was recorded during a period of political and social tension in the United States. Prince’s decision not to release it in 2010, followed by its emergence in 2021, made it one of the most significant posthumous albums in his catalog. The Sunday Times feature framed the album as prophetic, touching on themes of democracy, race, technology, and spirituality. FEATURE HIGHLIGHTS Era: Posthumous Release (2021) / Welcome 2 America (2010 recordings) Tone: Celebratory, reflective, reverent Photography: Powerful cover portrait of Prince in a striped shirt against a purple graphic background + multiple interior images “The prophetic album he didn’t dare release WHAT THE CLIPPING SHOWS Full-color Sunday Times Culture cover with bold purple design and Prince portrait, plus multi-page interior spread featuring the main article, additional photos, and quotes from collaborators. RELATED MATERIAL Prince (2021) Welcome 2 America Album Release Prince (2010) Welcome 2 America Recording Sessions Prince (July 2021) Posthumous Album Promotion Also see tabs at the foot of this post. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Prince’s previously unreleased 2010 studio album Welcome 2 America finally sees the light of day in a lavish deluxe edition, combining the full studio album on 2LP/CD with a complete live concert Blu-ray from the 21 Nite Stand at The Forum in Los Angeles. RELEASE / PUBLICATION DETAILS Artist: Prince Title: Welcome 2 America Date: July 30, 2021 Label: NPG Records / Legacy Recordings Format / Type: Deluxe Edition 2LP + CD + Blu-ray Country: European Union Catalogue: 19439866161 TRACK LIST Side A • Welcome 2 America • Running Game (Son Of A Slave Master) • Born 2 Die • 1000 Light Years From Here Side B • Hot Summer • Stand Up And B Strong • Check The Record • Same Page, Different Book Side C • When She Comes • 1010 (Rin Tin Tin) • Yes • One Day We Will All B Free Side D Etched Blu-ray: Welcome 2 America – Live at The Forum, April 28, 2011 Joy In Repetition Brown Skin 17 Days Shhh Controversy (Theme Song From) Which Way Is Up? What Have U Done 4 Me Lately Partyman Make U Feel My Love Misty Blue Let's Go Crazy Delirious 1999 Little Red Corvette Purple Rain The Bird Jungle Love A Love Bizarre Kiss Play That Funky Music Inglewood Swinging (aka Hollywood Swinging) Fantastic Voyage More Than This THE STORY Recorded in 2010 and shelved by Prince, Welcome 2 America is a powerful, socially conscious album that addresses politics, race, technology, and spirituality. The 2021 Deluxe Edition marks its first official release, pairing the 12-track studio album with a full-length Blu-ray of Prince & The New Power Generation’s April 28, 2011 concert at The Forum in Los Angeles. CONTEXT & NOTES This deluxe set captures Prince’s late-career vision during a period of intense creativity. The studio album features collaborations with Tal Wilkenfeld, Chris Coleman, and members of the New Power Generation. The live Blu-ray presents a career-spanning 23-song performance. The package includes a 32-page book, extensive memorabilia, and a special etched side on the vinyl. PERSONNEL Prince – vocals, guitar, bass, keyboards, production Tal Wilkenfeld – bass Chris Coleman – drums New Power Generation members (Shelby J., Liv Warfield, Elisa Fiorillo, Morris Hayes, etc.) PRODUCTION Produced, Arranged, Composed and Performed by Prince Mastered by Bernie Grundman CHARTS Weekly Charts [Debuted at No. 4 on the US Billboard 200] PACKAGING / ARTWORK HIGHLIGHTS Luxe gold-embossed packaging 32-page 12"x12" companion book Embossed vellum envelope with replica memorabilia Special etched Side D on vinyl Includes poster, setlist, ticket replicas, and download card WHAT THE SLEEVE SHOWS The front cover features a striking close-up of Prince holding a guitar, partially obscuring his face, with bold “WELCOME 2 AMERICA” title. The extensive deluxe packaging includes a gatefold with pockets for vinyl, CD, and Blu-ray, plus a detailed 32-page book with lyrics and photos. RELATED MATERIAL See tags at foot of page. SOURCES Discogs, The Prince Estate and sleevographia2. All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Article Context & Main Highlights Key Content “Prince returns for Essence’s 20th fete” Publication: The News-Star (Monroe, Louisiana) Date: Saturday, July 5, 2014 Prince returned to headline the 20th anniversary Essence Festival at the Mercedes-Benz Superdome in New Orleans. Organizers called it a milestone event and chose Prince to make it special. Notable Details The article notes Prince’s genius and the anticipation for his performance. It mentions his reunion with musical collaborators from the past, including Morris Day and The Time, guitarist Wendy Melvoin, and former protégé Sheila E. The high-energy show was a major highlight of the festival. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Early Life & Labelle Solo Career & Prince Collaboration Nona Bernis Hendryx (born October 9, 1944) is an American vocalist, record producer, songwriter, musician, and author. She is best known as one-third of the iconic trio Labelle, famous for the 1974 hit "Lady Marmalade". Hendryx has enjoyed a long solo career blending soul, funk, R&B, hard rock, new wave, and new-age music. Early Career Born in Trenton, New Jersey, she formed a group with Sarah Dash and Patti LaBelle. They started as the Blue Belles and later became Patti LaBelle and the Blue Belles. Their 1962 hit "I Sold My Heart to the Junkman" brought early success. In 1971 they rebranded as Labelle, adopting a bolder, glam, and socially conscious style. Hendryx became the group’s main songwriter. Solo Career Highlights • 1977 – Self-titled debut solo album • 1983 – Nona (produced by Material) – hits: "Keep It Confidential" & signature song "Transformation" • 1984 – The Art of Defense • 1985 – The Heat (featured "Rock This House" with Keith Richards – Grammy nominated) • 1987 – Female Trouble – biggest hit "Why Should I Cry?" (Top 10 R&B) Prince Collaboration: “Baby Go-Go” • Third track on Female Trouble (1987) • Released as the album’s second single approximately three months later. • Basic tracking by Prince: 12 June 1986 at Sunset Sound, Hollywood. • Nona Hendryx re-recorded the track in early 1987 in New York with her own musicians. Labelle Reunions Prince Connection Labelle has reunited multiple times, notably for the 2008 album Back to Now and tours. Personal Life Hendryx has lived in Manhattan’s Upper West Side since the early 1970s. She is openly bisexual, with long-term partner Vicki Wickham. She is a longtime gay-rights activist and was involved in anti-apartheid efforts. She has also written a children’s book (The Brownies), acted, and continues to tour and create music. Prince “Baby Go-Go” Recording Details Nona Hendryx Version Personnel • Nona Hendryx – lead vocals • Trevor Gale – drums • T.M. Stevens – bass • Ronny Drayton – guitar • Mavis Staples & George Clinton – background vocals • Steve Scales – percussion • Uptown Horns (Crispin Cioe, Arno Hecht, Paul Litteral, Robert Funk) Released Versions • Baby Go-Go (Album Version) – 5:25 • Baby Go-Go (7" Alge Mix) – 4:02 (remix by Chris Lord-Alge) • Baby Go-Go (Rub-A-Dub-Dub) – 6:25 (remix by Mark S. Berry) • Baby Go-Go (Superstitious Mix) – 6:49 (remix by Mark S. Berry) • Baby Go-Go (Single Version) – 4:08 George Clinton also appears in the official music video.

Early Life & Formation Rise to Fame & Prince Connection The Bangles (originally The Bangs) are an American all-female pop rock band formed in Los Angeles in 1981. The core members are sisters Vicki Peterson (guitar, vocals) and Debbi Peterson (drums, vocals), along with Susanna Hoffs (vocals, guitar). Michael Steele joined on bass in 1983. They started in the LA club scene with a jangly, harmony-rich sound inspired by 1960s pop and new wave. Their 1984 debut All Over the Place earned critical acclaim. The 1986 album Different Light brought massive success, reaching No. 2 on the Billboard 200. Prince wrote and gave them the hit single “Manic Monday”, which became their first Top 10 smash and a global success. Warfield Concert , Prince Surprise and Christopher On May 14, 1986, The Bangles performed at the Warfield Theatre in San Francisco. Prince made a surprise guest appearance, joining them on stage for “Manic Monday” (backing vocals and guitar) and returning for the encore to perform “Whole Lotta Shakin’ Goin’ On” with the band. This remains one of the most memorable moments in 1980s rock history. "Manic Monday" was written by Prince, under the pseudonym "Christopher". It was originally intended for the group Apollonia 6 in 1984. Lyrically, it describes a woman who is waking up to go to work on Monday, wishing it was still Sunday so that she could continue relaxing. The single, released by Columbia Records in late December 1985, received generally positive reviews from music critics, highlighting Prince's craftsmanship and the Bangles' vocal performance. It was compared with the Mamas & the Papas' song "Monday, Monday", although critics described "Manic Monday" as deceptively simple and without lyrical depth. It became the Bangles' breakthrough hit, reaching number two in the United States, where it was kept from the top position by Prince and the Revolution's "Kiss". It also peaked at number two in several other countries, including the United Kingdom, Canada, Germany, and Ireland, and reached the top five in Australia, New Zealand, Norway, and Switzerland. "Manic Monday" was later certified gold in the UK and Canada. Prince wrote "Manic Monday" in 1984, and recorded it as a duet for Apollonia 6's self-titled album, but he eventually pulled the song. Two years later, he offered the single to the Bangles under the pseudonym "Christopher", a character he played in the 1986 film Under the Cherry Moon. In an interview with MTV UK in 1989, Debbi Peterson explained why Prince gave them the song: "[Prince] really liked our first album. He liked the song 'Hero Takes a Fall', which is a great compliment, because we liked his music. He contacted us, and said, 'I've got a couple of songs for you. I'd like to know if you're interested,' and of course we were. One of the songs Prince brought to the group was 'Manic Monday', written under the pseudonym of Christopher." Peterson talked about the evolution of what Prince brought them: "It was a Banglefication of a Prince arrangement. He had a demo that was very specifically him. It was a good song, but we didn't record it like 'This is our first hit single! Oh my God! I can feel it in my veins!' We just did the song, and the album, and then sat back and thought about it". Hits like “Walk Like an Egyptian,” “Hazy Shade of Winter,” and “Eternal Flame” cemented their status. They disbanded in 1989 but have reunited for tours and albums (including Sweetheart of the Sun in 2011). The Bangles helped pave the way for female rock bands with their strong songwriting, vocal harmonies, and independent spirit. SOURCE Wikipedia All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A powerful protest groove from Prince’s 2004 vault — newly mixed and released for the 20th anniversary of Musicology RELEASE DETAILS Date: April 5, 2024 Format: Digital Single Country: Worldwide Track: “United States of Division” – 6:18 THE STORY Released digitally worldwide on April 5, 2024 by NPG Records (distributed by Legacy Recordings), “United States of Division” is a rare 2004 recording originally offered as a virtual B-side for “Cinnamon Girl” via the NPG Music Club. This 2024 digital release presents a slightly different mix with more prominent horns, marking the track’s first-ever appearance on streaming platforms. CONTEXT & NOTES Recorded during the Musicology era, “United States of Division” reflects Prince’s socially conscious side — a politically charged reflection on division, inequality, and the need for unity. Built on a percussive backbeat, slinking bassline, synth textures, and sharp horn stabs, the track remains strikingly relevant. The 2024 release was issued to mark the 20th anniversary of Musicology and continues the Estate’s vault-release programme. TRACK LIST Digital Single United States of Division – 6:18 CHART PERFORMANCE No official chart entries reported (archival vault release) PERSONNEL Prince – vocals, instruments, production RELATED MATERIAL Musicology (2004 album) Cinnamon Girl (2004 single) Late-period Prince vault releases For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault • Sleevographia2 • Legacy Recordings / NPG Records official announcement COPYRIGHT NOTICE All images, recordings, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

“Jerk Out” was the lead single from The Time’s album Pandemonium. Released on June 28, 1990 in the USA, it featured major uncredited contributions from Prince and became one of the band’s biggest hits. THE RELEASE WHAT THE LABEL / PACKAGING SHOWS Label: Paisley Park Records / Reprise Records Format: 7" Vinyl Single (also 12", Cassette, 5" CD) Country: United States (main) Catalogue: Various (5439-19750-7, 9 21701-0, etc.) “Jerk Out” was the first single from Pandemonium. Prince largely wrote, produced, and performed on the track (uncredited). Multiple remixes were released across formats. The 5" CD single packaging features a split design: left side is mint green with a group photo of The Time in sharp suits and hats, titled “THE TIME” and “Jerk Out”. Right side is black with large pink stylized “Jerk Out” logo. Back includes full tracklist, credits, and barcode. Classic early 90s Paisley Park / Warner Bros. CD single presentation. Other releases are all a variation of this (apart from promos). CONTEXT AND NOTES US VARIATIONS Jerk Out was the first single from The Time’s fourth album, Pandemonium, released two weeks before the album itself. The B-side, Mo' Jerk Out, is an extended remix of the track. The song featured uncredited contributions from Prince as a writer, producer, and performer. It debuted on June 28, 1990, in the USA, followed by July 13 in Germany and August 10 in the Netherlands, marking a strong comeback for The Time. CHART DATA USA • Billboard Hot 100: Peak #9 (15 weeks) • Billboard R&B Chart: Peak #1 (1 week at No. 1, 15 weeks) • Billboard Hot Dance Music - Club Play: Peak #6 (10 weeks) Certifications: RIAA Gold (September 19, 1990) – 500,000 units US VARIATIONS (PROMOS) 12" Vinyl A1. Jerk Out (Sexy Mix) (8:51) A2. Jerk Out (Sexy Edit) (4:32) A3. Jerk Out (A Cappella) (2:23) B4. Jerk Out (Sexy Dub) (7:09) B5. Jerk Out (Sexy Instrumental) (7:01) USA: 9 21701-48 TRACK LIST 5" CD 1. Jerk Out (Edit) (3:59) 2. Jerk Out (Album Version) (6:50) Cat #: USA: PRO-CD-4347 (COMMERCIAL) 7" A. Jerk Out (Edit) (3:59) B. Mo' Jerk Out (4:36) Cat #: USA: 5439-19750-7 12" A1. Jerk Out (Sexy Mix) (8:51), A2. Jerk Out (Sexy Edit) (4:32), A3. Jerk Out (A Cappella) (2:23) / B1. Jerk Out (Sexy Dub) (7:09), B2. Jerk Out (Sexy Instrumental) (7:01) Cat #: USA: 9 21701-0 TC Single A. Jerk Out (Edit) (3:59) B. Mo' Jerk Out (4:36) Cat #: USA: 4-19750 5" CD 1. Jerk Out (Sexy Mix) (8:51) 2. Jerk Out (Sexy Edit) (4:32) 3. Jerk Out (A Cappella) (2:23) 4. Jerk Out (Sexy Dub) (7:09) 5. Jerk Out (Sexy Instrumental) (7:01) Cat #: USA: 9 21701-2 INTERNATIONAL VARIANTS (1990): Germany (July 13) Netherlands (August 10) RELATED MATERIAL: For other related posts, see the tags at the foot of the page. All images and original artwork remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied. The Time Scrapbook, 1990