Prince strips everything back for a stark, electronic statement on global unrest RELEASE DETAILS Date: February 18, 1987 Catalogue: 7-28399 (7") / 0-20648 (12") Format: 7" Single, 12" Maxi-Single, Promo Country: United States Album: Sign o’ the Times (1987) A-Side: Sign o’ the Times (Edit) – 3:42 B-Side: La, La, La, He, He, Hee – 3:21 THE STORY Released in the US on February 18, 1987 as the lead single from the double album Sign o’ the Times, “Sign o’ the Times” marked a dramatic stylistic shift. Built almost entirely on the Fairlight CMI with Prince performing all vocals and instruments, the minimalist, electronic track addressed HIV/AIDS, gang violence, poverty, drug epidemics, natural disasters, and nuclear anxiety. The single became a major hit, reaching No. 3 on the Billboard Hot 100 and No. 1 on the R&B chart. CONTEXT & NOTES Originally developed during the Dream Factory / Crystal Ball sessions, this song anchored the new era after the dissolution of The Revolution. Its sparse production and direct social commentary made it one of Prince’s most acclaimed and influential singles, later ranked among the greatest songs of all time. TRACK LIST US 7" Single A. Sign o’ the Times (Edit) – 3:42 B. La, La, La, He, He, Hee – 3:21 US 12" Maxi-Single A. Sign o’ the Times (LP Version) – 4:57 B. La, La, La, He, He, Hee (Highly Explosive) – 10:32 All US Variants 7" Commercial Single 7" Promo Single 12" Commercial Maxi-Single (0-20648) 12" Promo Single CHART PERFORMANCE US Billboard Hot 100: Peak No. 3 US Hot Black Singles: Peak No. 1 UK Singles Chart: Peak No. 10 PERSONNEL Prince – all vocals, instruments, production, arrangement PACKAGING HIGHLIGHTS Front sleeve: Iconic image of Prince in a bright yellow suit Back sleeve: Collage-style artwork with a female model (Cat Glover holding a large black heart on some editions) Striking minimalist design with bold red typography WHAT THE LABEL / SLEEVE SHOWS Front cover features Prince in a vibrant yellow suit with hands in pockets. Back sleeve includes collage elements and track information. Labels display standard Paisley Park / Warner Bros. design with clear production credits. RELATED MATERIAL Kiss (February/March 1986) Anotherloverholenyohead (October 20, 1986) Mountains (May 21, 1986) Parade (1986 album) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault • Discogs • Billboard charts COPYRIGHT NOTICE All single artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Sheena Easton released “Eternity” as the lead single from her album No Sound But A Heart on June 10, 1987 in the USA. The track was written, produced, and largely performed by Prince (credited under the pseudonyms Rocker Happyfeller on keyboards and Freddie "The Phantom" on guitar). Commercial Single (B-43011) - Front RELEASE DETAILS Artist: Sheena Easton Label: EMI Records Format: 7" Vinyl Single Country: USA Released: May 30, 1987 Genre: Pop, Funk, R&B A-Side: “Eternity” Written by: Prince Produced by: Prince (credited as David Leonard) B-Side: “Shockwave” Written by: Narada Michael Walden & Jesse Johnson US VARIANTS US 7" Commercial Single (B-43011) A. Eternity (Single Version) – 3:50 B. Shockwave (poster sleeve) US 7" Promo Single (7PRO 79035) A. Eternity – 4:14 B. Eternity – 3:50 US 12" Promo Single (SPRO79052) A. Eternity (With Intro) – 4:15 B. Eternity (With Intro) – 4:15 USA 12" Single (V-19223) A1. Eternity (Shep Pettibone Mix) – 6:26 A2. Eternity (Single Version) – 3:50 B1. Eternity (Dub) – 6:12 B2. Shockwave Commercial Single (B-43011) - Back INTERNATIONAL RELEASES 7" Europe, Japan 12" UK, Germany PERSONNEL (from sleeve) • Sheena Easton – lead vocals • Prince – keyboards (as Rocker Happyfeller), guitar (as Freddie "The Phantom"), writer, uncredited main performer • Produced & Engineered by David Leonard Production Produced by Prince (credited to David Leonard) THE STORY “Eternity” was the only single from Sheena Easton’s 1987 album No Sound But A Heart. Prince wrote and heavily contributed to the track but was only partially credited. CONTEXT & NOTES Despite strong creative input from Prince, the single failed to chart. The back sleeve clearly lists Prince’s pseudonyms, which was a common practice during this period when he was involved with other artists. RELATED MATERIAL , • Album: No Sound But A Heart (1987) Prince with Sheena Easton (November 6, 1989) The Arms Of Orion - Single 7"/12"/CD UK Sheena Easton (December 22, 1984) Sugar Walls - Single Sheena Easton (June 19, 2026) The Singles 1980-1987 – 25CD Box Set Announcement SOURCES Prince Vault, Discogs, 45cat, Sleevographia, Wikipedia, Original Single Sleeve. COPYRIGHT NOTICE All single artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 23, 1987 edition of Blues & Soul features Prince on the cover celebrating “10 Years of the Purple Reign”. Publication: Blues & Soul Date: June 23, 1987 Country: United Kingdom Location: UK Section: Front Cover THE STORY The cover highlights Prince’s 10-year anniversary in the music industry with a striking portrait and teasers for inside features including Madhouse, Tawatha, First Choice, and more. CONTEXT AND NOTES This special issue marked a decade since Prince’s debut, showcasing his impact on black music and soul. FEATURE HIGHLIGHTS Event: Magazine cover feature Era: 1987 (Sign o’ the Times era) Tone: Celebratory Photography: Iconic colour portrait of Prince WHAT THE CLIPPING SHOWS Bold “PRINCE” and “10 YEARS OF THE PURPLE REIGN” text Dramatic cover photo of Prince Teasers for Luther Vandross calendar and other features Classic 1980s soul magazine cover design RELATED MATERIAL June 21, 1987 St. Louis Post-Dispatch “Prince In Holland” report For other relevant posts, see the tags at the foot of the page. SOURCES Blues & Soul, June 23, 1987 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. Tags: Prince, Prince Scrapbook, Blues & Soul, 1987, Magazine Cover

Format: 7" Vinyl • 45 RPM Label: Paisley Park Country: Japan Catalogue: P‑2238 Release Date: 25 May 1987 Genre: Funk / Soul Style: Funk Manufactured & Distributed By: Warner‑Pioneer Corporation, Japan Overview This Japanese‑exclusive 7" edition of Koo Koo was released on 25 May 1987, predating the US single by four years and representing one of the earliest international configurations of the track. Issued by Warner‑Pioneer Corporation, the single features a unique Japanese picture sleeve and includes the traditional Japanese lyric/liner‑note insert, translated by 沼崎敦子. The A‑side, クー・クー = Koo Koo, is taken from the album Sheila E. (P‑13389). The B‑side, パラダイス・ガーデン = Paradise Gardens, is a non‑LP track, making this release particularly notable for collectors. Production credits differ from the later US single: Produced by Sheila E. Co‑producer: David Z. No Prince involvement on either track This edition is one of the most distinctive international variants of Koo Koo, with unique artwork, Japanese titling, and exclusive packaging elements. Japanese 7" single クー・クー = Koo Koo (P‑2238), released 25 May 1987. Track Listing — Japan 7" (P‑2238) A. クー・クー = Koo Koo — 3:24 Written by Sheila E. B. パラダイス・ガーデン = Paradise Gardens — 3:59 Written by Constance Guzman & Sheila E Credits & Production Notes Producer: Sheila E. Co‑Producer: David Z. Record Company: Warner‑Pioneer Corporation Licensed From: Warner Bros. Records Inc. ℗: WEA International Inc. Liner Notes (対訳): 沼崎敦子 Packaging: Full‑colour Japanese picture sleeve Includes Japanese lyric/translation sheet (standard for Japan releases) Japanese titling on sleeve and labels Context & Significance One of the earliest international releases of Koo Koo Features non‑LP B‑side “Paradise Gardens” Distinct from the 1991 US single (different release date, artwork, credits) Highly collectible due to Japanese packaging and exclusive insert Represents Sheila E.’s active presence in the Japanese market during the late 1980s 🧾 Sources Warner‑Pioneer Corporation Japan catalogue (1987) Paisley Park / WEA International documentation Prince Vault (release chronology, track information) Contemporary Japanese retail listings and discographic archives © Copyright Notice All single artwork, label designs, photographs, and original text excerpts remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

November 4, 1984 – April 7, 1985 TOUR DATES • November 4, 1984 — Detroit, MI — Joe Louis Arena • November 5, 1984 — Detroit, MI — Joe Louis Arena • November 7, 1984 — Detroit, MI — Joe Louis Arena • November 8, 1984 — Detroit, MI — Joe Louis Arena • November 9, 1984 — Detroit, MI — Joe Louis Arena • November 11, 1984 — Detroit, MI — Joe Louis Arena • November 12, 1984 — Detroit, MI — Joe Louis Arena • November 14, 1984 — Greensboro, NC — Greensboro Coliseum • November 15, 1984 — Greensboro, NC — Greensboro Coliseum • November 16, 1984 — Greensboro, NC — Greensboro Coliseum • November 18, 1984 — Landover, MD — Capital Centre • November 19, 1984 — Landover, MD — Capital Centre • November 20, 1984 — Landover, MD — Capital Centre • November 22, 1984 — Philadelphia, PA — The Spectrum • November 23, 1984 — Philadelphia, PA — The Spectrum • November 24, 1984 — Philadelphia, PA — The Spectrum • November 26, 1984 — Landover, MD — Capital Centre • November 28, 1984 — Landover, MD — Capital Centre • November 29, 1984 — Landover, MD — Capital Centre • November 30, 1984 — Landover, MD — Capital Centre • December 2, 1984 — Toronto, ON — Maple Leaf Gardens • December 3, 1984 — Toronto, ON — Maple Leaf Gardens • December 5, 1984 — Richfield, OH — Richfield Coliseum • December 6, 1984 — Richfield, OH — Richfield Coliseum • December 9, 1984 — Rosemont, IL — Rosemont Horizon • December 10, 1984 — Rosemont, IL — Rosemont Horizon • December 11, 1984 — Rosemont, IL — Rosemont Horizon • December 13, 1984 — Rosemont, IL — Rosemont Horizon • December 14, 1984 (mat.) — Rosemont, IL — Rosemont Horizon • December 15, 1984 — Lexington, KY — Rupp Arena • December 17, 1984 — Buffalo, NY — Buffalo Memorial Auditorium • December 18, 1984 — Buffalo, NY — Buffalo Memorial Auditorium • December 20, 1984 — St. Louis, MO — St. Louis Arena • December 21, 1984 — St. Louis, MO — St. Louis Arena • December 23, 1984 — St. Paul, MN — Saint Paul Civic Center Arena • December 24, 1984 (mat.) — Saint Paul Civic Center Arena • December 26, 1984 — Saint Paul Civic Center Arena • December 27, 1984 — Saint Paul Civic Center Arena • December 28, 1984 (mat.) — Saint Paul Civic Center Arena • December 30, 1984 — Dallas, TX — Reunion Arena • December 31, 1984 — Dallas, TX — Reunion Arena • January 1, 1985 — Dallas, TX — Reunion Arena • January 3, 1985 — Atlanta, GA — The Omni • January 4, 1985 — Atlanta, GA — The Omni • January 6, 1985 — Atlanta, GA — The Omni • January 7, 1985 — Atlanta, GA — The Omni • January 8, 1985 — Atlanta, GA — The Omni • January 10, 1985 — Houston, TX — The Summit • January 11, 1985 — Houston, TX — The Summit • January 13, 1985 — Houston, TX — The Summit • January 14, 1985 — Houston, TX — The Summit • January 16, 1985 — Houston, TX — The Summit • January 17, 1985 — Houston, TX — The Summit • January 19, 1985 — Birmingham, AL — BJCC Coliseum • January 21, 1985 — Cincinnati, OH — Riverfront Coliseum • January 22, 1985 — Cincinnati, OH — Riverfront Coliseum • January 23, 1985 — Cincinnati, OH — Riverfront Coliseum • January 25, 1985 — Memphis, TN — Mid‑South Coliseum • January 26, 1985 — Memphis, TN — Mid‑South Coliseum • January 29, 1985 — Austin, TX — Frank Erwin Center • January 30, 1985 — Austin, TX — Frank Erwin Center • February 1, 1985 — New Orleans, LA — Louisiana Superdome • February 3, 1985 (mat.) — Birmingham, AL — BJCC Coliseum • February 4, 1985 — Memphis, TN — Mid‑South Coliseum • February 14, 1985 — Tacoma, WA — Tacoma Dome • February 15, 1985 — Tacoma, WA — Tacoma Dome • February 18, 1985 — Inglewood, CA — The Forum • February 19, 1985 — Inglewood, CA — The Forum • February 20, 1985 — Inglewood, CA — The Forum • February 22, 1985 — Inglewood, CA — The Forum • February 23, 1985 — Inglewood, CA — The Forum • February 24, 1985 (mat.) — Inglewood, CA — The Forum • February 27, 1985 — Daly City, CA — Cow Palace • February 28, 1985 — Daly City, CA — Cow Palace • March 1, 1985 — Daly City, CA — Cow Palace • March 3, 1985 (mat.) — Daly City, CA — Cow Palace • March 4, 1985 — Daly City, CA — Cow Palace • March 5, 1985 — Daly City, CA — Cow Palace • March 7, 1985 — Las Cruces, NM — NMSU Pan Am Center • March 8, 1985 — Las Cruces, NM — NMSU Pan Am Center • March 10, 1985 — Long Beach, CA — Long Beach Arena • March 11, 1985 — Long Beach, CA — Long Beach Arena • March 12, 1985 — Long Beach, CA — Long Beach Arena • March 17, 1985 — Uniondale, NY — Nassau Coliseum • March 18, 1985 — Uniondale, NY — Nassau Coliseum • March 20, 1985 — Uniondale, NY — Nassau Coliseum • March 22, 1985 — Uniondale, NY — Nassau Coliseum • March 23, 1985 — Uniondale, NY — Nassau Coliseum • March 24, 1985 (mat.) — Uniondale, NY — Nassau Coliseum • March 26, 1985 — Hartford, CT — Hartford Civic Center • March 27, 1985 — Worcester, MA — Worcester Centrum • March 28, 1985 — Worcester, MA — Worcester Centrum • March 30, 1985 — Syracuse, NY — Carrier Dome • April 1, 1985 — Indianapolis, IN — Market Square Arena • April 3, 1985 — Tallahassee, FL — Tallahassee‑Leon County Civic Center • April 4, 1985 — Lakeland, FL — Lakeland Civic Center • April 5, 1985 — Lakeland, FL — Lakeland Civic Center • April 7, 1985 — Miami, FL — Orange Bowl (“Purple Bowl Stadium”) BAND LINEUP Prince — Vox, Guitar, Keyboard Brown Mark — Bass, Vox Bobby Z — Drums Wendy Melvoin — Guitar, Vox Dr. Fink — Keyboards Lisa Coleman — Keyboards, Vox Eric Leeds — Saxophone (from November 15, 1984 and from February 19, 1985 onward) At selected shows: Sheila E., Miko Weaver, Eddie M., Juan Escovedo, Susie Davis, Jerome Benton, Greg Brooks, Wally Safford (various roles during Baby I’m A Star and Purple Rain) OTHER TOUR PERSONNEL Includes Cavallo, Ruffalo & Fargnoli (Management), Alan Leeds (Tour Manager), Tom Marzullo (Production Manager), Leroy Bennett (Production & Lighting Designer), Susan Rogers (Electronic Technician), Chick Huntsberry (Security Director), Showco (Sound), Light & Sound Design (Lights), Lasermedia (Laser Display), and the complete technical, wardrobe, rigging, security, and travel teams.

While on tour in the UK, three tracks were recorded on this date: "Schoolyard", "Daddy Pop", and "Walk Don’t Walk". Release Date: October 27, 2023 Album: Diamonds And Pearls Super Deluxe Edition (Vault Tracks Part 1) Previously unreleased track from Prince’s Diamonds And Pearls recording sessions, finally issued in 2023 as part of the Super Deluxe Edition. Key Content Notable Mentions Recorded on July 2 1990 at Olympic Studios in London (on the same day as “Daddy Pop” and “Walk Don’t Walk”). The song was included on early configurations of the Diamonds And Pearls album in November and December 1990 but was ultimately cut. It was later remixed on 25 November 1990 at Paisley Park, with Eric Leeds adding saxophone overdubs in December 1992. The narrative tells the story of a 16-year-old boy seducing a 14-year-old girl. The lyrics reference Tower of Power’s “Squib Cakes” (which Prince also sampled on “Release It” and “Sleep Around”). Features Prince on all vocals and instruments, with background vocals by Rosie Gaines and unidentified female vocalists. Eric Leeds plays saxophone on the released version. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A vibrant, fold-out commemorative souvenir cover produced by the Evening Mail to celebrate Prince’s highly anticipated 1990 performances at Birmingham’s National Exhibition Centre (NEC) during his groundbreaking Nude Tour. EVENT / PUBLICATION: Date: June 29 – July 1, 1990 Venue: National Exhibition Centre (NEC), Birmingham, England Tour: Nude Tour (European leg) Item: Official Evening Mail Souvenir Program Cover / Pull-Out THE STORY This eye-catching souvenir features two classic Prince portraits from the era: one with Prince in a black shirt running his hand through his hair against a teal background, and another in a shimmering, embellished jacket with a dramatic high collar. Bold blue-and-red graphic design with repeating “PRINCE” lettering frames the photos, capturing the excitement surrounding the shows. It served as a collectible memento for fans attending the Birmingham dates. CONTEXT AND NOTES The Nude Tour (1990) was a stripped-down yet visually spectacular greatest-hits tour following the Batman soundtrack success. Prince performed multiple nights at the NEC (at least June 29, 30, and July 1). These shows were known for their energy, theatricality, and Prince’s charismatic stage presence. Local media like the Evening Mail produced special souvenirs to mark the occasion for fans in the Midlands. FEATURE HIGHLIGHTS Era: Nude Tour / Post-Batman (1990) Tone: Celebratory, fan-focused, glamorous Design: Bold color-blocked layout with repeated “PRINCE” typography and high-quality studio portraits “BIRMINGHAM NEC, 1990” / “EVENING MAIL SOUVENIR” WHAT THE CLIPPING SHOWS Two stunning, era-defining portraits of Prince (long hair, intense gaze, signature style) Full-color commemorative cover designed as a collectible keepsake Classic late-80s/early-90s Prince aesthetic with glossy, dramatic photography All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Striking 1990 cover feature on Prince in Record Mirror, highlighting excerpts from the new book Controversy and previewing his upcoming UK tour. PUBLICATION: Date: June 2, 1990 Country: United Kingdom Section / Pages: Cover + Interior Feature Title: PRINCE THE STORY Record Mirror dedicates its cover to Prince with a powerful black-and-white close-up portrait. The feature includes exclusive extracts from the acclaimed book Controversy, interviews, and details about Prince’s forthcoming tour starting at Wembley on June 10. The article explores his mystique, public image, and the appeal of his live performances. CONTEXT AND NOTESThis cover appeared during a highly active period for Prince following the Batman soundtrack and Graffiti Bridge era. The UK press was particularly fascinated with his reclusive persona and the launch of his new “Nude Tour” (which notably featured a stripped-back band setup). The mention of Controversy magazine (his official fan publication) shows the growing organized fanbase around him at the time.FEATURE HIGHLIGHTS Event: Magazine Cover Story Era: Graffiti Bridge / Early Nude Tour Period (1990) Tone: Mysterious, reverent, in-depth Photography: Iconic high-contrast black & white portrait on cover + color images inside WHAT THE CLIPPING SHOWS Bold red-and-black Record Mirror cover with Prince’s intense close-up Interior pages with multiple photos, text extracts. RELATED MATERIAL Prince (1990) Graffiti Bridge Album & Film Also see tabs at the foot of this post. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Provocative July 1990 cover story in Sky Magazine examining Prince’s public persona, genius, and controversial reputation during the Graffiti Bridge era. PUBLICATION: Date: July 1990 Country: United Kingdom Section / Pages: Cover + Multi-Page Feature Title: PRINCE: IS HE A GENIUS OR IS HE A JERK? THE STORY Sky Magazine put Prince on the cover with a striking, high-contrast portrait and the bold headline questioning whether he was a musical genius or an eccentric jerk. The feature compiles quotes from fellow musicians, collaborators, and observers (including Morrissey, Mick Jagger, Madonna, Keith Richards, and others), alongside insights into his personality, work ethic, and mysterious image. It explores the duality of Prince’s character — his extraordinary talent versus his reputed difficult behavior. CONTEXT AND NOTES This cover story appeared during a transitional period for Prince, following the release of Graffiti Bridge and amid ongoing fascination with his reclusive, enigmatic persona. The article reflects the mix of admiration and frustration many in the music industry felt toward him at the time. FEATURE HIGHLIGHTS Era: Graffiti Bridge (1990) Tone: Sensational, inquisitive, quote-heavy Photography: Dramatic close-up cover portrait + multiple interior black-and-white images “Is He a Genius or Is He a Jerk?” WHAT THE CLIPPING SHOWS Bold Sky Magazine cover with Prince’s intense portrait against a pink and black background Interior spreads filled with celebrity quotes, photos, and commentary under headings like “Kissing Prince Was Warm and Wet” and “He Dreams Music” RELATED MATERIAL Prince (1990) Graffiti Bridge Album & Film Prince (1990) Nude Tour – UK Dates Prince (June 2, 1990) Record Mirror Cover Story Also see tabs at the foot of this post. Prince (June 2, 1990) “Prince” – Cover Story & Feature – Record Mirror (UK) Prince (June 16, 1990) “Prince en Concert” – Actual Concert Ticket – Parc des Princes, Paris Prince (August 20 1990) Graffiti Bridge Also see tabs at the foot of this post. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 24, 1990 edition of The Independent reviews Prince’s “Nude” tour performance, praising the stripped-down showmanship while noting the power of the performance. Publication: The Independent Date: June 24, 1990 Country: United Kingdom Location: London Section: Arts / Music Review THE STORY John Pyle’s review describes Prince’s “Nude” tour as a more austere production compared to previous lavish shows. Gone were the fetishes and elaborate costumes; instead, Prince delivered a focused, powerful set with his band. The reviewer highlights the strong musicianship and the stripped-down stage presence as a refreshing change. “Gone are the fetishistic costumes and the tat. Prince’s show is more austere but still a corker.” — John Pyle CONTEXT AND NOTES This review captures Prince during the Nude Tour, a deliberate shift from the high-cost Lovesexy Tour. The minimalist staging allowed for shorter, more intense shows emphasizing hits from the 1980s along with new material. The tour marked a transitional period in Prince’s live career as he moved toward a leaner presentation. FEATURE HIGHLIGHTS Event: Concert review Era: 1990 (Nude Tour) Tone: Appreciative, observant Photography: Black & white live action shot of Prince on stage WHAT THE CLIPPING SHOWS Detailed review of the “Nude” tour performance Discussion of the stripped-down stage presentation Praise for Prince’s musicianship and vocal delivery Typical broadsheet arts review layout “Prince’s stripped-down showmanship and his musicianship are at their best in this show.” — John Pyle RELATED MATERIAL June 22, 1990 Evening Standard tour preview For other relevant posts, see the tags at the foot of the page. SOURCES The Independent, June 24, 1990 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Original ticket from Prince’s historic concert at the Parc des Princes stadium in Paris on June 16, 1990, during his groundbreaking Nude Tour. ITEM: Date: June 16, 1990 Country: France Venue: Parc des Princes, Paris Event: Prince en Concert (Nude Tour) Ticket Number: N° 22045 CONTEXT AND NOTES The June 16, 1990 Paris concert is widely regarded as one of the standout performances of the Nude Tour. Prince played for over two hours to a packed stadium, delivering a career-spanning set. This physical ticket represents a key moment in Prince’s 1990 European tour, which emphasized musicality over spectacle. FEATURE HIGHLIGHTS Tour: Nude Tour 1990 Venue: Parc des Princes (~50,000 capacity) Design: Striking black & white portrait of Prince with purple branding and French text Significance: Genuine used/issued concert ticket from a legendary show WHAT THE CLIPPING SHOWS Front of the original concert ticket featuring Prince’s intense portrait, event details in French, pricing, ticket number (N° 22045), and sponsor information. RELATED MATERIAL Prince (1990) Nude Tour – European Leg Prince (June 2, 1990) Record Mirror Cover Story Prince (1990) Graffiti Bridge Era Live Performances Also see tabs at the foot of this post. All images, tickets and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Iconic September 1990 cover of the influential UK style bible The Face, featuring a striking close-up portrait of Prince during the Graffiti Bridge era — a period of creative transition and bold reinvention. PUBLICATION: Date: September 1990 (Issue No. 24) Country: United Kingdom Title: THE FACE Price: £1.50 (UK) Cover Story: “COURT IN THE ACT: THE MAKING OF GRAFFITI BRIDGE” THE STORY This powerful cover showcases Prince in a brooding, intimate black-and-white tinted portrait with intense eye contact. The headline teases an exclusive inside feature on the making of Graffiti Bridge, Prince’s ambitious 1990 film and soundtrack project. The issue also includes other 1990 cultural highlights such as Paul Gascoigne and various style/music pieces. CONTEXT AND NOTES Graffiti Bridge (released November 1990) marked Prince’s return to narrative filmmaking after Purple Rain and Under the Cherry Moon. The project blended romance, spiritual themes, and high-energy performances. This The Face cover captures the anticipation and mystique surrounding the project during a time when Prince was experimenting with his image — shorter hair, more mature aesthetic — and navigating the shift into the 1990s. FEATURE HIGHLIGHTS Era: Graffiti Bridge (1990) Tone: Stylish, intense, editorial Photography: Dramatic close-up portrait emphasizing Prince’s piercing gaze and facial features Design: Bold red masthead, teal “PRINCE” lettering, minimalist yet powerful layout typical of The Face WHAT THE CLIPPING SHOWS Full front cover of The Face magazine featuring Prince High-impact portrait photography Period-accurate 1990 typography and design RELATED MATERIAL Prince (1990) Nude Tour Souvenir – Birmingham NEC (Evening Mail) Prince (1990) Graffiti Bridge Film & Soundtrack Coverage Earlier: Cat Glover Sky Magazine feature (1988) Also see tabs at the foot of this post. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.