This Lancaster New Era feature by Gary Graff and W. Kim Heron reviews Prince’s new album Graffiti Bridge, describing it as a creative and accessible return to form. The article praises the record’s 17 songs for their spiritual undertones, musical diversity, and seamless blend of rock, R&B, and funk. Publication: Lancaster New Era Date: August 23 1990 Country: United States The review highlights Graffiti Bridge as Prince’s most focused and consistent effort since Purple Rain.

This Huntsville Times review by Tom Moon examines Prince’s Graffiti Bridge soundtrack album, describing it as a bold reinvention of his musical approach. The article praises his minimalist style, playful tone, and refusal to conform to pop expectations, calling the record a creative and subversive statement. Publication: The Huntsville Times Date: August 23 1990 Country: United States THE STORY Moon’s review opens with Prince’s provocative line from We Can Funk and frames G

This Province feature by Tom Harrison reviews Prince’s new album Graffiti Bridge, describing it as a bold, spiritual, and myth‑laden project that opens the 1990s with renewed purpose. The article contrasts Prince’s moral and mystical themes with the usual rock tropes of sex and drugs, calling the record a striking departure from Lovesexy and Batman. Publication: The Province Date: August 23 1990 Country: Canada Harrison’s review explores Graffiti Bridge as both an album and a

This Austin American‑Statesman feature by Michael MacCambridge reviews Graffiti Bridge, describing Prince’s renewed creative energy and calling the project a “full‑blown call to funk‑rock arms.” The article positions the soundtrack and film as a confident return to form after Batman, reaffirming his genius and musical range. Publication: Austin American‑Statesman Date: August 23 1990 Country: United States The review highlights Graffiti Bridge as Prince’s latest double‑album

This Daily News entertainment front page from August 1990 spotlights new releases from two musical legends — Prince and Elvis Presley. The feature pairs Prince’s Graffiti Bridge double album with a retrospective Elvis package, The Great Performances, under the shared headline “New Tunes from Prince and the King.” Publication: Daily News (EXTRA Section) Date: August 20 1990 Country: United States The left‑hand article, “A ‘Bridge’ of Size & Scope from the Kid” by Jim Farber

This Star Tribune feature from August 1990, written by Jon Bream, reviews Prince’s Graffiti Bridge soundtrack album, predicting it could be his most successful release since Purple Rain. The article praises the record’s musical focus, collaborative spirit, and its balance between funk, spirituality, and accessibility. Publication: Star Tribune Date: August 20 1990 Country: United States Under the headline “‘Graffiti Bridge’ Soundtrack Album May  Be Prince’s Top Winner Since

This Huntsville News feature from August 1990, written by Jon Pareles for the N.Y. Times News Service, explores Prince’s evolving sound and lyrical themes surrounding love, spirituality, and sexuality. The article reviews his new album Graffiti Bridge and reflects on how his music continues to fuse sensuality with innovation. Publication: Huntsville News Date: August 20 1990 Country: United States Under the headline “Sonic and Sexual Updates from Prince,” Pareles examines P