Prince’s “Baltimore” released as an exclusive limited 7" vinyl single in Germany, available only as a covermount with the March 2026 issue of Musikexpress magazine. RELEASE / PUBLICATION DETAILS Artist: Prince Title: Baltimore Date: February 13, 2026 Label: NPG Records / Legacy Recordings Format / Type: Vinyl, 7", Single, Magazine Covermount Country: Germany Catalogue: None (exclusive) TRACK LIST Side A Baltimore (4:33) Side B Stare (3:45) THE STORY Ten years after Prince’s passing, Musikexpress dedicated its March 2026 issue to the artist with this exclusive 7" single. Both tracks are taken from the 2015 album HitNRun Phase Two. “Baltimore” was originally released as a protest song in response to the 2015 events in Baltimore, Maryland. CONTEXT & NOTES This release was only available bundled with the Musikexpress magazine (03/26 issue). The cover features a striking portrait of Prince and a special illustrated insert/poster with the iconic afro and sunglasses design. It marks one of the later physical single reissues tied to Prince’s catalog in the 2020s. PERSONNEL (Baltimore) Prince – vocals, instruments, production (Full credits available on HitNRun Phase Two) PRODUCTION Produced, Arranged, Composed and Performed by Prince CHARTS Weekly Charts This single has not charted in Germany. PACKAGING / ARTWORK HIGHLIGHTS Standard 7" sleeve with magazine integration Special illustrated Prince artwork insert Musikexpress branding with “MIT EXKLUSIVER VINYL-SINGLE!” badge WHAT THE SLEEVE SHOWS The magazine cover shows a close-up of Prince with bold “PRINCE” lettering and commemorative text “10 JAHRE NACH DEM TOD DES POP-GENIES”. The included 7" features complementary artwork with the stylized Prince illustration (afro, sunglasses, mustache). RELATED MATERIAL See tags at foot of page. SOURCES Prince Vault, Musikexpress Germany, official Prince Estate / Legacy Recordings information, release notes and sleevographia2. All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference

Source: Omega Auctions – The John Peel Collection Part  Three Date: May 6 2026 Country: United Kingdom Section / Pages: Auction Lot 51 Title: Prince  7″ Singles Pack with Promos  & Press Material This Omega Auctions lot from The John Peel Collection Part Three presents a 13‑item pack of Prince 7″ singles, including rare UK promos and press materials. Highlights include “Get Off – Urge Single Edit” (SAM 888) with label representative notes, “Little Red Corvette” (W9436) in poster sleeve, and “When Doves Cry” (W9286). Also featured are UK originals of “Mountains,” “Girls & Boys,” “If I Was Your Girlfriend” (Promo), and “Sign O’ The Times” (Promo), alongside additional picture‑sleeved and PVC‑sleeved promos. Condition is listed as VG⁺ / EX⁺, with minor cleaning recommended due to storage. Estimated value: £100 – £150, with a current bid of £85 at the time of listing. Buyer’s premium: 30% (inclusive of VAT). Feature Highlights Auction: The John Peel Collection Part 3 Lot Number: 51 Category: Vinyl Record / Music Memorabilia Condition: VG⁺ / EX⁺ (13 items) Estimate: £100 – £150 Current Bid: £85 (1 bid) Buyer’s Premium: 30% inc VAT Viewing: By appointment – Tuesday 5 May 2026 All auction images, logos, and text excerpts remain the property of Omega Auctions Ltd and their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Three handwritten lyric sheets created by Prince during the 1985 production of Under the Cherry Moon have been announced for auction, including a screen‑used prop page from the film. SUMMARY PARAGRAPH Three handwritten lyric sheets created by Prince during the 1985 production of Under the Cherry Moon have been announced for auction, including a screen‑used prop page from the film. NEWS DATA Source: Julien’s Auctions Date: 2026 listing (Lot #612) Location: Gardena, California Category: Music Memorabilia / Film Props Subject: Prince handwritten lyrics and screen‑used prop MAIN STORY PARAGRAPH Julien’s Auctions has unveiled a set of three handwritten lyric sheets created by Prince during the 1985 production of Under the Cherry Moon. The pages include early lyrics for “Christopher Tracy’s Parade,” “An Honest Man,” and the film’s iconic quote “With love there is no death.” One of the sheets — containing lines from “Christopher Tracy’s Parade” — was used on screen in the film, making it a rare crossover artifact between Prince’s music and cinematic work. ● KEY DETAILS Three handwritten sheets on custom letterhead featuring a gold “C” and crescent moon Signed “C. Tracy,” Prince’s character in the film Includes lyrics for “Christopher Tracy’s Parade” and “An Honest Man” Includes the quote “With love there is no death.” One sheet is a verified screen‑used prop Includes an additional card from the film’s fictional Venus De Milo Piano Bar ● CONTEXT Created during the production of Under the Cherry Moon (1986), these lyric sheets reflect Prince’s deep immersion in the film’s world, writing in character as Christopher Tracy. The songs represented here — particularly “Christopher Tracy’s Parade” — became central to the Parade era and its associated imagery. ● SOURCES Julien’s Auctions listing (Lot #612)

‘1958-4EVER’ exhibit offers an intimate look at Prince’s life, legacy, and philosophy on the 10th anniversary of his passing BYLINE Nagashia Jackson | Rolling Out STORY Paisley Park, the iconic recording complex and former home of Prince Rogers Nelson, has unveiled a powerful new exhibit titled “1958 – 4EVER” to commemorate the 10th anniversary of the legendary artist’s passing. The immersive exhibition, which opened to the public on June 3, 2026, offers visitors an emotionally resonant journey through the seven foundational pillars that defined Prince’s life and artistry: music, performance, faith, fashion, innovation, community, and freedom. At the heart of the exhibit is a specially produced 10-minute video presentation featuring direct messages from Prince himself. In the film, he shares profound insights such as his belief that “creating something from nothing is the greatest feeling a person can ever experience,” that music is “the only thing in this world that truly makes sense,” and that any act of charity is “love in motion.” One of the most moving elements of the exhibition preserves pieces of the original memorial fence that stood outside Paisley Park immediately after Prince’s passing on April 21, 2016. Fans from around the world turned the fence into a sacred tribute covered with flowers, letters, photos, and mementos. Those artifacts are now permanently displayed as a testament to the global love for the artist. Visitors are also invited to participate through an interactive “Share Wall” featuring iPads where they can leave personal messages and memories. A striking “Love 4 One Another” wall displays Prince’s own words and images, reinforcing his core philosophy of universal love. CONTEXT The “1958 – 4EVER” exhibition arrives as Prince’s cultural influence continues to expand across new generations. Located at 7801 Audubon Road in Chanhassen, Minnesota, the exhibit is included as part of the standard Paisley Park tour experience. SIGNIFICANCE This 10th-anniversary commemoration stands as one of the most personal and thoughtfully curated tributes Paisley Park has presented to the public, focusing not only on Prince’s music and career but on the deeper philosophy and humanity behind the icon.

The exceptionally talented and dynamic drummer who served as Prince’s primary drummer from 2000 to 2012, renowned for his precision, power, and deep musicality. John Blackwell Jr. (September 9, 1973 – July 4, 2017) was an American drummer, educator, and session musician. He is widely respected as one of the finest drummers of his generation, known for his ability to blend technical excellence with infectious groove. PRINCE CONNECTION Prince hired John Blackwell in 2000 after being impressed by his playing with the jazz-fusion band Vital Information. He became Prince’s main drummer for over a decade, performing on numerous albums and tours. John played on key releases including The Rainbow Children (2001), Musicology (2004), 3121 (2006), and Planet Earth (2007). He was a central figure during the Musicology and 3121 eras and was highly regarded by Prince for his work ethic and versatility. KEY RELEASES WITH PRINCE The Rainbow Children (2001) One Nite Alone... (2002) Musicology (2004) 3121 (2006) Planet Earth (2007) He also performed on many live albums and special projects during his tenure. STAGE WORK & LATER CAREER John was known for his explosive yet tasteful solos and his ability to hold down complex arrangements. He left Prince’s band in 2012 to pursue other projects and family life. Tragically, he passed away in 2017 at age 43 after battling brain tumors. He is remembered fondly by the Prince community and fellow musicians for his humility and skill. WHY THEY MATTER TO THE PRINCE UNIVERSE John Blackwell brought a modern, technically advanced, yet deeply funky drumming style to Prince’s band during a long and productive period. He helped anchor Prince’s music through the 2000s with power, precision, and swing — qualities Prince greatly valued. Many fans and musicians consider him one of the very best drummers Prince ever worked with. SOURCES Prince Vault, Wikipedia, Discogs, Modern Drummer Magazine, interviews with John Blackwell. COPYRIGHT NOTICE All images, photographs, and artwork referenced or displayed remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Rhino Records celebrates Black Music Month with a premium Rhino Reserve reissue of The Time’s influential 1984 album Ice Cream Castle. This limited-edition 180g vinyl pressing faithfully reproduces the original Minneapolis Sound classic, featuring the smash hits “Jungle Love” and “The Bird”. RELEASE / PUBLICATION DETAILS Artist: The Time Title: Ice Cream Castle Date: June 3, 2026 Label: Warner Bros. Records / Rhino Reserve Format / Type: LP (180g Vinyl) Country: United States Catalogue: RES1 25109 / 081227804343 TRACK LIST Side One A1. Ice Cream Castles – 7:33 A2. My Drawers – 4:04 A3. Chili Sauce – 5:45 Side Two B1. Jungle Love – 5:29 B2. If The Kid Can't Make You Come – 7:33 B3. The Bird – 7:40 THE STORY Ice Cream Castle was The Time’s third studio album, recorded during the height of the Minneapolis Sound era. Produced by Morris Day and The Starr Company, it delivered a perfect mix of funk, pop, and playful swagger, highlighted by the Prince-penned (uncredited) hits “Jungle Love” and “The Bird”. CONTEXT & NOTES Originally released in 1984, Ice Cream Castle became one of The Time’s most successful albums. This 2026 Rhino Reserve edition on 180g vinyl offers superior sound quality and collectible packaging, making it a must-have for fans of the Purple Funk sound. PERSONNEL Morris Day – lead vocals, drums Jesse Johnson – guitar Jellybean Johnson – drums Monte Moir – keyboards Jimmy Jam – keyboards Terry Lewis – bass Production Produced by Morris Day and The Starr Company PACKAGING / ARTWORK HIGHLIGHTS 180g black vinyl Faithful reproduction of the original gatefold artwork Rhino Reserve branding and premium mastering WHAT THE SLEEVE SHOWS The front cover features The Time posing in front of a stone castle with a yellow car, dressed in flamboyant 80s fashion. The iconic yellow “Ice Cream Castle” logo and red “THE TIME” title dominate the top. SOURCES Discogs, Rhino Records, All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Welcome to the KARE 11 News YouTube channel. Subscribe to our channel for compelling and dramatic storytelling, award-winning investigations, breaking news and information you can use. Text your photos, videos and news tips to 763-797-7215. » Subscribe to KARE 11 on YouTube: https://www.youtube.com/user/KARE11?s... » Watch more KARE 11 video: https://www.youtube.com/@kare11/videos » Visit KARE11.com: http://www.kare11.com/ » Stream KARE 11+ on your TV: https://www.kare11.com/plus » Download our mobile app: https://www.kare11.com/app » Find KARE 11 on Facebook: / kare11 » Follow KARE 11 on X: https://x.com/kare11 » Follow KARE 11 on Instagram: / kare11 » Follow KARE 11 on TikTok: / kare11news

Jimmy Jam (James Samuel Harris III) (born June 6, 1959) is an American keyboardist, songwriter, producer, and founding member of The Time. Known for his sophisticated synthesizer work, infectious grooves, and visionary production style, he became one of the most important architects of the Minneapolis Sound. PRINCE CONNECTION Prince personally recruited Jimmy Jam (along with Terry Lewis and other members of the band Flyte Tyme) in 1981 to form The Time. Jimmy served as the group’s primary keyboardist and contributed significantly to their early sound. Although Prince (under the pseudonym Jamie Starr) was heavily involved behind the scenes as writer and producer, Jimmy Jam brought his own musical sensibility to the band’s funky, high-energy performances and recordings. The relationship evolved into a complex but highly creative one that extended beyond The Time into broader Minneapolis music scene collaborations. KEY RELEASES WITH PRINCE / THE TIME The Time (1981) What Time Is It? (1982) Ice Cream Castle (1984) Various Prince-related projects and productions through the Jam & Lewis partnership STAGE WORK & LATER CAREER Jimmy Jam was a core member of The Time during their explosive early-’80s period, known for their sharp choreography and dynamic live shows. After a lineup change in 1983 (when he and Terry Lewis were dismissed by Prince during a tour), the duo shifted focus to production. As Jam & Lewis, they became one of the most successful production teams in pop and R&B history, working with Janet Jackson, The S.O.S. Band, Alexander O’Neal, Cherrelle, Mariah Carey, Usher, and countless others. They have continued occasional reunions with The Time and remain deeply respected figures in the Minneapolis music community. WHY THEY MATTER TO THE PRINCE UNIVERSE Jimmy Jam was instrumental in establishing the Minneapolis Sound alongside Prince. His work with The Time helped define the funky, synth-driven aesthetic that Prince popularized globally. Through his later production successes with Jam & Lewis, he extended the influence of that sound far beyond Prince’s direct orbit, shaping the sonic landscape of 1980s and 1990s R&B and pop. He represents the creative talent Prince cultivated in his early bands and the lasting legacy of the Minneapolis scene. SOURCES Prince Vault, Discogs, interviews with Jimmy Jam and Morris Day, official Jam & Lewis discography, Rhino Records reissue liner notes. All images, photographs, and artwork referenced or displayed remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Prince’s estate continues to generate significant revenue nearly a decade after his death, thanks to his vast music catalogue, streaming royalties, licensing deals, merchandise, and unreleased vault material. Key Facts (as of 2026): Estate Valuation: Officially settled at $156.4 million following a prolonged legal battle and IRS settlement. Death: April 21, 2016 — Prince passed away without a will, triggering one of the most complex and expensive celebrity estate battles in music history. Ongoing Earnings: Millions annually from streaming (Spotify, Apple Music), publishing rights, deluxe reissues, vault releases, Paisley Park tourism, and licensing. Major Assets Paisley Park (his iconic 65,000 sq ft studio/home now operating as a museum and event space) Extensive music catalogue and publishing rights Thousands of unreleased recordings in the legendary Paisley Park vault Merchandise, branding, and live event revenue Inheritance & Legal Battle Because Prince passed intestate, Minnesota law determined the heirs — primarily his sister Tyka Nelson and several half-siblings. After years of litigation, a 2022 settlement distributed the estate. Some heirs later sold portions of their rights to music company Primary Wave. Legacy & Continued Success Prince’s music remains commercially strong. Recent vault releases, anniversary projects, and events like Celebration 2026 keep his work relevant. Original Source:

Even a decade after his passing, Prince’s music, vault releases, and cultural influence continue to captivate new generations and longtime fans alike. Prince may no longer be with us, but in 2026 the “purple buzz” is louder than ever. Fresh vault drops, meticulously remastered reissues, viral TikTok moments of his guitar solos, and ongoing discussions about unreleased material keep his legacy feeling remarkably current. Why He Still Resonates The Vault Keeps Giving: Expanded editions of classics like 1999 and Sign O’ the Times, along with full live concerts, remind everyone how prolific and forward-thinking Prince was. Every new release feels like a major event. Live Legacy: Official releases of historic concerts let new fans experience the intensity of his shows — marathon sets, electrifying guitar work, and seamless genre shifts that still set the standard. Timeless Innovation: From his genre-blending sound and boundary-pushing performances to his fierce advocacy for artists’ rights and ownership of masters, Prince’s work and principles align with today’s conversations in music. New Generations Discovering Him: Gen Z and younger listeners are finding Prince through short clips, playlists, and deep dives, often reacting with awe to how modern his music sounds. Whether through Dolby Atmos remasters, streaming algorithms surfacing deep cuts, or fan discussions on Reddit and TikTok, Prince’s catalog feels like a living, breathing body of work rather than a frozen archive. As the estate continues opening the vault and preserving his performances, his influence only grows stronger. Key Takeaway: Prince wasn’t just ahead of his time — in many ways, he still is. Original Source: Why Prince Still Feels Shockingly New in 2026

This 1990 article announces Prince’s plans to open a fashion and merchandise shop in Minneapolis, offering fans his distinctive look for sale. Publication: St. Cloud Times  (Saint Cloud, Minnesota) Date: Thursday, July 12 1990 Country: United States Section / Pages: Entertainment News Title: New Shop Offers Princely Items The store, scheduled to open in September within the Heaven & Earth nightclub, would feature clothing designed by Prince’s wardrobe department and influenced directly by his personal style. Among the items mentioned were see‑through shirts, hip‑hugger pants, and one‑shoulder Lycra jumpsuits — all signature pieces from Prince’s stage wardrobe. His spokeswoman Jill Willis explained that the apparel might be available either in stock or as custom orders, while Jim Shearon, head of the wardrobe division at Paisley Park Enterprises in Chanhassen, noted that the project was still in its preliminary stages. The article also mentions plans for a line of official Prince merchandise, including T‑shirts, sweatshirts, “love symbol” jewelry, photo badges, calendars, and posters, potentially expanding to department stores in the future. CONTEXT AND NOTES This article reflects Prince’s growing interest in merging music, fashion, and lifestyle branding at the dawn of the 1990s. The proposed shop and merchandise line anticipated his later ventures into design and retail, reinforcing his status as a multidimensional artist and cultural innovator. Source: St. Cloud Times, Saint Cloud, Minnesota, July 12 1990. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This early‑summer 1994 feature documents Prince’s public appearance at Club USA in New York City, shortly after his name change to the unpronounceable symbol. Publication:  Staten Island Advance (New York) Date: Tuesday, July 12 1994 Country: United States Section / Pages: The Name Game Feature Title: (a.k.a.) Prince The article describes his attire — a black lace and silver one‑piece pantsuit with halter top and open back — and his clear glass cane filled with gold nuggets, noting his hour‑long stay grooving among the dancers. The piece explains Prince’s reasoning behind the name change, quoting his remarks from Vibe magazine: “You don’t [pronounce it],” he said, adding that he didn’t mind jokes or cynicism — “that’s part of it, but this is what I choose to be called.” He compared his transformation to Muhammad Ali’s shift from Cassius Clay, emphasizing that the move to a symbol allowed him to operate twin careers: continuing to release five albums under the Prince name while pursuing new creative freedom as TAFKAP. Prince described the symbol as containing elements of both male and female — “the cross and the arrow” — representing balance and unity. He dismissed speculation of a publicity stunt, saying, “This isn’t a scheme, some master plan. It’s in God’s hands now.” CONTEXT AND NOTES This article captures the first wave of media fascination surrounding Prince’s identity shift. His comparison to Ali underscored the seriousness of his decision — a spiritual and artistic declaration rather than a marketing ploy. The Staten Island Advance piece remains one of the earliest local press accounts of his symbolic rebirth. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.