Search Results

Artist: Prince Release Type: Digital Release (Virtual B‑Side) Country: USA Catalogue: NPG Music Club Release Date: July 13 2004 Format: Digital Download (.wma) TRACK INFORMATION Title: Silver Tongue (Demo) Writer(s): Nikka Costa (lyrics), Prince (music) Producer(s): Prince Album Origin: Musicology (related era) Associated Releases: Call My Name • Silver Tongue (2024 Digital Single) • Nikka & Strings, Underneath And In Between RELEASE CONTEXT On July 13 2004, Prince released Silver Tongue (Demo) as a “virtual b‑side” to Call My Name through the NPG Music Club. This was the third and final track ever designated as a virtual b‑side, following United States Of Division and Magnificent. A full studio version was later released posthumously on May 24 2024 as part of the 20th anniversary celebrations for Musicology, likely mixed by Chris James. HISTORICAL NOTES The song’s lyrics were written by Nikka Costa, who had discussed releasing her own version on her next album. However, Silver Tongue was not included on her 2005 album Can’tneverdidnothin’, and it is unclear whether she recorded a studio version at that time. Costa eventually released her own recording around 2016, appearing as track nine on her 2017 album Nikka & Strings, Underneath And In Between, which also includes a cover of Nothing Compares 2 U. Costa explained the song’s origin on Facebook: Prince emailed her asking for a poem; she sent him lyrics. Prince returned a jazz‑styled piano/vocal demo, which became the virtual b‑side. Her 2017 version is considered a cover, as it was recorded after Prince’s passing. RECORDING DETAILS Initial recording dates for Prince’s version are unknown, but it was likely recorded in early 2004 at Paisley Park Studios, Chanhassen, MN. The demo is sparse, intimate, and piano‑driven, reflecting Prince’s jazz‑inflected Musicology era. RECORDING SESSIONS Early 2004 Paisley Park Studios, Chanhassen, MN Demo recording / Tracking PERSONNEL — PRINCE VERSION Prince — vocals and all instruments VERSION HISTORY Silver Tongue (Demo) — 4:56 — NPG Music Club (.wma) — Demo Silver Tongue — 4:23 — Digital Single (2024) — Full studio version; 2024 mix by Chris James ADDITIONAL INFORMATION Additional trivia: • Released only ten days after another virtual b‑side, United States Of Division. • Silver Tongue is the only known writing collaboration between Prince and Nikka Costa. • Costa’s 2005 album includes Around The World, featuring Prince on guitar. • Costa appears on Prince’s Live At The Aladdin Las Vegas DVD performing Push & Pull. SOURCES: Discogs, Prince Vault, Wikipedia, The Vault: The Definitive Guide to the Musical World of Prince All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference.

“Jerk Out” was released in Germany on July 13, 1990 as part of the international rollout for The Time’s album Pandemonium. The single featured Prince’s significant uncredited contributions as writer, producer, and performer. The German production was also used as the UK release. THE RELEASE WHAT THE LABEL / PACKAGING SHOWS Label: Paisley Park Records / Reprise Records Format: 7" Vinyl Single (also 12", CD) Country: Germany Catalogue: 5439-19750-7 (7"), 7599-21722-0 (12"), 7599-21722-2 (CD) “Jerk Out” was the first single from Pandemonium. Prince largely wrote, produced, and performed on the track (uncredited). Multiple remixes were released across formats. The 5" CD single packaging features a split design: left side is mint green with a group photo of The Time in sharp suits and hats, titled “THE TIME” and “Jerk Out”. Right side is black with large pink stylized “Jerk Out” logo. Back includes full tracklist, credits, and barcode. Classic early 90s Paisley Park / Warner Bros. CD single presentation. Other releases are all a variation of this (apart from promos). CONTEXT AND NOTES Jerk Out was the first single from The Time’s fourth album, Pandemonium, released two weeks before the album itself. The B-side, Mo' Jerk Out, is an extended remix of the track. The song featured uncredited contributions from Prince as a writer, producer, and performer. It debuted on June 28, 1990, in the USA, followed by July 13 in Germany and August 10 in the Netherlands, marking a strong comeback for The Time. CHART DATA USA • Billboard Hot 100: Peak #9 (15 weeks) • Billboard R&B Chart: Peak #1 (1 week at No. 1, 15 weeks) • Billboard Hot Dance Music - Club Play: Peak #6 (10 weeks) Certifications: RIAA Gold (September 19, 1990) – 500,000 units VARIANTS/ TRACK LISTS 7" A. Jerk Out (Edit) (3:59) B. Mo' Jerk Out (4:36) GER: 5439-19750-7 12" A1. Jerk Out (Edit) (3:59) A2. Jerk Out (Sexy Dub) (7:09) B. Jerk Out (Sexy Mix) (8:51) Cat #: UK: W 9750 T GER: 7599-21722-0 TC Single US only Cat #: USA: 4-19750 5" CD 1. Jerk Out (Edit) (3:59) 2. Jerk Out (Sexy Dub) (7:09) 3. Jerk Out (Sexy Mix) (8:51) Cat #: GER: 7599-21722-2 (only 3 tracks images above) All images and original artwork remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied. The Time Scrapbook, 1990

SOURCE DETAILS Artist: Prince Release Type: Digital Release Country: USA Catalogue: NPG Music Club Release Date: July 13 2002 Format: Free Download (NPGMC) TRACK INFORMATION Title: 1+1+1 Is 3 (Live Version) Writer(s): Prince Producer(s): Prince Album Origin: The Rainbow Children Associated Releases: One Nite Alone... Live! • Days Of Wild • Anthology: 1995–2010 RELEASE CONTEXT On July 13 2002, the NPG Music Club issued a live version of 1+1+1 Is 3 as a free download for members. The track originally appeared as the eighth song on The Rainbow Children, Prince’s 24th album and his first after reverting to the name Prince. HISTORICAL NOTES A One Nite Alone... Tour performance was released on One Nite Alone... Live! as track six on disc one. An edit of the same performance appeared on the Days Of Wild single. In 2003, another 2002 live version appeared on the Live At The Aladdin Las Vegas DVD. A third live performance from the Xenophobia Celebration was previously available to NPGMC members, featuring Prince’s overdub: “Xenophobia – Coming soon 2 a monitor near U.” The Xenophobia live project remains unreleased. RECORDING DETAILS Likely tracked late 2000–early 2001 at Paisley Park Studios, Chanhassen, MN. The intro continues the album’s narrative: “The Muse” receives “the seed of knowledge” from “The Wise One,” repeating “1 plus 1 plus 1 is 3.” RECORDING SESSIONS Late 2000 – Early 2001 Paisley Park Studios, Chanhassen, MN Tracking PERSONNEL — STUDIO VERSION Prince — all vocals and instruments John Blackwell — drums Niyoki White — background vocals (Milenia) Mikele White — background vocals (Milenia) Tia White — background vocals (Milenia) Malikah White — background vocals (Milenia) Kip Blackshire — background vocals PERSONNEL — ONE NITE ALONE... LIVE! Prince — vocals, instruments John Blackwell — drums Rhonda Smith — bass Renato Neto — keyboards Najee — saxophone Greg Boyer — trombone LIVE APPEARANCES First Appearance (likely): 5 January 2002 — Paisley Park First Confirmed: 15 January 2002 (a.m.) — Paisley Park Last Appearance: 17 December 2003 (a.m.) — Volcanoes Night Club, Honolulu Performed Regularly: One Nite Alone... Tour Performed Occasionally: 2002–2003 VERSION HISTORY Studio — 5:16 — The Rainbow Children Live — 6:05 — One Nite Alone... Live! (Lakeland Center, FL — 6 April 2002; mis‑dated April 4 in liner notes) Live Edit — 5:51 — Days Of Wild single NPGMC Download — 5:01 — 26 June 2002 (Paisley Park; overdubs/edits) Video — Live At The Aladdin Las Vegas — 15 December 2002 ADDITIONAL INFORMATION One of two Prince song titles containing mathematical equations — the other is 3 x 2 = 6. Copyright: US Copyright Office PA0001074929 (2002‑03‑07) ASCAP Work ID: 450365338 ISWC: T0714411912 SOURCES Discogs, Prince Vault, Wikipedia, The Vault: The Definitive Guide to the Musical World of Prince All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference.

Prince Back In Spotlight With 'Lovesexy' Tour LOS ANGELES DAILY NEWS LOS ANGELES Coming hot on the heels of his breakthrough film of the same name, Prince's "Purple Rain" tour was one of the most anticipated events of the 1985-86 concert season. Yet many observers felt that Purple Rain" generated less excitement than expected. Some critics commented on the murkiness of the sound system, the clumsiness of the show's pacing and the singer's neurotic costume changes. For some reason, Prince chose not to tour the United States in support of his most acclaimed album since "Purple Rain" 1987's "Sign o' the Times." He did, however, make a concert film of his European tour Prince last year, also called "Sign o' the Times" and now available on videocassette. The film is being grouped with the best concert films ever. Hopes are high that Prince's "Lovesexy" Tour '88 will live up to the magic of those European dates. The tour, which started July 8 in Paris, features the singer and his band performing in the round on an elaborate tri-level stage with revolving and interchangeable sets. The hydraulically controlled stage features a regulation basketball court, a huge heart-shaped candy bar and ascending and descending neon signs. According to Warner Bros. Re-cords, the Paris kickoff was Prince's most retrospective performance in years. The set included new songs like "I Wish U Heaven" and "Anna Stesia," mixed with older Prince favorites like "Erotic City," "Sister" and "I Want to Be Your Lover." All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

20Ten is the 35th full‑length studio album by Prince. It was initially released on 10 July 2010 as a covermount with Belgian newspapers Het Nieuwsblad & de Gentenaar and the British newspaper Daily Mirror (sold in a different edition as the Daily Record in Scotland), following the UK and Ireland distribution model of Planet Earth. German music magazine Rolling Stone also carried the CD with their issue released on 22 July 2010, as did the French paper Courrier International (which originally had a release planned for 8 July 2010, postponed three days before release). Other European newspapers were rumoured to distribute the album, while Warner Bros. was expected to distribute it elsewhere, but this did not occur. The tracklist was first announced via MoQuake.com on 25 June 2010. Track Listing All songs written by Prince. Side one • Compassion — Prince — 3:57 • Beginning Endlessly — Prince — 5:27 • Future Soul Song — Prince — 5:08 • Sticky Like Glue — Prince — 4:46 • Act Of God — Prince — 3:14 Side two • Lavaux — Prince — 3:04 • Walk In Sand — Prince — 3:30 • Sea Of Everything — Prince — 3:49 • Everybody Loves Me — Prince — 4:09 • Laydown (hidden track, track 77) — Prince — 3:07 Personnel (Full Track‑Specific Credits) Prince All vocals and instruments (except where noted) Shelby J. Vocals on Compassion, Beginning Endlessly, Future Soul Song, Sticky Like Glue, Act Of God, Everybody Loves Me, Laydown Liv Warfield Vocals on Compassion, Beginning Endlessly, Future Soul Song, Sticky Like Glue, Act Of God, Everybody Loves Me, Laydown Elisa Dease Vocals on Compassion, Beginning Endlessly, Future Soul Song, Sticky Like Glue, Act Of God, Everybody Loves Me, Laydown Maceo Parker Saxophone on Compassion Greg Boyer Trombone on Compassion Ray Monteiro Trumpet on Compassion Additional Personnel [Additional musician 1 – role] [Additional musician 2 – role] [Additional musician 3 – role] [Additional musician 4 – role] Technical Prince — producer, arranger James "Fluff" Harley — engineer Debbie McGuan — design Anthony Malzone — additional design and layout Meurig Rees — CD label design SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The Wichita Eagle-Beacon Wichita, Kansas · Friday, July 22, 1988

Jon Bream’s major feature celebrates Prince as the country’s hottest pop star. His album Purple Rain is outselling Michael Jackson’s Victory, “When Doves Cry” is a massive hit, and the film Purple Rain opens in theaters on Friday. THE STORY The article is a comprehensive hometown triumph piece marking the peak of Prince-mania: Purple Rain album dominating sales charts, beating the Jacksons. “When Doves Cry” breaking records as the fastest-selling single in Warner Bros. history and topping pop, soul, and dance charts. The semi-autobiographical film Purple Rain opening Friday (July 27) in 600–700 theaters. Early reviews are overwhelmingly positive. Background on Prince’s Minneapolis roots, nicknames (“The Kid”), and rapid rise from local hero to national phenomenon. CONTEXT AND NOTES Published just days before the film’s theatrical release, this piece captures the absolute zenith of the Purple Rain cultural explosion in the summer of 1984. It reflects immense local pride as Minneapolis’s own artist became the defining figure in American pop music. FEATURE HIGHLIGHTS Event: Purple Rain album dominance + film opening coverage Era: Peak Purple Rain era (July 1984) Tone: Triumphant, celebratory, and deeply proud hometown journalism Photography: Large, dynamic staff photo by David Brewster of Prince performing live (singing passionately into a mic, wearing a headband, fringed outfit, and shiny jacket — classic mid-80s Prince stage look) Visual Motifs: Bold headline, large portrait photo, “Our Royal Rocker” logo in the header WHAT THE CLIPPING SHOWS Confirmation that Purple Rain the movie opens Friday, July 27, 1984 Massive commercial success of the album and single Prince’s transformation into a superstar, with early reviews calling the film one of the best rock movies ever made RELATED MATERIAL This appears shortly after the May 20 detailed preview and the May 22 Minnesota Music Awards coverage — marking the climax of the long buildup from the secretive 1983 filming to full cultural phenomenon in 1984. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The July 22, 1990 edition of the Star Tribune features a major article on The Time’s reunion and new album Pandemonium, highlighting Prince’s cryptic but significant involvement in the project. Publication: Star Tribune Date: July 22, 1990 Country: United States Location: Minneapolis, Minnesota Section: Music / Entertainment THE STORY The article discusses The Time’s return after years apart, their new album Pandemonium, and Prince’s behind-the-scenes role. It notes that Prince created much of the material and that the band members refer to him as the “eighth member.” The piece also covers the group’s history, their 1980s success, and current dynamics. CONTEXT AND NOTES This feature came as The Time prepared for a comeback tied to Prince’s Graffiti Bridge film and soundtrack. It reflects the complex, long-standing relationship between Prince and The Time, originally his protégé band in the early 1980s. FEATURE HIGHLIGHTS Event: Band reunion feature Era: 1990 (Pandemonium / Graffiti Bridge era) Tone: Nostalgic, insightful Photography: Group photo of The Time + individual Prince photo WHAT THE CLIPPING SHOWS Bold headline “Time and Time again” Large group photo of The Time (Morris Day, Jellybean Johnson, etc.) Continuation article “TIME: Prince given credit in a cryptic way” Discussion of Prince’s influence and the band’s history RELATED MATERIAL July 9, 1990 Evening Herald Prince concert review For other relevant posts, see the tags at the foot of the page. SOURCES Star Tribune, July 22, 1990 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

"Let’s Go Crazy" was the second single released from Purple Rain, Prince’s sixth studio album and the first credited to Prince and the Revolution. In the UK and Europe, it was issued as the third single following Purple Rain. The B‑side, "Erotic City," was previously unreleased and featured Sheila E., marking her first appearance on a Prince‑credited release. Recorded at Sunset Sound, Los Angeles, during the Purple Rain sessions. "Let’s Go Crazy" opens the album and film, featuring Prince’s spoken “Dearly beloved…” sermon intro. "Erotic City" was recorded separately and includes background vocals by Sheila E. Both tracks were produced, arranged, composed, and performed by Prince and the Revolution. VARIANTS Artist: Prince and the Revolution Title: Let’s Go Crazy Label: Warner Bros. Country: United States Catalogue: 7‑29216 Date: July 18, 1984 Format: 7" Single Tracklist (7"): A — Let’s Go Crazy (Edit) (3:46) B — Erotic City (Edit) (3:53) Tracklist (7" Promo): A — Let’s Go Crazy (Edit) (3:46) B — Let’s Go Crazy (Edit) (3:46) STYLE & THEMES "Let’s Go Crazy" combines rock, funk, and gospel influences, symbolising spiritual liberation and ecstatic energy. "Erotic City" explores sensuality and freedom through funk rhythms and layered vocals, pushing lyrical boundaries for radio play. TRACK‑BY‑TRACK NOTES • Let’s Go Crazy — Written and produced by Prince and the Revolution. A high‑energy anthem blending rock and gospel, opening Purple Rain and becoming one of Prince’s signature songs. • Erotic City — Written and produced by Prince and the Revolution. Features Sheila E. on backing vocals; a funk‑driven B‑side that became a cult favourite. RELEASE HISTORY • July 18, 1984 (US) — Released on Warner Bros. as 7‑29216. CHARTS & CERTIFICATIONS US Billboard Hot 100: Entry date: August 4, 1984 Peak position: 1 (2 weeks) Weeks in chart: 19 US Billboard Black Singles: Entry date: August 11, 1984 Peak position: 1 (1 week) Weeks in chart: 17 US Billboard Dance/Disco Top 80 (listed with Erotic City): Entry date: August 18, 1984 Peak position: 1 (1 week) Weeks in chart: 20 PERSONNEL Prince — vocals, guitar, keyboards, production The Revolution — instrumentation and arrangement Sheila E. — backing vocals on "Erotic City" PRODUCTION Produced, arranged, composed, and performed by Prince and the Revolution Label: Warner Bros. Catalogue numbers: • 7‑29216 • PRO‑A‑2139 (Promo) Notes: First single credited to Prince and the Revolution. B‑side features Sheila E. on backing vocals. Both tracks later appeared on Purple Rain‑era compilations. SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied

A major 1998 cover story and in-depth interview with Prince (The Artist) by Robert Crampton for The Times Magazine, portraying him as a complex, ever-evolving musical genius during a reflective period at Paisley Park. Publication: The Times Magazine Date: July 18, 1998 Country: United Kingdom Section / Pages: Cover Story + Multi-page Interview Title: The Changeling (Robert Crampton’s portrait of the artist) THE STORY The striking cover shows Prince wearing an elaborate tall hat and patterned outfit, holding a guitar outlined in blue and pink. Inside features dramatic portraits (including one in black with dramatic pose) and a lengthy, candid interview discussing his life, spirituality, music business battles, family, and creative philosophy. The piece is titled “Born Again” in the interior. CONTEXT AND NOTES Published in 1998, this extensive feature came after Prince’s name change, the end of his Warner Bros. contract, and during his independent phase. It offers rare insight into his thoughts on fame, religion, the music industry, and personal growth. The interview was conducted at Paisley Park and remains one of the more substantial British press pieces from this era. FEATURE HIGHLIGHTS Event: Major Profile & Interview with The Artist Era: 1998 (Post-Emancipation / Newpower Soul period) Tone: Inquisitive, respectful, and intrigued by Prince’s complexity Photography: Stylish, artistic portraits by Steven Parke (dramatic lighting, creative styling) Visual Motifs: Cosmic/dark background on cover, bold typography, high-fashion editorial style WHAT THE CLIPPING SHOWS Full front cover with Prince in tall hat and “The Changeling” headline Interior spreads with multiple striking portraits of Prince Extensive interview text with pull-quotes and personal reflections Details about his life at Paisley Park and views on music as a “curse” and spiritual force RELATED MATERIAL New Power Generation (June 30, 1998) Newpower Soul – Studio Album Prince (January 29 / March 3 1998) Crystal Ball - Album The New Power Generation (November 9, 1998) Come On - Single UK/Europe All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This Toronto Sun article, published on Friday, July 16, 1999, appears in the Showbiz section (page 69) under the headline “Giving Public Enemy a Bad Rap.” Written by Errol Nazareth, the piece critiques Sean “Puffy” Combs’ remix of Public Enemy’s No. 1 track, while exploring the broader state of late‑1990s hip‑hop and its commercial trends. Publication: The Toronto Sun (Toronto, Ontario, Canada) Date: July 16 1999 Country: Canada Section / Pages: Showbiz / Page 69 Title: Giving Public Enemy a Bad Rap FEATURE HIGHLIGHTS Critique: Nazareth laments Puffy’s PE 2000 remix, calling it opportunistic and over‑commercialized. Context: The article contrasts Puffy’s mainstream approach with Public Enemy’s politically charged legacy, noting how hip‑hop’s focus had shifted toward glossy production and celebrity branding. Quotes: Chuck D mentions dining with Prince in Paris and hints at a possible collaboration between Public Enemy and The Artist Formerly Known As Prince. Upcoming Events: Public Enemy were set to perform at the Yahoo! Internet Music Awards on July 19 in New York, followed by the Digital Club Festival (July 20–23). Other Artists Mentioned: EPMD, Gang Starr, Naughty by Nature, The RZA, Eightball & M.J.G., and DJ Revolution. CONTEXT AND NOTES This column captures a transitional moment in hip‑hop — the tension between socially conscious rap and the rise of glossy, crossover production. It reflects the late‑1990s media debate over authenticity versus commercial success, with Public Enemy positioned as the genre’s moral compass amid Puffy’s pop‑rap dominance. Source: The Toronto Sun, Showbiz Section, Toronto, Ontario, Canada, July 16 1999. All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Daily News entertainment column, published on Wednesday, July 21, 1999, highlights The Artist We Still Call Prince performing at the Yahoo Internet Life Music Awards held at Studio 54 in New York. The piece describes Prince’s electrifying stage presence and the enthusiastic reaction from fans, including Foxy Brown, who attended the event. Publication: Daily News (New York, New York, USA) Date: July 21 1999 Country: United States Section / Pages: Entertainment Column Title: Cyber‑Sexy:  The Artist We Still Call Prince FEATURE HIGHLIGHTS Event: Yahoo Internet Life Music Awards, Studio 54, New York City. Performance: Prince delivered a high‑energy set that captivated the audience, reaffirming his reputation as one of pop’s most charismatic live performers. Guests: Foxy Brown and other celebrities were noted among the crowd. Tone: The article’s “Cyber‑Sexy” headline reflects Prince’s late‑1990s embrace of digital culture and his pioneering use of the internet for music distribution. ADDITIONAL ENTERTAINMENT NOTES The same column includes brief celebrity updates: Treach (of Naughty By Nature)  planning official nuptials in Morristown, NJ. Steven Spielberg filming a home movie at a Hamptons beach party featuring Melissa Etheridge,  Jimmy Buffet, and Meg Ryan. Kevin Spacey hosting a champagne‑stocked boat party in New York Harbor. Calista Flockhart, Paul Rudd, and  Sarah Jessica Parker spotted at Palm Steak House. Bill Bradley and Len Riggio raising funds for The Rainforest Alliance. Roberto Benigni seen socializing at Shine nightclub. Source: Daily News, New York, New York, July 21 1999. All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.