Concert review of Jesse Johnson’s Revue making their local debut at First Avenue in Minneapolis, following the breakup of The Time. PUBLICATION: Date: May 31, 1985 Country: United States Section / Pages: Entertainment / Review (Page 2C) Title: Johnson revue a bit short in local debut THE STORY Jon Bream reviews Jesse Johnson’s Revue performance at First Avenue. While noting Johnson’s charisma, strong backing band, and hits like “Be Your Man,” the review criticizes the show for lacking tightness, confidence, and pacing compared to The Time. The article mentions the group’s flashy presentation and audience participation. CONTEXT AND NOTES This review appeared the day after Jesse Johnson’s 25th birthday show during his first major solo tour. As a key member of Prince’s The Time, Johnson was launching his solo career with his debut album Jesse Johnson’s Revue, which had already sold around 400,000 copies. The piece reflects the high expectations placed on Prince’s protégés in the Minneapolis scene. FEATURE HIGHLIGHTS Event: Live Concert Review Era: Jesse Johnson’s Revue / Post-Time Era (1985) Tone: Mixed, observant, slightly critical Photography: Large portrait of a smiling Jesse Johnson “Johnson revue a bit short in local debut” WHAT THE CLIPPING SHOWS Full Minneapolis Star and Tribune newspaper page with bold headline, prominent photo of Jesse Johnson, and detailed review text. Classic 1980s newspaper layout with visible print quality. RELATED MATERIAL Jesse Johnson (May 1, 2026) Jesse Johnson Revue / Shockadelica / Every Shade Of Love – 2CD Out Now Jesse Johnson (March 10, 1985) Jesse Johnson’s Revue – Star and Tribune Album Review The Time (Prince’s Original Minneapolis Funk Empire) See tabs at the foot of this post. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

RELEASE INFORMATION Released July 6, 1992 7" Vinyl Single A. Sexy M.F. (5:25) B. Strollin’ (3:46) : UK: W0123 7" UK Vinyl Shaped Picture Disc: W0123P Cassette Single :W0123C (Same both sides) CD & 12" : W0123CD Sexy M.F. (5:25) Strollin’ (3:46) Daddy Pop (5:16) UK: W0123 UK: W0123 BACKGROUND Sexy M.F. was the first single to be released from Prince’s fourteenth album, the second album to be credited to Prince and the New Power Generation. A May 1992 configuration of the Sexy M.F. single, listed in the Alternate Configuration section below, included Black M.F. In The House, which later appeared on the New Power Generation’s first “solo” album Gold Nigga, released in 1993. A third track, titled You Ain’t Shit, MF, was also included on a 12" configuration, but nothing is known about it. It may have been a skit, a full song, or a remix of Sexy M.F. Shaped picture disc 12" - UK - W0123P W0123CD W0123CD Shaped picture disc 12" - UK - W0123P (UNCUT) Cassette single - UK - W0123C Sexy M.F. was released three and a half months before the album, and only two weeks after the UK release of the previous album’s final single, Thunder. The single’s b-sides were taken from the previous album, Diamonds And Pearls, and the Diamonds And Pearls Tour was underway at the time of release. The single reached only number 66 on the US Billboard Hot 100 Chart (the song’s explicit content restricted its airplay), and number 76 on the Billboard Hot R&B Singles Chart. It fared better in the UK, where radio stations created their own edits of the track in order to play it; the single reached number 4 on the UK Gallup Singles Chart.

The lead single from the album O(+> and the New Power Generation, “Sexy M.F.” was a bold, funky, and explicit track that showcased Prince’s raw energy and attitude during the early 90s. Stickered promotional 12" - USA - PRO-A-5570 A Side Sexy MF (5:25) B Side Sexy MF (5:25) 7" - USA - 7-18817 A Side Sexy MF (Album Version 5:25) B Side Strollin' (Album Version 3:46) Remark Die-cut white sleeve THE RELEASE VARIANTS & PACKING Label: Paisley Park Records / Warner Bros. Format: 7" Vinyl Single Commercial TC Cassette Single 12" Vinyl Single (Promo) V1 12" Vinyl Single (Promo) V2 Country: USA Catalogue: 7-18817 (US 7") Release Date: June 30, 1992 (USA) • 7" in plain white sleeve • Promo 12" with purple promo sticker/card • Colored Promo 12" (L-39777) – Yellow vinyl (2nd edition), black sleeve made in Canada • Cassette Single with Parental Advisory sticker Colored promotional 12" - USA - L-39777 A Side Sexy MF (5:25) B Side Sexy MF (5:25) Remark Yellow Vinyl + Sticker + Card + Envelope + Fan + Promo Video + Black Sexy MF Panties* Colored promotional 12" - USA - L-39777 A Side Sexy MF (5:25) B Side Sexy MF (5:25) Remark 2nd edition only yellow vinyl - Black sleeve made in Canada Promotional cassette single - USA - 4-18817 A Side Sexy MF B Side Strollin' Cassette single - USA - 5439-18817-4 A Side Sexy MF (Album Version 5:25) B Side Strollin' (Album Version 3:46) Sexy MF (1992) References Promo VHS - USA - PRO-V-5570 A Side Sexy MF B Side CONTEXT AND NOTES TRACK LIST & VARIANTS Released three and a half months before the album. The explicit lyrics limited mainstream radio play in the US. A home video single was released prior to the audio single. 7" A. Sexy M.F. (Album Version) (5:25) B. Strollin’ (3:46) Promo 12" (PRO-A-5570 & L-39777) A. Sexy M.F. (5:25) B. Sexy M.F. (5:25) Cassette Single (4-18817) A. Sexy M.F. (Album Version) (5:25) B. Strollin’ (Album Version) (3:46) All images and original artwork remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied

The June 19, 1992 edition of the Manchester Evening News features a full-page advertisement for Prince & The New Power Generation’s concert at Manchester City Football Ground on Friday, June 26, 1992. Publication: Manchester Evening News Date: June 19, 1992 Country: United Kingdom Location: Manchester Section: Concerts / Advertisement THE STORY The advert promotes Prince’s show at Maine Road with special guests The Pasadenas and Carmen Electra. It includes ticket prices (£21), on-sale information, and credit card hotlines. CONTEXT AND NOTES This gig was part of Prince’s 1992 Diamonds and Pearls Tour / European leg. It was one of the major outdoor shows during his highly successful early 90s period with the New Power Generation. FEATURE HIGHLIGHTS Event: Concert advertisement Era: 1992 (Diamonds and Pearls / New Power Generation era) Tone: Bold, promotional Photography: Striking black & white image of Prince holding a microphone WHAT THE CLIPPING SHOWS Large “PRINCE & THE NEW POWER GENERATION” headline Dramatic photo of Prince Venue details: Manchester City Football Ground, Maine Road Ticket information, special guests, and booking details RELATED MATERIAL June 19, 1992 Star Tribune Purple Rain anniversary coverage (different era) For other relevant posts, see the tags at the foot of the page. SOURCES Manchester Evening News, June 19, 1992 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 17, 1992 edition of The Daily Telegraph features a lively review by Tony Parsons of Prince’s concert at Earls Court, praising his extraordinary dancing and stage presence while offering a mixed assessment of the overall show. Publication: The Daily Telegraph Date: June 17, 1992 Country: United Kingdom Location: London Section: Rock / Concert Review THE STORY Tony Parsons highlights Prince’s incredible dancing ability, comparing him to legends like Gene Kelly and James Brown. He describes the spectacular stage effects, the strong Diamonds and Pearls material, and the contributions of the New Power Generation, while noting that the show lost momentum when Prince stepped back to let the band take centre stage. CONTEXT AND NOTES T his review captures Prince during the highly successful Diamonds and Pearls tour. It reflects the high expectations for his live performances in the early 1990s, where his visual spectacle and charisma were often contrasted with the expanding role of the New Power Generation. FEATURE HIGHLIGHTS Event: Concert review Era: 1992 (Diamonds and Pearls era) Tone: Witty, appreciative, slightly critical Photography: Text-based review (no photo in this clipping) WHAT THE CLIPPING SHOWS Bold headline “Prince among hoofers” Detailed review by Tony Parsons focusing on Prince’s dancing and stagecraft Commentary on the Diamonds and Pearls set, special effects, and the New Power Generation Typical newspaper rock review layout RELATED MATERIAL May 24, 1992 Prince magazine cover July 1992 “The Secret Life of PRINCE” feature December 1992 Love Symbol album review (Q Magazine) June 17, 1992 The Guardian “Purple reign of diamonds and twirls” review For other relevant posts, see the tags at the foot of the page. SOURCES The Daily Telegraph, June 17, 1992 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 16, 1992 edition of the Evening Standard features a glowing review by Tim Cooper of Prince’s Earls Court concert, describing it as a sizzling, high-energy show and mentioning the exclusive after-show at the Hard Rock Cafe. Publication: Evening Standard Date: June 16, 1992 Country: United Kingdom Location: London Section: Music Review THE STORY Tim Cooper praises Prince’s dynamic performance, the spectacular stage production, Rosie Gaines’ vocals, the New Power Generation’s contributions, and the overall excitement of the evening. The piece also notes the after-show at the Hard Rock Cafe where Prince continued performing for a smaller crowd. CONTEXT AND NOTES This review captures the excitement surrounding Prince’s Diamonds and Pearls tour stop in London. The mention of the Hard Rock Cafe after-show highlights the intense demand from fans and Prince’s legendary work ethic on the road. FEATURE HIGHLIGHTS Event: Concert + after-show review Era: 1992 (Diamonds and Pearls era) Tone: Enthusiastic, vibrant Photography: Black & white photo of Prince at the Hard Rock Cafe after-show WHAT THE CLIPPING SHOWS Bold headline “Sizzling show as Prince fans get a very hot ticket” Photo of Prince performing at the Hard Rock Cafe Detailed review by Tim Cooper covering the main concert and after-show Typical Evening Standard layout with strong pop coverage RELATED MATERIAL June 16, 1992 Evening Standard “Savouring the cream of pop” review June 17, 1992 The Guardian “Purple reign of diamonds and twirls” review June 17, 1992 The Daily Telegraph “Prince among hoofers” review June 18, 1992 The Independent “Split personality” review May 24, 1992 Prince magazine cover For other relevant posts, see the tags at the foot of the page. SOURCES Evening Standard, June 16, 1992 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This limited edition one-sided picture disc 12" was released exclusively in the UK to coincide with the Diamonds and Pearls Tour, serving as the fifth single from the album in that territory and a special collector’s item for fans. Artist: Prince and the New Power Generation Label: Paisley Park / Warner Bros. Date: June 15, 1992 Catalogue: W0113TP Format: Picture Disc 12" Single (Collector’s Edition, One-Sided) Country: UK Producer, Arranged By, Composed By, Performer – Prince, The New Power Generation TRACK LIST UK Picture Disc 12" (W0113TP) Side A Thunder (5:45) Violet The Organ Grinder (4:59) Gett Off (Thrust Dub) (7:20) LINKED RELEASES / VARIANTS Album version on Diamonds and Pearls (1991) Promotional releases in other territories Standard 7" and CD singles PERSONNEL Produced, arranged, composed and performed by Prince and The New Power Generation THE STORY “Thunder” was issued as a UK-exclusive single in June 1992, eight months after the Diamonds and Pearls album. The powerful, rock-tinged funk track captured the live energy of the New Power Generation and was timed to promote the UK leg of the Diamonds and Pearls Tour, which began on the same day as the single’s release. This collector’s picture disc format bundled the album track with two additional mixes, including the previously released “Violet The Organ Grinder” and a dub version of “Gett Off.” CONTEXT & NOTES This striking one-sided picture disc features group imagery from the Diamonds and Pearls era and comes in a PVC sleeve with a numbered insert (some copies unnumbered). It was marketed as a “Collector’s Edition” and is highly sought after by fans for its visual appeal and tour connection. The release included a Parental Advisory sticker on some copies. CHART PERFORMANCE UK Gallup Singles Chart – #28 (peaked June 27, 1992) RELATED MATERIAL Prince and the New Power Generation (1991) Diamonds and Pearls (Album) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Discogs, sleevographia2. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This intimate ballad was the fourth single released from Diamonds and Pearls, issued on the same day as the album’s third single “7”, marking a double-release strategy during the later stages of the album’s promotion cycle. Artist: Prince and the New Power Generation Label: Paisley Park / Warner Bros. Date: November 17, 1992 Catalogue: 5439-18700-2 Format: CD Single (Cardboard Sleeve) Country: US TRACK LIST USA CD Single (5439-18700-2) Damn U (Unique Single Version) (4:04) 2 Whom It May Concern (4:01) LINKED RELEASES / VARIANTS Album version on Diamonds and Pearls (1991) UK “My Name Is Prince” single (earlier B-side appearance) Promotional releases and later compilations PERSONNEL Produced, arranged, composed and performed by Prince and The New Power Generation THE STORY “Damn U” is a lush, emotional slow jam that highlights Prince’s vulnerability and the sophisticated R&B sound of the Diamonds and Pearls era. Released late in the album’s campaign, the single version is musically complete but omits the spoken segue found on the album track, making it unique to this release. The B-side “2 Whom It May Concern” had previously appeared on the UK “My Name Is Prince” single but made its US debut here. A saxophone instrumental version was also recorded but ultimately not included. CONTEXT & NOTES Housed in a cardboard slip sleeve with striking black-and-white photography, this US CD single is a collector’s piece from the tail end of the Diamonds and Pearls era. It was not released as a commercial CD in all territories and remains relatively scarce in this format. CHART PERFORMANCE US Billboard Bubbling Under Hot 100 – #108 US Billboard Hot R&B Singles – #32 RELATED MATERIAL Prince and the New Power Generation (1991) Diamonds and Pearls (Album) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Discogs, sleevographia2. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The first single from Carmen Electra’s self-titled album, released on June 18 1992 on Warner Bros. / Paisley Park Records. It was issued simultaneously across North America, the UK, and Europe. RELEASE DETAILS Artist: Carmen Electra Label: Warner Bros. / Paisley Park Records Release Date: June 18 1992 Country: United States / UK / Europe / Australia Format: 7", 12", CD, Cassette, Promos THE STORY “Go Go Dancer” was released eight months before the Carmen Electra album (originally planned for simultaneous release). The track samples “Lost In Music” by Sister Sledge (incorrectly credited to Chic on the single). It features multiple club-oriented remixes and was part of the early Paisley Park-associated releases for Carmen Electra. CONTEXT & NOTES This maxi-single showcases an extensive set of remixes. Non-album tracks include various mixes not found on the final album configuration. The single did not achieve commercial chart success but remains a collectible Paisley Park-era release. VARIANTS 7" Single A. Go Go Dancer (Radio Edit) (4:27) B. Go Go Dancer (Album Version) (5:02) (GER: 5439-18839-7 / UK: W 0114) CD Maxi Single (USA: 9 40458-2) Go Go Dancer (Radio Edit) (4:27) Go Go Dancer (12" Mix) (6:03) Go Go Dancer (The Dub) (5:53) Go Go Dancer (Factory Mix) (6:01) Go Go Dancer (The Dub Dub Dancer) (6:02) Go Go Dancer (Royal Mix) (6:02) 12" Single (GER: 9362-40484-0 / UK: W0114T) A1. Go Go Dancer (12" Mix) (6:03) A2. Go Go Dancer (The Dub Dub Dancer) (6:02) B1. Go Go Dancer (Royal Mix) (6:02) B2. Go Go Dancer (Factory Mix) (6:01) B3. Go Go Dancer (The Dub) (5:53) 12" Single (USA: 40458-0) A1. Go Go Dancer (12" Mix) (6:03) A2. Go Go Dancer (The Dub) (5:53) A3. Go Go Dancer (Radio Edit) (4:27) B1. Go Go Dancer (Factory Mix) (6:01) B2. Go Go Dancer (The Dub Dub Dancer) (6:02) CD Maxi Single (EUR: 9362 40485-2 / W0114CD) Go Go Dancer (Radio Edit) (4:27) Go Go Dancer (12" Mix) (6:03) Go Go Dancer (The Dub Dub Dancer) (6:02) Go Go Dancer (Royal Mix) (6:02) Go Go Dancer (Factory Mix) (6:01) CD Maxi Single (GER: 9362-40458-2) Go Go Dancer (Radio Edit) (4:27) Go Go Dancer (12" Mix) (6:03) Go Go Dancer (The Dub) (5:53) Go Go Dancer (Factory Mix) (6:01) Go Go Dancer (The Dub Dub Dancer) (6:02) Go Go Dancer (Royal Mix) (6:02) 12" Promo A. Go Go Dancer (12" Mix) (6:03) B. Go Go Dancer (5:02) (longer version from an early album configuration) Cassette Single (AUS: 5439 18839-4) A1. Go Go Dancer (Radio Edit) (4:27) A2. Go Go Dancer (Album Version) (5:02) B1. Go Go Dancer (Radio Edit) (4:27) B2. Go Go Dancer (Album Version) (5:02) CHART PERFORMANCE Did not chart in the USA or elsewhere. RELATED MATERIAL Carmen Electra – Carmen Electra (Album) Carmen Electra – Go Go Dancer (Music Video) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Wikipedia, sleevographia2, Discogs and 45cat. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 18, 1992 edition of The Independent features a review of Prince’s concert at Earls Court, discussing the contrasting elements of his solo brilliance and the group performance with the New Power Generation. Publication: The Independent Date: June 18, 1992 Country: United Kingdom Location: London Section: Rock / Arts THE STORY The review examines Prince’s live show, highlighting the tension between his individual genius (dancing, showmanship, and musicality) and the contributions of the New Power Generation. It praises the spectacle and Prince’s stage presence while noting the shift in dynamics when the band takes a larger role. CONTEXT AND NOTES This review comes from the Diamonds and Pearls tour, one of Prince’s most successful live periods in the early 1990s. It captures the critical conversation around Prince balancing his star power with his expanding ensemble. FEATURE HIGHLIGHTS Event: Concert review Era: 1992 (Diamonds and Pearls era) Tone: Analytical, observant Photography: Text-based review (accompanying images in the full page) WHAT THE CLIPPING SHOWS Headline “Split personality” Detailed review of the Earls Court performance Discussion of Prince’s showmanship versus the New Power Generation’s role Typical broadsheet music review layout RELATED MATERIAL May 24, 1992 Prince magazine cover June 17, 1992 The Guardian “Purple reign of diamonds and twirls” review June 17, 1992 The Daily Telegraph “Prince among hoofers” review July 1992 “The Secret Life of PRINCE” feature December 1992 Love Symbol album review (Q Magazine) For other relevant posts, see the tags at the foot of the page. SOURCES The Independent, June 18, 1992 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Loïs Lane’s third studio album Precious (credited as Loïs L. in the US due to legal reasons), released on June 22, 1992, featuring multiple Prince contributions including the co-written tracks “Qualified” and a new version of “Sex.” RELEASE / PUBLICATION DETAILS Artist: Loïs Lane (credited as Loïs L. in the US) Title: Precious Date: June 22, 1992 (US Release) Label: Polydor Records Format / Type: CD, LP, Cassette (MC) Country: United States TRACK LIST (US Version) Side / Disc 1 Qualified I Wanna Be Sex I Love A Woman I Oh I Forever Side / Disc 2 Need A Little Space Crying Precious She Came By Make Way THE STORY Prince contributed significantly to the album: he co-wrote “Qualified” with Kirk Johnson and a new version of “Sex” with Levi Seacer Jr., and appears uncredited as a musician on “I Oh I” and “Crying,” for which he also served as executive producer. The album was recorded in part at Paisley Park Studios in early 1992. CONTEXT & NOTES Precious reached No. 13 on the Dutch album chart but had limited success in the US. The June 22, 1992 US release featured a slightly different track order and the addition of “I Wanna Be.” Prince’s involvement stemmed from Loïs Lane opening for him on the Nude Tour. PERSONNEL Monique Klemann & Suzanne Klemann – vocals Prince – songwriter, musician (uncredited on select tracks), executive producer on select tracks Kirk Johnson – co-writer/producer on select tracks Additional musicians: Walter Chancellor Jr., Brian Gallagher, etc. PRODUCTION Produced by: Kirk Johnson, Prince (on select tracks), and others CHARTS Netherlands: Peak #13 PACKAGING / ARTWORK HIGHLIGHTS Standard 1992 CD / LP / Cassette packaging WHAT THE SLEEVE SHOWS No sleeve supplied. RELATED MATERIAL See tags at foot of page. SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, sleevographia2, Prince Vault All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. CD Album European / Japanese Version I Oh I (4:03) 1 Qualified (4:45) 2 The Singer Loneliness Precious Need A Little Space I Love A Woman She Came By Forever Crying (4:05) 3 Sex (5:46) 4 Make Way US Version Qualified (4:45) 2 I Wanna Be (4:16) 5 Sex (5:46) 4 I Love A Woman I Oh I (4:03) 1 Forever Need A Little Space Crying (4:05) 3 Precious She Came By Make Way Digital Expanded Edition (2024) I Oh I (4:03) 1 Qualified (4:45) 2 The Singer Loneliness Precious Need A Little Space I Love A Woman She Came By Forever Crying (4:05) 3 Sex (5:46) 4 Make Way So Long I Oh I (Single Remix Edit Version) (3:42) 1 Qualified (12" Vox) (5:34) 2 Qualified (Dubstrumental) (5:30) 2 Qualified (B.B. Dub) (5:36) 2 Qualified (Drum Mix) (5:34) 2 Sex (Remix Single Edit - Remastered 2024) (4:28) 4 Sex (Dark Dub Remix - Remastered 2024) (6:59) 4 Sex (Street Remix - Remastered 2024) (5:44) 4

The December 1992 issue of Q Magazine features a bold review of Prince’s Love Symbol album under the provocative headline “SALACIOUS: His name is Prince and he’s got a huge libido.” Publication: Q Magazine Date: December 1992 Country: United Kingdom Location: London Section: Album Review / Interior Feature THE STORY T his in-depth review examines Prince’s The Love Symbol Album (with the New Power Generation), praising its mix of stud songs, pumping funk, soul ballads, and boundary-pushing themes. The piece highlights Prince’s irrepressible libido, sexual charisma, and musical versatility while offering a four-star assessment of the album. CONTEXT AND NOTES Released in October 1992, The Love Symbol Album marked Prince’s continued experimentation during his final years with Warner Bros. This Q review captures the provocative, sexually charged reputation Prince cultivated in the early 1990s while acknowledging his enduring musical brilliance. FEATURE HIGHLIGHTS Event: Major album review Era: 1992 (Love Symbol / New Power Generation era) Tone: Provocative, vivid, appreciative Photography: Striking black & white portrait of Prince in a white shirt WHAT THE CLIPPING SHOWS Bold headline “SALACIOUS” with subhead “His name is Prince and he’s got a huge libido” Large atmospheric black & white photo of Prince looking directly at the camera Detailed review text by David Sinclair focusing on the album’s themes and the New Power Generation Pull quotes and critical analysis of the album’s sensual and musical content RELATED MATERIAL This Q Magazine review of the Love Symbol album pairs well with other 1992 Prince features, including the Black Beat Diamonds & Pearls cover. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. FEATURE HIGHLIGHTS Event: Major album review Era: 1992 (Love Symbol / New Power Generation era) Tone: Provocative, vivid, appreciative Photography: Striking black & white portrait of Prince in a white shirt WHAT THE CLIPPING SHOWS Bold headline “SALACIOUS” with subhead “His name is Prince and he’s got a huge libido” Large atmospheric black & white photo of Prince looking directly at the camera Detailed review text by David Sinclair focusing on the album’s themes and the New Power Generation Pull quotes and critical analysis of the album’s sensual and musical content RELATED MATERIAL This Q Magazine review of the Love Symbol album pairs well with other 1992 Prince features, including the Black Beat Diamonds & Pearls cover. For other relevant posts, see the tags at the foot of the page. COPYRIGHT NOTICE All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.