In-depth October 1988 feature in Sky Magazine spotlighting Cat Glover, Prince’s dynamic dancer, muse, and key onstage partner during the Lovesexy Tour, presented as his most important new talent. PUBLICATION: Date: October 1988 Country: United Kingdom Section / Pages: Multi-Page Feature Title: BOSS CAT THE STORY Sky Magazine gives Cat Glover a major spread, showcasing her striking style, fierce stage presence, and close working relationship with Prince. The article details how she teetered into the studio on six-inch heels for a photo session, her bold fashion, and her integral role in the Lovesexy live shows. It highlights her dancing, singing, and chemistry with Prince, positioning her as a breakout star in her own right. CONTEXT AND NOTES Cat Glover joined Prince’s camp in 1984 and became a standout performer during the Purple Rain, Parade, and especially Lovesexy eras. Known for her energetic dancing, striking looks, and “Purrfect Beat,” she was one of the most visible members of Prince’s entourage in 1988. This feature reflects the high visibility she gained during the Lovesexy Tour. FEATURE HIGHLIGHTS Era: Lovesexy Tour (1988) Tone: Glamorous, playful, celebratory Photography: Multiple bold, sexy studio shots of Cat in striking orange-and-black outfits “Boss Cat – the most important new talent Prince has ever introduced.” WHAT THE CLIPPING SHOWS Striking color photos of Cat Glover in her signature bold, sexy stage/fashion looks Multi-page article with text detailing her background, style, and connection to Prince RELATED MATERIAL Prince (August 6, 1988) “Possibly The Greatest Show On Earth!” – Record Mirror (Wembley Arena Review) Prince (September 1988) “The Second Coming” – The Face Magazine Prince (November 1988) “Prince Vs. Prince” – Musician Magazine Also see tabs at the foot of this post. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A column in the Star Tribune highlights that Brownmark (bassist in Prince and the Revolution) was recently in New York scoring a Pepsi commercial featuring Patti Austin and Valerie Simpson, as part of “Quick Spins” news roundup. PUBLICATION Publication: Star Tribune Date: May 27, 1988 Country: USA Section / Pages: Page 13 Title: Quick Spins THE STORY The article notes that Jimmy (Jam) Harris and Terry Lewis were named ASCAP Songwriters of the Year for 1987. It then mentions Brownmark, best known as the bassist in Prince and the Revolution, who recently went to New York to score a radio commercial for Pepsi featuring singers Patti Austin and Valerie Simpson. CONTEXT AND NOTES This short mention reflects the continued visibility of former Prince and the Revolution members in the music industry during the late 1980s, even after the band’s dissolution. FEATURE HIGHLIGHTS Event: Brownmark Pepsi commercial scoring Era: 1988 (Post-Revolution era) Tone: Neutral / News Brief Photography: None Audience: General newspaper readers WHAT THE CLIPPING SHOWS A brief entertainment news item about former Prince band member Brownmark’s work on a Pepsi radio commercial. RELATED POSTS Prince (May 10, 1988) Lovesexy - Album The Three O'Clock (May 24, 1988) Vermillion - Album Dale Bozzio (March 1988) Riot In English - Album COPYRIGHT NOTICE All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Epic 1988 feature in The Face magazine by legendary writer Nick Kent, titled “The Second Coming,” offering a deep, philosophical assessment of Prince’s artistic evolution, genius, and cultural impact during the Lovesexy era. PUBLICATION: Date: September 1988 Country: United Kingdom Section / Pages: Multi-Page Feature (5+ pages) Title: THE SECOND COMING By: Nick Kent THE STORY In this extensive article, Nick Kent examines Prince as a once-in-a-generation artist who single-handedly filled the void in 1980s pop culture. The piece explores Prince’s refusal to be categorized by race, gender, or genre, his blend of sex and spirituality, and his relentless creative drive. Kent reflects on Prince’s journey from the Dirty Mind era through Purple Rain, Sign o’ the Times, and the ambitious Lovesexy project, portraying him as both a musical revolutionary and a complex, enigmatic figure. CONTEXT AND NOTES Published shortly after the Lovesexy Tour, this feature captures Prince at a critical artistic peak. The Face — known for its stylish, cutting-edge cultural coverage — gave Prince one of the most thoughtful long-form profiles of the late 1980s. The article balances high praise with candid discussion of Prince’s ego, contradictions, and self-mythology. FEATURE HIGHLIGHTS Era: Lovesexy (1988) Tone: Intellectual, poetic, reverent yet critical Photography: Striking images including Prince in a heart frame, theatrical stage shots, and classic portraits “The Second Coming” WHAT THE CLIPPING SHOWS Dramatic opening spread with the title “THE SECOND COMING” and Prince imagery Multi-page feature with in-depth text by Nick Kent, additional photos, and thoughtful analysis across five pages Also see tabs at the foot of this post. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A record review in the St. Cloud Times discussing Prince’s 10th studio album Lovesexy, noting its commercial performance and provocative content in the context of artists attempting to follow up major successes. PUBLICATION Publication: St. Cloud Times Date: May 28, 1988 Country: United States Section / Pages: Record Reviews Title: Hornsby, Prince try to beat odds THE STORY The review by Cliff Radel (Gannett News Service) examines the challenge of following a major hit album. It highlights Prince’s Lovesexy, criticizing the nude cover image while acknowledging the album’s strong sales (outperforming Sign o’ the Times in some markets). The piece comments on themes in tracks like “I No,” “Alphabet St.,” “Lovesexy,” and “Dance On.” CONTEXT AND NOTES Published on May 28, 1988, shortly after the release of Lovesexy, this review reflects the mixed critical reaction to the album’s bold imagery and content. Despite controversy over the cover, the album achieved solid commercial success. FEATURE HIGHLIGHTS Event: Album Review – Lovesexy Era: 1988 Tone: Mixed / Provocative Key Mentions: Nude cover controversy, sales performance, thematic content (drugs, sex, peace) WHAT THE CLIPPING SHOWS Newspaper record review section featuring Prince’s Lovesexy as the lead item, with commentary on its artistic and FEATURE HIGHLIGHTS Event: Album Review – Lovesexy Era: 1988 Tone: Mixed / Provocative Key Mentions: Nude cover controversy, sales performance, thematic content (drugs, sex, peace) WHAT THE CLIPPING SHOWS Newspaper record review section featuring Prince’s Lovesexy as the lead item, with commentary on its artistic and

Extensive November 1988 cover story and eight-page feature in Musician magazine examining Prince’s internal conflicts, creative genius, and the tensions surrounding the Lovesexy era and his evolving career. PUBLICATION: Date: November 1988 Country: United States Section / Pages: Cover + 8-Page Feature Title: PRINCE VS. PRINCE / An artist at war with himself THE STORY Musician magazine dedicated its cover and a deep multi-page feature to Prince, exploring the duality of his public persona versus his private self. The article delves into his complex personality, the challenges of fame, his battles with Warner Bros., the creation of Lovesexy, and his artistic evolution. It includes detailed reporting on his Paisley Park operations, band dynamics, and reflections on his previous projects like Purple Rain, Around the World in a Day, and Sign o’ the Times. CONTEXT AND NOTES Published during the Lovesexy Tour, this was one of the most in-depth American magazine profiles of Prince in 1988. It portrays him as a brilliant but conflicted artist struggling with control, public perception, and the pressures of constant innovation. The feature provides rare insights into his working methods and the internal “war” between his different artistic identities. FEATURE HIGHLIGHTS Era: Lovesexy (1988) Tone: Analytical, introspective, ambitious Photography: Powerful cover portrait of Prince in a black suit + multiple interior images including live shots and studio portraits “An artist at war with himself” WHAT THE CLIPPING SHOWS Dramatic Musician cover with Prince in a black suit and the bold headline “Prince Vs. Prince” Extensive 8-page interior spread with in-depth text, additional photos, and analysis of his career and personality All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A 1985 feature article from The Winona Daily News focusing on Vanity (Denise Matthews), Prince’s former protégé and leader of Vanity 6 / Apollonia 6, as she attempted to move beyond her provocative “nasty girl” image toward a more controlled and multifaceted career in film and music. Publication: The Winona Daily News Date: June 5, 1985 Country: United States Section / Pages: Entertainment / Feature Page Title: “Prince Protege Sheds ‘Nasty Girl’ Image” THE STORY The article by Darren Leon (Associated Press) profiles Vanity as she distances herself from the highly sexualized image cultivated during her time with Prince. It discusses her assertiveness in taking control of her career, turning down the role in Purple Rain, adopting the name Apollonia 6 for the group, and her work on the Motown album Wild Animal and the film Berry Gordy’s The Last Dragon. A large portrait photo of Vanity accompanies the piece, highlighting her shift toward a more sophisticated image. CONTEXT AND NOTES Published in mid-1985, this piece captures the period shortly after Vanity’s departure from Prince’s camp and the success of Purple Rain. It reflects the public fascination with Prince’s protégés and the challenges female artists faced in breaking free from the highly sexualized personas associated with the Purple Rain era. FEATURE HIGHLIGHTS Event: Profile on Vanity’s career transition post-Prince Era: Purple Rain / Post-Vanity 6 (1985) Tone: Intrigued, somewhat sensational, focusing on image transformation Photography: Large black & white portrait of Vanity smiling, wearing a stylish jacket and floral top Visual Motifs: Typical 1980s newspaper entertainment layout with bold headline and prominent celebrity photo WHAT THE CLIPPING SHOWS Full newspaper feature page from The Winona Daily News Main headline “Prince Protege Sheds ‘Nasty Girl’ Image” Large portrait photo of Vanity Detailed article text covering her history with Prince, career moves, and new projects Mentions of Wild Animal, The Last Dragon, and her desire for more artistic control All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A rare and elegant 1985 Christmas card personally sent by Prince, featuring striking original artwork on the front The card features a bold, artistic front cover with a winged angel in a red robe standing on a globe against a black-and-white geometric background, accented by a flowing red ribbon. Below the illustration it reads “Happy Christmas” in elegant script. Inside, on a plain cream background, Prince wrote the simple message “Love God” followed by his flowing signature.

The extended 12" single release from Prince’s eighth studio album Around the World in a Day. Released in the United States on June 19 1985 on Paisley Park / Warner Bros. Records. This was Prince’s first single on his own Paisley Park label. RELEASE DETAILS Artist: Prince and The Revolution Label: Paisley Park / Warner Bros. Records Release Date: June 19 1985 (12" release) Country: United States Format: 12" Single (Commercial & Promo) TRACK LISTINGS (US 12") Commercial 12" Single (0-20355) A. Raspberry Beret (New Mix) (6:34) B. She’s Always In My Hair (New Mix) (6:31) Promo 12" Single (PRO-A-2313) A. Raspberry Beret (3:31) B. Raspberry Beret (3:31) PRINCE ODDITY Stickered sleeve 12" - Philippines - DS-044 A Side Raspberry Beret (7:25) B Side She's Always In My Hair (6:48) CHART PERFORMANCE (US) Billboard Hot 100: Peak No. 2 (17 weeks) Billboard Hot Black Singles: Peak No. 3 (14 weeks) Billboard Hot Dance/Disco - Club Play: Peak No. 4 (7 weeks, listed with “She’s Always In My Hair”) THE STORY “Raspberry Beret” was the lead single from Around the World in a Day. The commercial 12" version features extended “New Mix” versions of both the A-side and the non-album B-side “She’s Always In My Hair”. The promo 12" contains the standard album edit on both sides for radio play. CONTEXT & NOTES The 12" maxi-single provided club-friendly extended mixes, while the promo version was used for radio promotion. “She’s Always In My Hair” was a strong non-album track exclusive to the single formats at the time. This release marked the official launch of the Paisley Park label imprint. RELATED MATERIAL Prince and The Revolution – Around the World in a Day (1985 Album) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Wikipedia, sleevographia2, Discogs and 45cat. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A contemporary news article in the Star Tribune discussing the controversy surrounding sexually explicit lyrics in popular music, prominently citing Prince’s “Erotic City” as a key example. PUBLICATION Publication: Star Tribune (Minneapolis Star and Tribune) Date: May 28, 1985 Country: United States Section / Pages: Page 24 Title: Sexually Explicit Songs Still Lead Charmed Life THE STORY The article by Carolyn Skorneck (Associated Press) examines how songs with explicit sexual content, including Prince’s “Erotic City” (which contains a clear slang reference to the sex act), continue to receive radio airplay despite growing concerns from parent groups. It references the National Parent Teacher Association’s efforts to pressure record companies and notes Prince’s silence on the issue. CONTEXT AND NOTES Published in May 1985, shortly after the release of Around the World in a Day, this piece reflects the growing national debate over explicit lyrics in the mid-1980s — a period that would later lead to the formation of the PMRC and the Parental Advisory sticker. “Erotic City” (the B-side to “Raspberry Beret”) had become a lightning rod for criticism due to its provocative content. FEATURE HIGHLIGHTS Event: Media controversy over explicit lyrics Era: 1985 / Purple Rain era Tone: Journalistic, observational Key Mention: Prince’s “Erotic City” highlighted as a prime example alongside Sheena Easton’s “Sugar Walls” WHAT THE CLIPPING SHOWS Full newspaper article from the Star Tribune discussing Prince and other artists in the context of sexually explicit music and broadcast standards. RELATED MATERIAL Prince and The Revolution (February 15, 1985) Let’s Go Crazy / Take Me With U - Single 7" UK Sugar Walls – Single UK: Mar. 1985 The Family (Prince’s 1985 Side Project) COPYRIGHT NOTICE All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A local Minnesota newspaper publishes a three-star review of Prince’s hit film Purple Rain, praising his musical performances while noting the film’s stiff dramatic elements PUBLICATION Publication: Post-Bulletin Date: Saturday, May 25, 1985 Country: United States Section / Pages: Page 42 Title: PURPLE RAIN (R) PUBLICATION Publication: Post-Bulletin Date: Saturday, May 25, 1985 Country: United States Section / Pages: Page 42 Title: PURPLE RAIN (R) THE STORY The review describes Purple Rain as a semi-autobiographical musical melodrama in which Prince “sparkles” while performing his songs. It highlights the story of a young singer’s tumultuous home life and love affair with a beautiful vocalist (Apollonia Kotero). While criticizing the backstage drama as “stiff, mean-spirited and awkward,” the reviewer praises Prince’s music, specifically mentioning the hits “When Doves Cry,” “Darling Nikki,” and the title song. The film receives ★★★ (3 stars) and notes profanity and brief nudity. It was playing at the Starlight Drive-In on Hwy. 218 South. CONTEXT AND NOTES This review was published almost a year after the film’s theatrical release (July 1984), likely for a re-release or drive-in summer showing in 1985. It reflects the typical mixed critical response to Purple Rain — strong praise for the music and Prince’s star power, but criticism of the acting and storyline. The Post-Bulletin serves Rochester, Minnesota, not far from Prince’s hometown. FEATURE HIGHLIGHTS Event: Movie review of Purple Rain Era: Purple Rain Era (1985) Tone: Mixed — enthusiastic about the music, critical of the drama Photography: None (text-only clipping) Audience: Local moviegoers in southeastern Minnesota WHAT THE CLIPPING SHOWS A classic 1980s drive-in theater movie listing and review. It captures the public’s fascination with Prince as both a musician and film star, while showing how local newspapers balanced hype with honest critique. RELATED MATERIAL Prince (May 24, 1984) Purple Rain Movie Announcement - St. Cloud Times Prince (May 24, 1986) Under the Cherry Moon Movie Announcement - St. Cloud Times Apollonia 6 Artist Profile COPYRIGHT NOTICE All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Vanity, Prince’s former protégé and former leader of Vanity 6 / Apollonia 6, asserts full control over her career, starring in the new film The Last Dragon and releasing her own solo album on Motown. Publication: Chronicle Tribune Date: Monday, June 10, 1985 Country: United States Location: Marion, Indiana Section: Entertainment THE STORY The article profiles Vanity (Denise Matthews) one year after Purple Rain, highlighting how she has taken complete charge of her career after leaving Prince’s camp. It describes her playfully pushing her manager aside during a photo session to fix her own hair and straighten her leopard-skin sash. Vanity insists she is talented, in control, and more than just the sexy image she projects. She discusses her three-year relationship with Prince, her exit from the group (now Apollonia 6), her role in Purple Rain, and her new film The Last Dragon where she plays a more subdued character. She is also preparing her debut Motown solo album Wild Animal and writing songs for her next project. The piece notes mixed reviews of her film work and her comfort with her sensual stage persona. CONTEXT AND NOTES This story appeared exactly one year after the release of Purple Rain. Vanity had left Prince’s inner circle in 1984, reverted to her stage name Vanity, and signed with Motown for her solo career. The article captures the moment she was stepping out from under Prince’s shadow while still benefiting from the massive exposure Purple Rain had given her. It also reflects the mid-1980s trend of Prince protégés (Vanity, Apollonia, Sheila E., etc.) launching independent careers. FEATURE HIGHLIGHTS Event: Vanity career profile / post-Prince independence Era: Post-Purple Rain / 1985 solo career Tone: Feature / Celebrity profile (Associated Press) Photography: Black-and-white photo of a storefront (B&L Appliances Video Disc Center) alongside the article; small illustrated ad for B&L Laundromat at bottom right WHAT THE CLIPPING SHOWS Bold headline: “Prince protege takes charge of career” Vanity asserting independence from Prince and her former management Details of her role in Purple Rain and new film The Last Dragon Discussion of her sensual image, songwriting, and upcoming Motown album Wild Animal Quotes from Vanity about talent, control, and moving beyond the “Nasty Girl” person RELATED MATERIAL Connects directly to the 1984 Purple Rain campaign clippings and earlier coverage of Vanity 6 / Apollonia 6 as Prince protégés. For other relevant posts, see the tags at the foot of the page. Connects directly to the 1984 Purple Rain campaign clippings and earlier coverage of Vanity 6 / Apollonia 6 as Prince protégés. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.