Prince (October 27 1982) 1999 - Double Album US


1999 is Prince’s fifth studio album and his first double album, released in October 1982. A groundbreaking, futuristic masterpiece, it marked his commercial breakthrough and introduced the world to the full power of The Revolution.
RELEASE DETAILS
Artist: Prince
Label: Warner Bros. Records
Date: October 27, 1982 (USA)
Catalogue: 9 23720-1 (2LP)
Format: 2LP (US), Single LP (UK/Europe reissue 1983)
Country: United States (international releases followed)


THE STORY
1999 is a bold, danceable, and apocalyptic double album that perfectly captures Prince’s vision of the future. Filled with infectious funk, new wave, and rock elements, it features some of his most iconic songs, including the title track and the massive hit “Little Red Corvette.” The album was largely a solo effort by Prince, with key contributions from early Revolution members.
CONTEXT & NOTES
Released just one year after Controversy, 1999 catapulted Prince into the mainstream. The album’s themes of partying in the face of nuclear doom resonated strongly in the early 1980s. It became Prince’s first Top 10 album in the US and established him as a major star. The 1999 Tour (with The Time and Vanity 6 as openers) was a huge success.


TRACK LIST
(US 2LP Version)
Side One
1999 (6:22)
Little Red Corvette (4:58)
Delirious (3:56)
Side Two
Let’s Pretend We’re Married (7:20)
D.M.S.R. (8:15)
Side Three
Automatic (9:27)
Something In The Water (Does Not Compute) (4:00)
Free (5:08)
Side Four
Lady Cab Driver (8:25)
All The Critics Love U In New York (5:55)
International Lover (6:37)

PERSONNEL
Musicians
Prince — all vocals and instruments (except where noted)
Lisa Coleman — background vocals on “1999,” “Little Red Corvette,” “Delirious,” “D.M.S.R.,” “Automatic,” and “Free”
Dez Dickerson — co-lead vocals and guitar solo on “1999,” background vocals on “Little Red Corvette”
Jill Jones — co-lead vocals on “1999,” background vocals on “Automatic,” “Free,” and “Lady Cab Driver”
Jesse Johnson, BrownMark, Jamie Shoop, Carol McGovney, Peggy McCreary, Poochie, The Count, Vanity, Wendy Melvoin — additional background vocals and handclaps (various tracks)
Production
Prince — producer, arranger
Peggy McCreary — engineer
Don Batts — assistant engineer
Bernie Grundman — mastering (A&M Records)
Special Thanks "Thank U - God. Steve - 'Your guidance is invaluable'. Jamie - 'I’m glad you’re my friend'. Lisa, J.J., Dez, Brown Mark, Bobby Z. & Fink. Carol, Peggy, Don, Fred M., Sandy, Lee Phillips, Roy (The Best) Bennett, Tom Marzullo and the crew. David the blade, My love to Vashti and my money to Al. Thank U all for being my pal."
PACKAGING HIGHLIGHTS
Iconic hand-drawn psychedelic “1999” lettering on a deep purple starry background
Vibrant, colorful, surreal artwork by Prince himself
Double gatefold sleeve with full lyrics and photos
WHAT THE SLEEVE SHOWS
The front cover features a striking purple background with white stars and a highly stylized, multicolored hand-drawn “1999” logo designed by Prince. The word “Prince” appears at the top in a matching psychedelic font. The overall design is playful, cosmic, and distinctly Prince — perfectly capturing the album’s futuristic and celebratory spirit.
CHARTS America
Country: Chart | Entry Date | Peak Position | Weeks in Chart
USA: Billboard Top LP’s & Tapes | 20 Nov. 1982 | 9 | 153
USA: Billboard Black LPs | 20 Nov. 1982 | 4 | 93
USA: The Billboard 200 | 7 May 2016 | 7 (R) | 9
SINGLES RELEASED
“1999” (b/w “How Come U Don’t Call Me Anymore”)
“Little Red Corvette” (b/w “All The Critics Love U In New York”)
“Delirious” (b/w “Horny Toad”)
“Automatic” (Australia only)
“Let’s Pretend We’re Married” (b/w “Irresistible Bitch”)
The album opens with the title track “1999,” which was also its first single, initially reaching No. 44 on the US Billboard Hot 100. After the huge success of the follow-up single and second track, “Little Red Corvette,” which hit No. 6, “1999” was re-released and climbed to No. 12, becoming one of Prince’s most iconic songs. Lisa Coleman, who sang on the album, recalled Prince writing “Little Red Corvette” after sleeping in her pink Mercury Montclair Marauder. The record label may have originally suggested including the title track.
The music videos for both songs were groundbreaking, as they were among the first by a Black artist to get heavy rotation on the newly launched MTV after criticism over the channel’s lack of Black performers. In the UK, the two songs were released together as a double A-side single, peaking at No. 2. Another single, the rockabilly-inspired “Delirious,” reached No. 8 in the US, while the double-sided “Let’s Pretend We’re Married”/“Irresistible Bitch” peaked at No. 52.
While “Little Red Corvette” brought Prince to a wider rock audience, the rest of 1999 stayed true to the funk sound of his earlier albums, heavy on synthesizers and drum machines. The record stands out for its variety of themes alongside the sexual imagery that had become his trademark. “Automatic,” nearly ten minutes long, kicks off side three with a strong synth melody and bondage-inspired lyrics.
SOURCES Prince Vault, Wikipedia, Discogs, Billboard, Warner Bros. archives.





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