A career-spanning 4LP vinyl compilation featuring 40 of Prince’s greatest songs, including the previously unavailable on LP track “Moonbeam Levels,” presented in a deluxe box set with exclusive Herb Ritts photo art prints. RELEASE / PUBLICATION DETAILS Artist: Prince Title: Prince 4EVER Date: September 15, 2017 Label: NPG Records / Warner Bros. Records Format / Type: 4 x Vinyl LP, Compilation, Box Set Country: Worldwide Catalogue: 9362-49130-4 / 558509-1 TRACK LIST LP 1 Side

The Daily Mirror offers readers a free CD of Prince’s brand new album 20Ten as a special promotional giveaway bundled with the newspaper. Publication: Daily Mirror Date: Saturday, July 10, 2010 Country: United Kingdom Location: London, England Section: Promotional poster / In-store newsagents display THE STORY A vibrant, full-color promotional poster advertises that a free CD of Prince’s latest album is included inside the Daily Mirror newspaper that day. The eye-catching des

Release: Paradigm – CD‑R Single Date: July 12 2001 Country: The Netherlands Venue: Paradiso, Amsterdam Label: None (Independent CD‑R release) Recording Studios: Paisley Park Studios & DARP Studios This rare single was sold exclusively at George Clinton’s live shows beginning 12 July 2001 at the Paradiso in Amsterdam. Issued only as a CD‑R with no commercial artwork, it featured the track “Paradigm”, co‑written and co‑produced by Prince (credited under O(+>). Both artists appe

The January 2000 issue of Black Diaspora Magazine features Prince on the cover under the striking headline “A NEW ERA”, marking the start of the new millennium with a powerful portrait of the artist. Publication: Black Diaspora Date: January 2000 Country: United States Location: New York Section: Front Cover THE STORY This millennium issue presents Prince as a symbol of artistic reinvention and cultural significance. The cover showcases him in a sparkling, high-collared outfi

This Daily News entertainment column, published on Wednesday, July 21, 1999, highlights The Artist We Still Call Prince performing at the Yahoo Internet Life Music Awards held at Studio 54 in New York. The piece describes Prince’s electrifying stage presence and the enthusiastic reaction from fans, including Foxy Brown, who attended the event. Publication: Daily News (New York, New York, USA) Date: July 21 1999 Country: United States Section / Pages: Entertainment Column Titl

This Toronto Sun article, published on Friday, July 16, 1999, appears in the Showbiz section (page 69) under the headline “Giving Public Enemy a Bad Rap.” Written by Errol Nazareth, the piece critiques Sean “Puffy” Combs’ remix of Public Enemy’s No. 1 track, while exploring the broader state of late‑1990s hip‑hop and its commercial trends. Publication: The Toronto Sun (Toronto, Ontario, Canada) Date: July 16 1999 Country: Canada Section / Pages: Showbiz / Page 69 Title: Givi

This Muppets Tonight episode, first aired on September 13 1997, stars Prince O(+> in a playful, music‑filled guest appearance. The show blends surreal comedy with musical sketches, highlighting Prince’s humor and creativity alongside the Muppet ensemble. Publication: Muppets Tonight Date: September 13 1997 Country: United States The episode opens with Prince arriving at the studio, confusing Bobo the Bear with his symbol‑based name. Throughout the show, Prince interacts with

The lead and only single from Prince’s 18th studio album Chaos and Disorder (credited to O(+>). Released as a promotional single in the United States on June 12 1996 on Warner Bros. Records. This was a promo-only release in the US (no commercial retail single), while commercial versions appeared in the UK, Germany, and Japan. RELEASE DETAILS Artist: O(+> Label: Warner Bros. Records US Release Date: June 12 1996 Country: United States (Promo Only) Format: CD Promo, Cassette Pr

The Gold Experience is Prince’s seventeenth studio album and the first released under his new unpronounceable symbol name. Issued in September 1995, it blends funk, rock, and soul with the signature New Power Generation sound. The album contains high‑energy funk‑rock pieces, sensual ballads, and conceptual NPG Operator segues. It includes “The Most Beautiful Girl In The World” along with singles such as “Hate U” and “Gold.” Side one • P. Control — 5:59 • NPG Operator — 0:10 •

Released on 12 September 1995, Eye Hate U was the first commercial single from Prince’s seventeenth album The Gold Experience. Although The Most Beautiful Girl In The World had been issued the previous year, it was not attached to an album at the time, and earlier tracks such as P. Control and Dolphin had only appeared as promo releases. CD single (Cardboard) - USA - 9 17811-2 The single arrived two weeks before the album and was issued worldwide. A maxi‑single followed one w

A review of Prince’s new interactive CD-ROM Prince Interactive, released to coincide with his 36th birthday on June 7, praising its ambition while noting its limitations as a game. Publication: The Miami Herald Date: Saturday, June 11, 1994 Country: United States Location: Miami, Florida Section: Entertainment / Review (Page 98) THE STORY David Hawley reviews Prince Interactive ($59.95), a groundbreaking CD-ROM that uses Prince’s custom symbol font as its central element. The

The October 1995 issue of Rock & Folk Magazine features a striking cover dedicated to Prince’s return, prominently displaying his iconic purple love symbol over a mirrored portrait with the bold French headline “LE RETOUR DE LA MARQUISE ATOMIQUE !” Publication: Rock & Folk Date: October 1995 (Issue No. 314) Country: France Location: Paris Section: Front Cover THE STORY T his special cover celebrates Prince’s highly anticipated return during the mid-1990s. The dramatic mirrore

The June 18, 1992 edition of The Independent features a review of Prince’s concert at Earls Court, discussing the contrasting elements of his solo brilliance and the group performance with the New Power Generation. Publication: The Independent Date: June 18, 1992 Country: United Kingdom Location: London Section: Rock / Arts THE STORY The review examines Prince’s live show, highlighting the tension between his individual genius (dancing, showmanship, and musicality) and the co