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This Brainerd Daily Dispatch article from July 1997 reports on Prince’s announcement to build a school in his hometown of Minneapolis. Speaking at a New York press conference, the artist outlined his plans to fund the project through his Love 4 One Another charity, linking the initiative to his lifelong commitment to education and community uplift. Publication: Brainerd Daily Dispatch Date: July 23 1997 Country: United State THE STORY The article describes Prince’s intention to establish a school dedicated to providing better educational opportunities for young people in Minneapolis. Reflecting on his own experiences, he stated, “I didn’t learn much in school that I can use now — numbers and that’s it,” and expressed a desire to change how history and culture are taught. The school, still several years from completion, was to be financed by his Love 4 One Another foundation. Prince also discussed his Jam of the Year world tour, which had begun in Detroit and was scheduled to run through 1999, featuring guest appearances by artists such as No Doubt, George Clinton, Lenny Kravitz, Carlos Santana, and Chaka Khan. The article notes that tour dates were intentionally withheld until shortly before performances to discourage ticket scalping. A black‑and‑white photograph accompanies the piece, showing Prince at the press conference wearing dark sunglasses and a necklace, exuding his trademark poise and mystery. CONTEXT AND NOTES By 1997, Prince had redefined his career under the moniker O(+> following his departure from Warner Bros. Records. His philanthropic efforts through the Love 4 One Another foundation reflected his spiritual and social evolution, focusing on empowerment and education. The proposed school symbolised his belief in self‑determination and the transformative power of learning — themes consistent with his artistic philosophy. The Jam of the Year tour marked a return to large‑scale live performances, blending his classic hits with new material from Emancipation, his first major independent release. FEATURE HIGHLIGHTS Event: Prince announces plans to build a school in Minneapolis Era: 1997 – Emancipation / Jam of the Year Tour PeriodTone: Inspirational, reflective, and socially conscious Photography: Black‑and‑white press photo of Prince in sunglasses at a New York news conference WHAT THE CLIPPING SHOWS Prince’s announcement to build a school funded by his Love 4 One Another charity Details of his Jam of the Year tour and guest performers Commentary on his educational philosophy and personal experiences All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Minneapolis Star and Tribune feature from July 1984, written by Jon Bream, explores Prince’s early life and musical beginnings in Minneapolis. The article traces his childhood, family influences, and formative experiences that shaped his artistry, offering a rare glimpse into the man behind the music at the height of his Purple Rain fame. Publication: Minneapolis Star and Tribune Date: July 23 1984 Country: United States THE STORY Part of a biographical series titled “Our Royal Rocker,” the article recounts Prince’s upbringing as the son of jazz musicians John and Mattie Nelson. Named after his father’s combo, the Prince Roger Trio, he was immersed in music from an early age — composing his first song at five and mastering piano and guitar before adolescence. His mother recalls his fascination with instruments, saying she often found him “in the music department.” The piece also touches on his family’s separation, his exposure to music and culture, and his early determination to become a star. Photographs accompany the story: one showing Prince at age 20, shortly after releasing his debut album, and another of him as a young basketball player for Bryant Junior High School, kneeling in uniform beside his teammates. The caption notes his brother Duane (No. 21) and teammate Paul Mitchell (No. 12). Jon Bream’s narrative balances admiration with candor, describing both the promise and the challenges of Prince’s youth — from his creative drive to the “sour notes” of family and social struggles that informed his later work. CONTEXT AND NOTES Published during the Purple Rain era, this article situates Prince’s meteoric success within his Minneapolis roots. By 1984, he had become a global phenomenon, yet local coverage like this reminded readers of his humble beginnings and deep connection to the city’s music scene. Jon Bream, a longtime Star Tribune music critic, was among the first journalists to chronicle Prince’s career from its inception, making this feature a valuable historical snapshot. The inclusion of his basketball photo underscores the multidimensional nature of his youth — athletic, artistic, and ambitious — while the reflective tone captures the complexity of his journey from local prodigy to international icon. FEATURE HIGHLIGHTS Event: Biographical feature on Prince’s early life and musical development Era: 1984 – Purple Rain / Minneapolis Origins Period Tone: Reflective, informative, and personal Photography: Portrait of Prince at 20 in leather jacket; archival photo of Bryant Junior High basketball team WHAT THE CLIPPING SHOWS Headline article detailing Prince’s childhood and musical roots Quotes from his mother Mattie Nelson about his early talent Two photographs: Prince’s youthful portrait and his school basketball team All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

HEADLINE PARAGRAPH This Post‑Bulletin article from July 1987 reports that Prince is working on a new full‑length concert film at his recording studio in Chanhassen, Minnesota. The project includes footage from his recent European tour, capturing performances in Rotterdam and Antwerp. Publication: Post‑Bulletin Date: July 23 1987 Country: United States THE STORY The short news item reveals that Prince has secluded himself in his newly built recording studio to produce a concert movie. A spokeswoman confirmed that the film will feature live footage from the final two stops of his European tour — Rotterdam and Antwerp in the Netherlands. The report highlights Prince’s intense creative focus and his commitment to documenting his live performances at a time when his global popularity was soaring. The concise layout and bold headline reflect the straightforward style of local press coverage, emphasizing Prince’s connection to Minnesota and his ongoing artistic output. CONTEXT AND NOTES By mid‑1987, Prince was at the height of his career following the release of Sign O’ the Times, an album widely acclaimed for its innovation and social commentary. The concert film referenced here would become Sign O’ the Times: The Movie, filmed during his European tour and later released theatrically. It showcased Prince’s musicianship, stagecraft, and visual artistry, reinforcing his reputation as one of the most dynamic performers of the decade. This clipping captures the early stage of that project, offering a glimpse into his creative process and the transition from live performance to cinematic presentation. FEATURE HIGHLIGHTS Event: Prince begins production on a full‑length concert film Era: 1987 – Sign O’ the Times / European Tour Period Tone: Informative, concise, and anticipatory Photography: None included; text‑only news brief WHAT THE CLIPPING SHOWS Headline announcing Prince’s new concert film project Details of filming locations in Rotterdam and Antwerp Confirmation from a spokeswoman about his work at Chanhassen studio All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The July 24, 2010 edition of The Times Saturday Review features an in-depth profile titled “At home with Prince”, offering a rare glimpse into Prince’s world during his 20Ten era. Publication: The Times Saturday Review Date: July 24, 2010 Country: United Kingdom Location: London Section: Arts & Ideas / Saturday Magazine Feature THE STORY This extensive feature includes a striking portrait of Prince alongside a detailed interview and profile. It explores his life, music, and private world, with additional photography showing him in colourful attire playing guitar. The piece captures Prince during a period of independent releases and renewed creative focus. CONTEXT AND NOTES By 2010 Prince had returned to independent music releases with the 20Ten album and was known for being highly private. This Times feature is one of the rarer mainstream media sit-downs of his later career, highlighting his enduring mystique and artistic independence. FEATURE HIGHLIGHTS Event: Major newspaper profile / “At home with” feature Era: 2010 (20Ten era) Tone: Intimate, respectful, insightful Photography: Striking colour portraits including Prince in a blue jacket with guitar WHAT THE CLIPPING SHOWS Large headline “At home with Prince” with close-up portrait Full-page colour photo of Prince in a vibrant blue jacket playing guitar Extensive interview text and additional images The Times Saturday Review layout with arts & ideas section branding RELATED MATERIAL This 2010 Times feature captures Prince in his later independent era and pairs well with other late-career pieces in the scrapbook. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

David Bowie wins top honors at the third annual Yahoo! Internet Life Online Music Awards at Studio 54, while Prince receives recognition for his Internet‑only single “One Song.” Publication: Statesville Record and Landmark Date: Wednesday, July 26, 2000 Country: USA THE STORY The article reports on the third annual Yahoo! Internet Life Online Music Awards, held at Studio 54 in New York. Singer David Bowie received the Online Pioneer of the Year Award, and his website BowieNet was named Best Artist Site. The event, hosted by actor John Leguizamo, honored artists at the forefront of the Internet music industry. Among the winners, Prince’s “One Song” was named Best Internet‑Only Single, alongside Aimee Mann’s Bachelor No. 2 for Best Internet‑Only Album, and Paul McCartney’s Cavern Club performance for Best Live Online Event. Nominees were selected by the editorial staff of Yahoo! Internet Life Magazine and voted on online, with final winners chosen by members of the music, online, and entertainment industries. CONTEXT AND NOTES This clipping captures a pivotal moment in music history when established artists embraced the Internet as a creative and promotional platform. Prince’s win for One Song highlights his early adoption of digital distribution, years before streaming became mainstream. Bowie’s recognition for BowieNet underscores his pioneering role in artist‑run online communities. FEATURE HIGHLIGHTS Event: Yahoo! Internet Life Online Music  Awards Era: 2000 – Early Internet music innovation Tone: Celebratory, forward‑looking Photography: Text‑only news report WHAT THE CLIPPING SHOWS Bowie honored as Online Pioneer of the Year Prince wins Best Internet‑Only Single for One Song Yahoo! Internet Life Magazine’s editorial staff and online voters select winners All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Planet Earth is the 32nd full‑length studio album by Prince. It was initially made available on CD with the 15 July 2007 edition of the Mail on Sunday newspaper in the UK and Ireland (using simple slipcard packaging), with a retail release (using a full CD case containing a lenticular cover) following a week later in the rest of the world (sixteen months after the previous album, 3121). The album (using slightly different slipcard packaging to the Mail on Sunday edition) was given to every audience member at each night of Prince’s 21 Nights In London: The Earth Tour residency in August and September 2007. Strangely, the album’s packaging on each edition does not include a tracklist, indicating that the final tracklist may have been decided upon at a very late stage. Side one • Planet Earth — Prince — 5:51 • Guitar — Prince — 3:45 • Somewhere Here On Earth — Prince — 5:46 • The One U Wanna C — Prince — 4:29 • Future Baby Mama — Prince — 4:47 Side two • Mr. Goodnight — Prince — 4:27 • All The Midnights In The World — Prince — 2:22 • Chelsea Rodgers — Prince — 5:41 • Lion Of Judah — Prince — 4:11 • Resolution — Prince — 3:41 Released: 24 July 2007 (USA retail release) Recorded: November 2004 – Spring 2007 Studios: Paisley Park Studios; 3121 at The Rio Las Vegas; Circle House, Miami Genre: Length: Labels: Producer: Prince Chronology 3121 (2006) → Planet Earth (2007) → Lotusflow3r (2009) Personnel (Full Track‑Specific Credits) Prince and the New Power Generation Prince All vocals and instruments except where noted. Michael B. Drums on Planet Earth and Guitar Sonny T. Bass guitar on Planet Earth and Guitar Shelby J. Background vocals on Planet Earth, The One U Wanna C, Future Baby Mama, Mr. Goodnight, Lion Of Judah and Resolution; co‑lead vocals on Chelsea Rodgers Bria Valente Background vocals (likely on Mr. Goodnight; involvement uncertain on other tracks) The Twinz Background vocals on Lion Of Judah (assumed) C.C. Dunham Drums on Somewhere Here On Earth, The One U Wanna C, Chelsea Rodgers and Resolution Joshua Dunham Bass guitar on Somewhere Here On Earth, The One U Wanna C, Chelsea Rodgers and Resolution Renato Neto Keyboards on Somewhere Here On Earth (assumed) Christian Scott Trumpet on Somewhere Here On Earth Wendy Melvoin Acoustic guitar on The One U Wanna C and Resolution; mandolin on All The Midnights In The World Lisa Coleman Additional keyboards on The One U Wanna C and Resolution Mr. Hayes Drum programming and keyboards on Mr. Goodnight Sheila E. Percussion on Chelsea Rodgers Mike Phillips / Maceo Parker / Greg Boyer / Lee Hogans Horns on Chelsea Rodgers Marva King Background vocals (unidentified tracks) Technical Kevin “KD” Davis — assistant engineer Ian Boxill — assistant engineer Eddy Schreyer — mastering Sam Jennings — package design Afshin Shahidi — photography Charts USA: The Billboard 200 — 3 (1 week) USA: Billboard Top R&B/Hip Hop Albums — 1 (1 week) USA: Billboard R&B/Hip-Hop Catalog Albums — 5 Certifications Region — Certification — Units Singles from Planet Earth Guitar Chelsea Rodgers SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

July 24, 2011 – Andy Allo’s Facebook page streams Andy Allo and Prince’s version of Amy Winehouse’s track Love Is A Losing Game, less than 24 hours after Winehouse’s passing. Love Is A Losing Game is a cover version of the song written and originally performed by Amy Winehouse, which first appeared on her 2006 album Back To Black, and was released as a single in 2007. A version by Andy Allo and Prince, seemingly recorded acoustically in one take (similar to their streamed version of Guitar), was streamed on Andy Allo’s Facebook page within 24 hours of the announcement of Winehouse’s passing, indicating that it was likely recorded the same day. It was then offered as a free download the following day on ThisIsRealMusic.com. A different acoustic take was made available in 2015 as the third track on the acoustic album Oui Can Luv by Andy Allo featuring Prince on acoustic guitar. Prince performed the song occasionally in 2007, with Shelby J. singing lead vocals. In Amy Winehouse’s only performance with Prince, she sang lead vocals on this song during an aftershow on September 22, 2007 (a.m.): 3121 at The IndigO2, London, England. Specific recording dates for the studio recordings are not known, but the track is believed to have been recorded in mid‑2011 to mid‑2012 at Paisley Park Studios in Chanhassen, Minnesota, during sessions for Andy Allo’s second album Superconductor. No other studio version by Prince is believed to exist RECORDING Mid‑2011 to mid‑2012 (assumed) — Paisley Park Studios, Chanhassen, MN, USA (Tracking) Recording Personnel — 2011 version Andy Allo — lead vocals Prince — background vocals and acoustic guitar Oui Can Luv version Andy Allo — vocals Prince — acoustic guitar RELEASE HISTORY • July 24, 2011 — Streamed on Andy Allo’s Facebook page • July 25, 2011 — Free download on ThisIsRealMusic.com • 2015 — Alternate acoustic take released on Oui Can Luv • 2007 — Performed live by Prince with Shelby J. • September 22, 2007 (a.m.) — Amy Winehouse performs the song with Prince at 3121, The IndigO2, London SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Event: Prince (New Power Generation) appear on The Tonight Show With Jay Leno, performing live at NBC Studio 3, Burbank, California, USA. The performance features Prince and New Power Generation delivering two versions of “Come On”, aligning with the promotional cycle for the Newpower Soul release. Setlist: • Come On • Come On (Remix) Chronicle Note: A concise, high‑energy television appearance showcasing Prince’s late‑90s band chemistry. The performance emphasised the groove‑driven sound of the Newpower Soul period, with Prince leading Kirk Johnson, Rhonda Smith, Morris Hayes, Mike Scott, and Marva King through a tight 10‑minute live segment. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

P BACKGROUND The Screams Of Passion was the first single released from The Family’s debut and only album The Family. Issued four weeks before the album, it marked the first release of any kind by the group and the first Prince‑related release to feature strings arranged by Clare Fischer. The single contained both an edit and an extended version of the track, with the b‑side Yes also taken from the album. It was released in North America, the UK, and Europe. RECORDING Recorded in 1985 at Sunset Sound, Hollywood, California. The track features orchestral arrangements by Clare Fischer and production overseen by Prince and The Family. STYLE & THEMES A lush, cinematic funk ballad blending orchestral strings with Minneapolis‑style rhythm and synth textures. Thematically, the song explores sensuality, longing, and emotional intensity — a hallmark of mid‑1980s Prince‑associated productions. TRACK‑BY‑TRACK NOTES • The Screams Of Passion — A‑side; first single from The Family, featuring Clare Fischer’s string arrangements. • Yes — B‑side; album track from The Family. RELEASE HISTORY • July 19, 1985 — US release (Warner Bros. / Paisley Park). • August 1985 — UK and European release. • Four weeks later — The Family album released. CHARTS & CERTIFICATIONS • US Billboard Hot 100 — 63 • US Billboard Black Singles — 9 • US Billboard Hot Dance/Disco – Club Play — 10 PERSONNEL St. Paul Peterson — vocals, keyboards Susannah Melvoin — vocals Jerome Benton — percussion Jellybean Johnson — drums Eric Leeds — saxophone Prince — production, songwriting, instrumentation Clare Fischer — string arrangements PRODUCTION Produced by Prince and The Family Label: Paisley Park / Warner Bros. Catalogue numbers: • 7‑28953 (7") • 9‑20360‑0 A (12") • PRO‑A‑2336 (12" Promo) COUNTRY VARIANTS Artist: The Family Title: The Screams Of Passion Label: Paisley Park / Warner Bros. Country: USA Catalogue: 7‑28953 / 9‑20360‑0 A / PRO‑A‑2336 Date: July 19, 1985 Format: 7" Single Tracklist (7"): A — The Screams Of Passion (Edit) (3:10) B — Yes (4:27) Tracklist (7" Promo): A — The Screams Of Passion (Edit) (3:10) B — The Screams Of Passion (Edit) (3:10) Tracklist (12"): A — The Screams Of Passion (Extended Version) (6:45) B — Yes (4:27) Tracklist (12" Promo): A — The Screams Of Passion (Edit) (3:10) B — The Screams Of Passion (Edit) (3:10) SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Associated Press clipping from The Winona Daily News captures the excitement surrounding the opening of the 1991 International Special Olympics at the Metrodome in Minneapolis. Prince, Arnold Schwarzenegger, and Kirstie Alley were among the celebrities who energized the crowd of more than 50,000, while a young Minnesota athlete provided the emotional highlight of the evening. Publication: The Winona Daily News Date: Monday, July 22, 1991 Country: United States Location: Winona, Minnesota The article describes how Prince “got them crazy,” Schwarzenegger “got them pumped up,” and Alley “cheered them on,” but it was 14‑year‑old Special Olympian Anna Smith of Nisswa who lit the cauldron to open the games. Suspended high above the Metrodome crowd, she ignited the flame that symbolized the start of the 1991 International Special Olympics. The torch had been carried from Athens, Greece, and the four‑hour ceremony was scheduled for national broadcast on ABC‑TV on August 15 as The International Special Olympics All Star Gala. CONTEXT AND NOTES This brief Associated Press item highlights Prince’s civic presence in his home state, performing for a global event that celebrated inclusion and athletic achievement. The Special Olympics broadcast later became part of the Diamonds and Pearls era’s wider media footprint, showing Prince’s connection to humanitarian and community causes beyond music. FEATURE HIGHLIGHTS Event: Opening ceremony of the 1991 International Special Olympics Era: 1991 – Diamonds and Pearls period Tone: Uplifting, celebratory, and community‑focused Photography: Text‑only Associated Press clipping (no photographs in this edition) WHAT THE CLIPPING SHOWS Headline block under the Minnesota section banner Short Associated Press report describing celebrity participation Mention of Prince, Schwarzenegger, Kirstie Alley, and Special Olympian Anna Smith SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Star Tribune article, published on Thursday, July 17, 1997, covers legal and cultural developments surrounding Prince Rogers Nelson during his “Artist Formerly Known as Prince” era. The piece humorously titled “No Symbols in Court” reports on a Chicago copyright case involving a guitar maker suing Prince over a glyph‑shaped instrument design. Publication: Star Tribune (Minneapolis, Minnesota, USA) Date: July 17 1997 Country: United States Title: No Symbols in Court Judge Milton Shadur ruled that the musician would be referred to by his legal name, Prince Rogers Nelson, rather than “The Artist” or “The Symbol,” quipping that his courtroom was “not a Mickey Mouse club.” The article also mentions Prince’s connection to Gianni Versace, noting that he composed music for Versace’s fashion shows, including The Versace Experience. This column captures the playful tension between Prince’s artistic identity and legal formalities during his late‑1990s period of creative independence. It reflects his ongoing cultural presence beyond music — spanning fashion, symbolism, and intellectual property debates. Source: Star Tribune, Minneapolis, Minnesota, USA, July 17 1997. All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

At the 16th annual Minnesota Music Awards the Emancipation is in the category Best R&B Recording. This Star Tribune article, published on Friday, July 18, 1997, highlights the winners of the Eighth Annual Minnesota Music Awards, held at First Avenue in Minneapolis. Written by Jon Bream, the piece celebrates the dual triumph of Jonny Lang, the 16‑year‑old blues‑rock prodigy, and Barbara Cohen, the electronic‑pop innovator from Brother Sun Sister Moon. Publication: Star Tribune (Minneapolis, Minnesota, USA) Date: July 18 1997 Country: United States Section / Pages: Entertainment / Music Awards Coverage Title: Lang, Cohen Score Top‑Honor Minnies, National Attention Lang dominated the event with seven Minnies, including Song of the Year and Best Major‑Label Recording for Lie to Me, while Cohen earned four awards, including Artist of the Year and Female Vocalist. The article notes Lang’s national success and Cohen’s growing recognition for her adventurous electronic sound, soon to be backed by a major‑label contract. The full list of winners spans genres from blues and jazz to hip‑hop and electronica, with notable mentions for Prince (R&B Recording – Emancipation), Trailer Trash, Detroit, and Honeydogs. This feature captures a vibrant moment in Minnesota’s late‑1990s music scene, where emerging artists like Lang and Cohen gained national attention alongside established figures such as Prince. The awards reflected the state’s creative diversity and its influence on American music culture. Source: Star Tribune, Minneapolis, Minnesota, USA, July 18 1997. All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.