Search Results

This was the second commercially released single from Prince O(+>’s 19th studio album Emancipation, the third album credited to , and formed part of a two-disc CD set that included exclusive ♀ prints for collectors. Released two months after the album, it was available primarily in the UK and Japan, with only promotional copies in the US. Artist: Prince O(+> Label: NPG Records / EMI Date: January 13, 1997 Catalogue: 72438 83765 2 5 (Part 1) Format: CD Single (Part 1 of 2CD Set) Country: UK TRACK LIST UK CD Single Part 1 The Holy River (Radio Edit) (4:00) Somebody’s Somebody (Edit) (4:30) Somebody’s Somebody (Livestudio Mix) (3:47) Somebody’s Somebody (Ultrafantasy Edit) (3:45) LINKED RELEASES / VARIANTS Album version on Emancipation (1996) Part 2 of the 2CD set US promotional singles Borders Books & Music cassette single (with exclusive “Welcome 2 The Dawn (Acoustic Version)”) PERSONNEL Prince O(+> – vocals, all instruments, production THE STORY “The Holy River” was issued as the second commercial single from Emancipation in January 1997. The spiritually themed, mid-tempo track reflected the album’s themes of independence and rebirth following Prince O(+>’s departure from Warner Bros. This UK Part 1 CD single focused on an edited version of the title track paired with several remixes/edits of “Somebody’s Somebody.” A companion Part 2 CD was released simultaneously, and the set included three exclusive ♀ prints for collectors. In May 1997, a special Borders Books & Music cassette version added the previously unreleased “Welcome 2 The Dawn (Acoustic Version).” CONTEXT & NOTES Part of a limited 2CD collector’s set released to support the Emancipation album and the associated tour. The striking cover artwork features a serene waterfall scene with the iconic ♀ symbol. This UK edition is sought after by collectors for the exclusive prints and packaging. CHART PERFORMANCE UK Gallup Singles Chart – #19 (peaked March 2, 1997) RELATED MATERIAL Prince O(+> (1996) Emancipation (Album) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Discogs, sleevographia2. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This is the debut (and only) studio album by Fonky Bald Heads, a funk/hip-hop group featuring longtime Prince collaborators Kirk Johnson, Kip Blackshire, and Mike Scott. Artist: Fonky Bald Heads Label: Kitchen Records Date: June 11, 2001 Catalogue: none Format: CD Album Country: USA Genre: Funk / Hip-Hop Style: Funky rap / R&B Written by: Various (Prince co-wrote “Rowdy Mac”) Produced by: FBH Productions / Kirk Johnson TRACK LIST Introdukshun Soundasame Under The Same Clouds Fonky Like A… (Remix) Passin Your Name (F.B.H. Version) Sex In My Bones Fonky Lyka (Live) Rowdy Mac (4:56) If Y’all Wanna Rock (hidden bonus track) LINKED RELEASES / VARIANTS NPG Music Club Edition #4 (earlier download version of “Sex In My Bones”) THE STORY The Self Titled Album is the first studio album by Fonky Bald Heads, a collective led by Prince’s longtime drummer and collaborator Kirk Johnson. The group also included Kip Blackshire and Mike Scott, both of whom performed regularly with Prince around this time. Prince contributed by co-writing “Rowdy Mac” with Kirk Johnson and offered to play guitar on “Under The Same Clouds,” though he ultimately declined due to lyrical content. “Strike Up The Band” was also written by Prince for the project but not used. “Sex In My Bones” was first released as an NPG Music Club download prior to the album. CONTEXT & NOTES Released with minimal commercial promotion and no widespread distribution, the album did not chart. The artwork features a fiery circular design with the group members prominently displayed. It remains a sought-after release among Prince fans due to the strong Paisley Park connections. CHART PERFORMANCE Did not chart. RELATED MATERIAL Prince (2001) The Daisy Chain (Single) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Discogs, sleevographia2. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 14, 2001 edition of the Star Tribune features a full-page advertisement for Prince & The New Power Generation performing at the Xcel Energy Center in St. Paul on Saturday, June 16, 2001, as part of the “Prince a Celebration of ‘The Rainbow Children’” event. A second show was added due to overwhelming demand Publication: Star Tribune Date: June 14, 2001 Country: United States Location: Minneapolis, Minnesota Section: Entertainment / Concert Promotion THE STORY The bold black-and-white ad promotes two shows at the Xcel Energy Center with tickets on sale immediately. It highlights Prince’s new album The Rainbow Children and encourages fans to visit NPGMusicClub.com for more information. CONTEXT AND NOTES This 2001 concert was part of Prince’s independent era following the release of The Rainbow Children, a spiritually themed album. The rapid addition of a second show reflects the strong local demand in his home state of Minnesota. The Xcel Energy Center in St. Paul became a frequent venue for Prince in his later career. FEATURE HIGHLIGHTS Event: Concert advertisement / Ticket on-sale notice Era: 2001 (The Rainbow Children era) Tone: Exciting, promotional Photography: Stylized promotional graphic WHAT THE CLIPPING SHOWS Large bold text “PRINCE & The New Power Generation” Announcement of a second show added due to demand Concert details: Saturday, June 16, 2001, 8pm at Xcel Energy Center, St. Paul Ticket information and NPG Music Club website “Prince a Celebration of ‘The Rainbow Children’” branding RELATED MATERIAL This June 14, 2001 Star Tribune advertisement promotes Prince’s The Rainbow Children era shows and pairs well with other early 2000s Prince items in the scrapbook. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Raw footage from a special studio jam session filmed on June 14, 1993 at Paisley Park Studios featuring Prince’s powerful “power trio” lineup, later released as the 40-minute home video The Undertaker with added narrative elements starring Vanessa Marcil. RELEASE / PUBLICATION DETAILS Artist: Prince Title: The Undertaker Date: Filmed June 14, 1993 (Released March 6, 1995) Label: Warner Music Vision Format / Type: VHS Home Video (PAL) Country: United Kingdom / Europe Catalogue: 7599 38398-3 TRACK LIST VHS (PAL) Introduction (4:40) The Ride (9:38) Poorgoo (4:38) Honky Tonk-Woman (2:46) Bambi (4:05) Zannalee (Prelude) (0:44) The Undertaker (9:44) Dolphin (3:38) THE STORY On June 14, 1993, Prince gathered his “power trio” — himself on vocals and guitar, Michael B. on drums, and Sonny T. on bass — for an intimate studio jam session at Paisley Park Studios in Chanhassen, Minnesota. The electrifying performances were captured on video and later shaped into the home video The Undertaker, incorporating a loose narrative storyline with actress Vanessa Marcil exploring the studio. Originally planned as an album project (under the symbol), it was released on VHS in 1995. CONTEXT & NOTES This session captures Prince in a stripped-down, high-energy rock format during a creatively fertile but turbulent period. Tracks like “Poorgoo” and “The Undertaker” later surfaced as audio downloads via the NPG Music Club. Test screenings of an earlier version occurred in October 1993 at the Minneapolis NPG Store. The final 40-minute video was released on the same day as The Sacrifice of Victor and credited to Prince (not the symbol name used at the time). It has never received an official DVD or digital release. PERSONNEL Prince – vocals, guitar Michael B. (Michael Bland) – drums Sonny T. (Sonny Thompson) – bass Vanessa Marcil – starring (narrative segments) Parris Patton – director PRODUCTION Produced by: Prince Directed by: Parris Patton Filmed at: Paisley Park Studios, Chanhassen, MN on June 14, 1993 PACKAGING / ARTWORK HIGHLIGHTS Artistic purple-toned cover imagery Full track listing with durations on back UK 15 certificate rating Warner Music Vision branding RELATED MATERIAL See tags at foot of page. WHAT THE SLEEVE SHOWS The front cover features a striking, sensual image in deep purple tones with bold “PRINCE THE UNDERTAKER” lettering. The back displays the complete track list, stills from the Paisley Park session, production credits, and rating. The spine clearly identifies the title and catalogue number. SOURCES Prince Vault, The Vault: The Definitive Guide to the Musical World of Prince (2004), Warner Music Vision All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference

The May 10, 2008 issue of NME features Prince’s legendary Coachella 2008 performance with a striking cover image and in-depth coverage of his headline set, including his unforgettable cover of Radiohead’s “Creep”. Publication: NME Date: May 10, 2008 Country: United Kingdom Location: London Section: Live! / Cover Feature THE STORY Prince delivered a career-defining performance at Coachella 2008, headlining the festival in the baking California desert. The NME coverage highlights his flamboyant white-and-mirrored stage outfit, energetic showmanship, and the emotional centrepiece of the set — a powerful cover of Radiohead’s “Creep”. The feature captures the magic of the moment, describing Prince as a true legend. CONTEXT AND NOTES By 2008 Prince was already a music icon, but his surprise appearance and masterful headline set at Coachella became one of the most talked-about festival performances of the decade. This NME feature captures the excitement of the era, showcasing Prince’s ability to reinvent songs and dominate a stage like no other artist. FEATURE HIGHLIGHTS Event: Coachella 2008 Headline Performance Era: 2008 (Prince’s iconic festival return) Tone: Reverent, celebratory, vivid Photography: Dynamic full-page colour live shots of Prince in white mirrored suit WHAT THE CLIPPING SHOWS Large striking photo of Prince in white embellished outfit with leopard-print guitar strap, performing dramatically Pink highlight box: “Prince’s cover of ‘Creep’ is the centrepiece of his set: the man’s a true legend” Coachella 2008 festival overview titled “California dreamy” Multiple supporting images from the weekend RELATED MATERIAL This NME feature captures Prince’s legendary Coachella set. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 2014 cover of Essence Magazine features Prince in a striking portrait with the headline “A NIGHT WITH PRINCE: WHAT REALLY HAPPENS AT THE AFTER-PARTY”, accompanied by an in-depth “Prince After Dark” feature. Publication: Essence Date: June 2014 Country: United States Location: New York Section: Cover + Interior Feature THE STORY In a rare and intimate interview, Prince pulls back the purple curtain on his legacy, mentoring, creativity, and the magic of live performance. Photographed by Randee St. Nicholas, the multi-page spread includes stunning portraits, backstage moments at the Hollywood Palladium, and insights into his process, band, and enduring genius. The feature captures Prince during an exclusive ESSENCE photo shoot and interview. CONTEXT AND NOTES By 2014 Prince remained an enigmatic icon who rarely granted in-depth interviews. This Essence feature offers a rare glimpse into his world — his perfectionism, spirituality, musical innovation, and connection with his band. It highlights his timeless creativity and influence across generations. FEATURE HIGHLIGHTS Event: In-depth cover story and photo shoot Era: 2014 (Prince’s later career renaissance) Tone: Intimate, reverent, vibrant Photography: Striking colour portraits and live/action shots by Randee St. Nicholas WHAT THE CLIPPING SHOWS Iconic cover with Prince in afro, sunglasses, fringed vest, and custom guitar Bold headline “PRINCE AFTER DARK” Multiple studio portraits in varied outfits (maroon velvet, black suit, white vest) Backstage and performance images from the Hollywood Palladium Pull quotes and deep interview excerpts RELATED MATERIAL This Essence cover story and photo feature stands as one of the most revealing Prince interviews of the 2010s. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The extended 12" single release from Prince’s eighth studio album Around the World in a Day. Released in the United States on June 19 1985 on Paisley Park / Warner Bros. Records. This was Prince’s first single on his own Paisley Park label. RELEASE DETAILS Artist: Prince and The Revolution Label: Paisley Park / Warner Bros. Records Release Date: June 19 1985 (12" release) Country: United States Format: 12" Single (Commercial & Promo) TRACK LISTINGS (US 12") Commercial 12" Single (0-20355) A. Raspberry Beret (New Mix) (6:34) B. She’s Always In My Hair (New Mix) (6:31) Promo 12" Single (PRO-A-2313) A. Raspberry Beret (3:31) B. Raspberry Beret (3:31) PRINCE ODDITY Stickered sleeve 12" - Philippines - DS-044 A Side Raspberry Beret (7:25) B Side She's Always In My Hair (6:48) CHART PERFORMANCE (US) Billboard Hot 100: Peak No. 2 (17 weeks) Billboard Hot Black Singles: Peak No. 3 (14 weeks) Billboard Hot Dance/Disco - Club Play: Peak No. 4 (7 weeks, listed with “She’s Always In My Hair”) THE STORY “Raspberry Beret” was the lead single from Around the World in a Day. The commercial 12" version features extended “New Mix” versions of both the A-side and the non-album B-side “She’s Always In My Hair”. The promo 12" contains the standard album edit on both sides for radio play. CONTEXT & NOTES The 12" maxi-single provided club-friendly extended mixes, while the promo version was used for radio promotion. “She’s Always In My Hair” was a strong non-album track exclusive to the single formats at the time. This release marked the official launch of the Paisley Park label imprint. RELATED MATERIAL Prince and The Revolution – Around the World in a Day (1985 Album) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Wikipedia, sleevographia2, Discogs and 45cat. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The first single from Carmen Electra’s self-titled album, released on June 18 1992 on Warner Bros. / Paisley Park Records. It was issued simultaneously across North America, the UK, and Europe. RELEASE DETAILS Artist: Carmen Electra Label: Warner Bros. / Paisley Park Records Release Date: June 18 1992 Country: United States / UK / Europe / Australia Format: 7", 12", CD, Cassette, Promos THE STORY “Go Go Dancer” was released eight months before the Carmen Electra album (originally planned for simultaneous release). The track samples “Lost In Music” by Sister Sledge (incorrectly credited to Chic on the single). It features multiple club-oriented remixes and was part of the early Paisley Park-associated releases for Carmen Electra. CONTEXT & NOTES This maxi-single showcases an extensive set of remixes. Non-album tracks include various mixes not found on the final album configuration. The single did not achieve commercial chart success but remains a collectible Paisley Park-era release. VARIANTS 7" Single A. Go Go Dancer (Radio Edit) (4:27) B. Go Go Dancer (Album Version) (5:02) (GER: 5439-18839-7 / UK: W 0114) CD Maxi Single (USA: 9 40458-2) Go Go Dancer (Radio Edit) (4:27) Go Go Dancer (12" Mix) (6:03) Go Go Dancer (The Dub) (5:53) Go Go Dancer (Factory Mix) (6:01) Go Go Dancer (The Dub Dub Dancer) (6:02) Go Go Dancer (Royal Mix) (6:02) 12" Single (GER: 9362-40484-0 / UK: W0114T) A1. Go Go Dancer (12" Mix) (6:03) A2. Go Go Dancer (The Dub Dub Dancer) (6:02) B1. Go Go Dancer (Royal Mix) (6:02) B2. Go Go Dancer (Factory Mix) (6:01) B3. Go Go Dancer (The Dub) (5:53) 12" Single (USA: 40458-0) A1. Go Go Dancer (12" Mix) (6:03) A2. Go Go Dancer (The Dub) (5:53) A3. Go Go Dancer (Radio Edit) (4:27) B1. Go Go Dancer (Factory Mix) (6:01) B2. Go Go Dancer (The Dub Dub Dancer) (6:02) CD Maxi Single (EUR: 9362 40485-2 / W0114CD) Go Go Dancer (Radio Edit) (4:27) Go Go Dancer (12" Mix) (6:03) Go Go Dancer (The Dub Dub Dancer) (6:02) Go Go Dancer (Royal Mix) (6:02) Go Go Dancer (Factory Mix) (6:01) CD Maxi Single (GER: 9362-40458-2) Go Go Dancer (Radio Edit) (4:27) Go Go Dancer (12" Mix) (6:03) Go Go Dancer (The Dub) (5:53) Go Go Dancer (Factory Mix) (6:01) Go Go Dancer (The Dub Dub Dancer) (6:02) Go Go Dancer (Royal Mix) (6:02) 12" Promo A. Go Go Dancer (12" Mix) (6:03) B. Go Go Dancer (5:02) (longer version from an early album configuration) Cassette Single (AUS: 5439 18839-4) A1. Go Go Dancer (Radio Edit) (4:27) A2. Go Go Dancer (Album Version) (5:02) B1. Go Go Dancer (Radio Edit) (4:27) B2. Go Go Dancer (Album Version) (5:02) CHART PERFORMANCE Did not chart in the USA or elsewhere. RELATED MATERIAL Carmen Electra – Carmen Electra (Album) Carmen Electra – Go Go Dancer (Music Video) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Wikipedia, sleevographia2, Discogs and 45cat. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The Daily Mirror offers readers a free CD of Prince’s brand new album 20Ten as a special promotional giveaway bundled with the newspaper. Publication: Daily Mirror Date: Saturday, July 10, 2010 Country: United Kingdom Location: London, England Section: Promotional poster / In-store newsagents display THE STORY A vibrant, full-color promotional poster advertises that a free CD of Prince’s latest album is included inside the Daily Mirror newspaper that day. The eye-catching design features an illustrated portrait of Prince in his signature flamboyant style, with bold text announcing “FREE CD INSIDE THE NEW PRINCE ALBUM.” CONTEXT AND NOTES In 2010, Prince partnered with the Daily Mirror to distribute his album 20Ten (his 34th studio album) as a free cover-mounted CD — a major promotional move typical of the era when physical album sales were declining. This was part of a broader strategy by Prince to reach a wide audience directly through mainstream media. The album was also released in other European countries with similar newspaper tie-ins. FEATURE HIGHLIGHTS Event: Promotional newspaper giveaway of Prince album 20Ten Era: 2010 / Prince’s independent / newspaper-distribution era Tone: Exciting, commercial, promotional Photography: Stylized color illustration of Prince in a vibrant vest and open shirt with chest tattoos, purple symbol logo, and a colorful sunset-style background with a CD graphic. WHAT THE CLIPPING SHOWS Prince’s continued innovation in album distribution methods in the digital age High-profile mainstream media partnership (tabloid newspaper) Classic Prince visual aesthetic — dramatic, colorful, androgynous imagery Physical media promotion strategy still being used in 2010 RELATED MATERIAL This continues the long arc of Prince’s UK press coverage and promotional tactics. It pairs well with earlier 1970s–1990s clippings showing his evolution from emerging artist to global superstar using unconventional release strategies. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Prince resurrects a 1982 vault classic for the Welcome 2 Canada era with a sleek, modern funk overhaul. On June 19 2013, a new version, titled Extraloveable Reloaded, with the rap omitted and horns added, was released on 3rdEyeGirl.com and included two and a half years later as Xtraloveable on Hitnrun Phase Two. RELEASE DETAILS Date: November 23, 2011 (Canada iTunes exclusive) / November 24–30, 2011 (worldwide rollout) Format: Digital Single (AAC, 256 kbps) Country: Worldwide Track: “Extraloveable” – 5:01 (2011 re-recording) THE STORY Released on November 23, 2011 as a digital single, “Extraloveable” marked the long-awaited public debut of one of Prince’s most famous unreleased tracks. Originally recorded in 1982 but shelved due to controversial lyrical content, the song was completely re-recorded in 2011 and issued to promote the Welcome 2 Canada Tour, which began two days later. A remixed version titled “Xtraloveable” later appeared on HITnRUN Phase Two (2015) CONTEXT & NOTES The 2011 re-recording bridged Prince’s early-’80s vault material with his contemporary digital-era sound. The staggered rollout began in Canada before expanding globally, reflecting Prince’s flexible, platform-first distribution strategy of the 2010s. The track’s release highlighted Prince’s willingness to revisit and reinvent his unreleased catalogue for new audiences. TRACK LIST Digital Single Extraloveable – 5:01 (2011 re-recording) CHART PERFORMANCE No official chart entries reported. PERSONNEL Prince – vocals, all instruments, production (2011 re-recording) RELATED MATERIAL Welcome 2 Canada Tour (2011) HITnRUN Phase Two (2015 album) Early 1980s vault tracks For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault • Sleevographia2 • NPG Records announcement • Discogs All single artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The eleventh studio album by Prince and the first (and only) soundtrack album he created for a major motion picture — Tim Burton’s Batman (1989). Released in Europe on June 19 1989 (one day before the US release) on Warner Bros. Records. The album features songs written from the perspectives of characters in the film. RELEASE DETAILS Artist: Prince Label: Warner Bros. Records Release Date: June 19 1989 (Europe) / June 20 1989 (USA) Country: Europe (and worldwide) Format: LP, Picture Disc, CD (standard, limited, metal can), Cassette Length: 42:34 Studio: Paisley Park Studios, Chanhassen, MN Side 1: The Future (4:07) Electric Chair (4:07) The Arms Of Orion (5:02) Partyman (3:11) Vicki Waiting (4:51) Side 2: Trust (4:23) Lemon Crush (4:15) Scandalous (6:14) Batdance (6:13) All songs written by Prince, except: “The Arms Of Orion” written by Prince and Sheena Easton “Scandalous” written by Prince and John L. Nelson PERSONNEL Prince — all vocals and instruments (except where noted) Sheena Easton — co-lead vocals on The Arms Of Orion Sounds of Blackness — sampled choir Clare Fischer Orchestra — orchestra on The Future (sampled) Eric Leeds, Atlanta Bliss, and sampled voices from Michael Keaton, Jack Nicholson, Kim Basinger, etc. THE STORY Prince was approached by Tim Burton after “1999” and “Baby I’m a Star” were used in a rough cut. Recorded quickly in February–March 1989 at Paisley Park, with “Batdance” as a last-minute replacement for “Dance With The Devil”. The album was a massive commercial success. CHART PERFORMANCE US: Billboard 200 – No. 1 (6 weeks) UK: UK Albums Chart – No. 1 (20 weeks) Strong Top 5 placements across Europe. EUROPEAN VARIANTS SINGLES RELEASED Batdance b/w 200 Balloons Partyman b/w Feel U Up The Arms Of Orion b/w I Love U In Me Scandalous! b/w Sex The Future (Europe only) b/w Electric Chair Trust (Hong Kong promo only) CERTIFICATIONS RIAA (USA): 2× Platinum BPI (UK): Platinum Gold/Platinum in France, Germany, Australia, etc. Cassette (925 936-4 / WX281C / WX 281 C) Standard cassette release with same track listing as above. Vinyl LP – Limited Edition Picture Disc, Diecut Frame Cover (WX 281P / 927 489-1) Same track listing as standard LP. CD – Limited Edition (927 489-2) Same track listing as standard CD. CD – Limited Edition Metal Can (925 978-2) Circular metal can packaging containing a picture disc CD and circular booklet. Same track listing. Full page advertisement from New Musical Express (UK) June 24, 1989 CONTEXT & NOTES Batman was Prince’s only major motion picture soundtrack. Multiple deluxe European variants were issued, including a striking picture disc in a diecut frame cover and a limited metal can CD edition. No tour supported the album, though several tracks were performed on the 1990 Nude Tour. RELATED MATERIAL Prince – Batman Singles (Batdance, Partyman, etc.) Tim Burton’s Batman (1989 Film) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Wikipedia, sleevographia2, Discogs and 45cat. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Vanity, Prince’s former protégé and former leader of Vanity 6 / Apollonia 6, asserts full control over her career, starring in the new film The Last Dragon and releasing her own solo album on Motown. Publication: Chronicle Tribune Date: Monday, June 10, 1985 Country: United States Location: Marion, Indiana Section: Entertainment THE STORY The article profiles Vanity (Denise Matthews) one year after Purple Rain, highlighting how she has taken complete charge of her career after leaving Prince’s camp. It describes her playfully pushing her manager aside during a photo session to fix her own hair and straighten her leopard-skin sash. Vanity insists she is talented, in control, and more than just the sexy image she projects. She discusses her three-year relationship with Prince, her exit from the group (now Apollonia 6), her role in Purple Rain, and her new film The Last Dragon where she plays a more subdued character. She is also preparing her debut Motown solo album Wild Animal and writing songs for her next project. The piece notes mixed reviews of her film work and her comfort with her sensual stage persona. CONTEXT AND NOTES This story appeared exactly one year after the release of Purple Rain. Vanity had left Prince’s inner circle in 1984, reverted to her stage name Vanity, and signed with Motown for her solo career. The article captures the moment she was stepping out from under Prince’s shadow while still benefiting from the massive exposure Purple Rain had given her. It also reflects the mid-1980s trend of Prince protégés (Vanity, Apollonia, Sheila E., etc.) launching independent careers. FEATURE HIGHLIGHTS Event: Vanity career profile / post-Prince independence Era: Post-Purple Rain / 1985 solo career Tone: Feature / Celebrity profile (Associated Press) Photography: Black-and-white photo of a storefront (B&L Appliances Video Disc Center) alongside the article; small illustrated ad for B&L Laundromat at bottom right WHAT THE CLIPPING SHOWS Bold headline: “Prince protege takes charge of career” Vanity asserting independence from Prince and her former management Details of her role in Purple Rain and new film The Last Dragon Discussion of her sensual image, songwriting, and upcoming Motown album Wild Animal Quotes from Vanity about talent, control, and moving beyond the “Nasty Girl” person RELATED MATERIAL Connects directly to the 1984 Purple Rain campaign clippings and earlier coverage of Vanity 6 / Apollonia 6 as Prince protégés. For other relevant posts, see the tags at the foot of the page. Connects directly to the 1984 Purple Rain campaign clippings and earlier coverage of Vanity 6 / Apollonia 6 as Prince protégés. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.