This Star Tribune article by Michael Russo, dated August 24 2016, reports that the Minnesota Wild hockey team officially adopted Prince’s “Let’s Go Crazy” as its goal song following a fan vote. The decision honours the late Minneapolis icon and reflects his enduring influence on the city’s culture. Publication: Star Tribune Date: August 24 2016 Country: United States he Minnesota Wild announced that it would change its goal song to Prince’s “Let’s Go Crazy!” after surveying s

David Bowie wins top honors at the third annual Yahoo! Internet Life Online Music Awards at Studio 54, while Prince receives recognition for his Internet‑only single “One Song.” Publication: Statesville Record and Landmark Date: Wednesday, July 26, 2000 Country: USA THE STORY The article reports on the third annual Yahoo! Internet Life Online Music Awards, held at Studio 54 in New York. Singer David Bowie received the Online Pioneer of the Year Award, and his website BowieNet

This Star Tribune front‑page feature from September 7 1999 captures the excitement surrounding Prince’s outdoor performance at the Mill City Music Festival in Minneapolis. The article, titled “Packed Streets in ‘Thrill City’,” describes the massive crowds that filled the Warehouse District to witness the hometown icon’s rare open‑air concert. Publication: Star Tribune Date: September 7, 1999 Country: United States Written by Star Tribune staff writer Jon Bream, the piece pa

This Brainerd Daily Dispatch article from July 1997 reports on Prince’s announcement to build a school in his hometown of Minneapolis. Speaking at a New York press conference, the artist outlined his plans to fund the project through his Love 4 One Another charity, linking the initiative to his lifelong commitment to education and community uplift. Publication: Brainerd Daily Dispatch Date: July 23 1997 Country: United State THE STORY The article describes Prince’s intent

This Akron Beacon Journal review from September 30 1995, written by Tom Moon of Knight‑Ridder Newspapers, examines Prince’s album The Gold Experience as a creative resurgence. The critic praises its mix of computerized production and emotional depth, calling it Prince’s most accessible and dramatic work in years. Publication: Akron Beacon Journal Date: September 30, 1995 Country: United States Moon opens with a playful nod to Prince’s identity shift — “What’s‑his‑name adds

This Weekender column from September 7 1995 discusses the upcoming release of Prince’s album The Gold Experience, marking his first major project under the moniker The Artist Formerly Known as Prince. The piece frames the record as a return to his most successful era, comparing its sound to Purple Rain and noting renewed collaboration with Warner Brothers. Publication: The Weekender Date: September 7, 1995 Country: United States The article describes The Gold Experience as

This Miami Herald review by Leonard Pitts Jr., published in August 1994, examines Prince’s album Come and its accompanying single Letitgo. The critic explores Prince’s creative transition following his “retirement” from Warner Bros., praising his brilliance while noting uneven moments across the record. Publication: The Miami Herald Date: August 17 1994 Country: United States Under the headline “When Prince Is Good, He’s Very, Very Good,” Pitts Jr. opens by recounting Princ

This Tennessean review from August 1994 assesses Come, the final album Prince recorded before adopting his symbolic moniker. The piece praises its boldness and emotional range, describing it as a restless, hard‑edged work that reaffirms Prince’s mastery as songwriter, performer, and producer. Publication: The Tennessean Date: August 15 1994 Country: United States The review opens by noting that Come was the last album Prince completed before “glyphing out” — changing his na

This Oregonian article from August 1994 reviews Vibe magazine’s cover story on Prince, exploring his decision to change his name to an unpronounceable symbol. The piece examines the artistic, personal, and business motivations behind the transformation, while reflecting on the public’s confusion and fascination with his evolving identity. Publication: The Oregonian Date: August 15 1994 Country: United States Under the headline “Vibe Magazine Tries to Shed Light on the Unpro

This Atlanta Journal review from September 11 1991 critiques Prince’s thirty‑minute Gett Off video collection, released to promote his Diamonds and Pearls album. Written by Steve Dollar, the piece assesses the production’s sensual imagery and choreography, concluding that despite its racy presentation, it lacks genuine provocation or originality. Publication: The Atlanta Journal Date: September 11, 1991 Country: United States The article describes Gett Off as a “Caligula‑in

This Kansas City Star article from September 6 1991 reports on Prince’s decision to release his new Gett Off video directly to home video, following the success of Madonna’s Justify My Love. The piece highlights Prince’s innovative approach to distribution and his continued experimentation with visual formats tied to his upcoming Diamonds and Pearls album. Publication: The Kansas City Star Date: September 6, 1991 Country: United States Written by Scott Hettrick, the article

This Vincennes Sun‑Commercial television listing from September 5 1991 highlights the MTV Video Music Awards, noting Prince’s first appearance as a performer at the event. Hosted by Arsenio Hall, the broadcast marked a major moment in Prince’s Diamonds and Pearls era, coinciding with his Gett Off single and the debut of the New Power Generation. Publication: The Vincennes Sun Commercial Date: September 5, 1991 Country: United States The listing promotes the eighth annual..

This Boca Raton News article from September 5 1991 announces the release of Prince’s Gett Off Maxi Video, a thirty‑minute visual collection featuring exclusive tracks tied to his upcoming Diamonds and Pearls album. The piece highlights Prince’s innovative decision to make several new songs available only through video format. Publication: Boca Raton News Date: September 5, 1991 Country: United States The article explains that fans eager to hear Prince’s latest material woul

This Anniston Star preview from September 4 1991 announces the upcoming 1991 MTV Video Music Awards, hosted by Arsenio Hall and broadcast live from Los Angeles. The notice highlights the star‑studded lineup of performers, including Prince, LL Cool J, Paula Abdul, Van Halen, Poison, and Mariah Carey. Publication: The Anniston Star Date: September 4, 1991 Country: United States The short column promotes the televised event scheduled for Thursday at 8 p.m. on MTV, emphasizing

This Associated Press clipping from The Winona Daily News captures the excitement surrounding the opening of the 1991 International Special Olympics at the Metrodome in Minneapolis. Prince, Arnold Schwarzenegger, and Kirstie Alley were among the celebrities who energized the crowd of more than 50,000, while a young Minnesota athlete provided the emotional highlight of the evening. Publication: The Winona Daily News Date: Monday, July 22, 1991 Country: United States Locatio

This Lancaster New Era feature by Gary Graff and W. Kim Heron reviews Prince’s new album Graffiti Bridge, describing it as a creative and accessible return to form. The article praises the record’s 17 songs for their spiritual undertones, musical diversity, and seamless blend of rock, R&B, and funk. Publication: Lancaster New Era Date: August 23 1990 Country: United States The review highlights Graffiti Bridge as Prince’s most focused and consistent effort since Purple Rain.

This Huntsville Times review by Tom Moon examines Prince’s Graffiti Bridge soundtrack album, describing it as a bold reinvention of his musical approach. The article praises his minimalist style, playful tone, and refusal to conform to pop expectations, calling the record a creative and subversive statement. Publication: The Huntsville Times Date: August 23 1990 Country: United States THE STORY Moon’s review opens with Prince’s provocative line from We Can Funk and frames G

This Province feature by Tom Harrison reviews Prince’s new album Graffiti Bridge, describing it as a bold, spiritual, and myth‑laden project that opens the 1990s with renewed purpose. The article contrasts Prince’s moral and mystical themes with the usual rock tropes of sex and drugs, calling the record a striking departure from Lovesexy and Batman. Publication: The Province Date: August 23 1990 Country: Canada Harrison’s review explores Graffiti Bridge as both an album and a

This Austin American‑Statesman feature by Michael MacCambridge reviews Graffiti Bridge, describing Prince’s renewed creative energy and calling the project a “full‑blown call to funk‑rock arms.” The article positions the soundtrack and film as a confident return to form after Batman, reaffirming his genius and musical range. Publication: Austin American‑Statesman Date: August 23 1990 Country: United States The review highlights Graffiti Bridge as Prince’s latest double‑album

This Daily News entertainment front page from August 1990 spotlights new releases from two musical legends — Prince and Elvis Presley. The feature pairs Prince’s Graffiti Bridge double album with a retrospective Elvis package, The Great Performances, under the shared headline “New Tunes from Prince and the King.” Publication: Daily News (EXTRA Section) Date: August 20 1990 Country: United States The left‑hand article, “A ‘Bridge’ of Size & Scope from the Kid” by Jim Farber

This Star Tribune feature from August 1990, written by Jon Bream, reviews Prince’s Graffiti Bridge soundtrack album, predicting it could be his most successful release since Purple Rain. The article praises the record’s musical focus, collaborative spirit, and its balance between funk, spirituality, and accessibility. Publication: Star Tribune Date: August 20 1990 Country: United States Under the headline “‘Graffiti Bridge’ Soundtrack Album May  Be Prince’s Top Winner Since

This Huntsville News feature from August 1990, written by Jon Pareles for the N.Y. Times News Service, explores Prince’s evolving sound and lyrical themes surrounding love, spirituality, and sexuality. The article reviews his new album Graffiti Bridge and reflects on how his music continues to fuse sensuality with innovation. Publication: Huntsville News Date: August 20 1990 Country: United States Under the headline “Sonic and Sexual Updates from Prince,” Pareles examines P

This Guardian review by Adam Sweeting, published on August 14 1986, captures the ecstatic atmosphere of Prince’s Wembley Arena concert. The article portrays him as a “crowd prince of pop,” a performer whose genius, eccentricity, and charisma electrified audiences and reaffirmed his place at the pinnacle of modern music. Publication: The Guardian Date: August 14 1986 Country: United Kingdom Sweeting opens with a wry observation: “So what if he’s short, weird, and thinks he’s

This Daily Telegraph review from August 1986, titled “A Crown for Prince,” captures the spectacle and charisma of Prince’s Wembley Arena performance. Written by Charles Clover, the piece portrays Prince as a commanding figure in modern pop — a performer whose mastery of music, theatre, and style earned him royal status in the world of rock. Publication: The Daily Telegraph Date: August 14 1986 Country: United Kingdom The article opens by recalling Prince’s first London appe