Publication: Star Tribune Date: June 27, 2016 Country: United States Section: Entertainment Star Tribune feature covering the powerful and emotional Prince tributes that dominated the 2016 BET Awards, just weeks after his shocking and untimely passing, highlighting heartfelt performances and tributes from some of music’s biggest stars as the entertainment world came together to honor the Purple One’s immense legacy and groundbreaking influence on popular culture. The article captures the raw emotion, the purple-filled stage, the tearful moments, and the celebratory spirit that defined the night as artists paid their respects to one of the most innovative and influential musicians of all time. THE STORY WHAT THE CLIPPING SHOWS A detailed and emotional retrospective on how the 2016 BET Awards became a moving celebration of Prince’s life and legacy, with multiple high-profile tributes taking center stage. The article recounts powerful performances by Jennifer Hudson, Janelle Monáe, Sheila E., and others, describing the raw emotion, the purple-themed stage elements, and the audience’s reaction as the music world came together to honor the late icon. It highlights the special moments, including Sheila E. and Mayte Garcia’s appearance, and reflects on Prince’s enormous influence on the artists who paid tribute to him. The piece captures the sense of loss mixed with celebration that defined the night, emphasizing how Prince’s spirit dominated the entire broadcast. The full newspaper page features a large headline “Prince tributes take over Sunday’s BET Awards” with multiple photos from the ceremony, including images of Sheila E. and Mayte Garcia, Janelle Monáe, and other performers. The article text details the various tributes, emotional moments, and the overall atmosphere of the BET Awards as they honored Prince. CONTEXT AND NOTES Published on June 27, 2016, this Star Tribune article captures the music industry’s response in the months following Prince’s death. The BET Awards became one of the first major televised events to pay extensive tribute to him, with performances that mixed sorrow, joy, and celebration of his groundbreaking career. FEATURE HIGHLIGHTS Event: Awards show tribute feature Era: 2016 (Posthumous tributes) Tone: Emotional, celebratory, respectful Photography: Live performance and red carpet photos RELATED MATERIAL: For other related posts, see the tags at the foot of the page. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This special commercial limited edition double 12" pack was released to boost sales during the massive success of the Purple Rain era, pairing the full-length single with a bonus 12" of 1999 Artist: Prince Label: Warner Bros. Date: June 22, 1984 Catalogue: W9286T + SAM 199 Format: Double 12" Single (Limited Edition Commercial Pack) Country: UK Written by: Prince Produced by: Prince TRACK LIST UK Double 12" Limited Edition Commercial Pack (W9286T + SAM 199) Disc 1 – Side A When Doves Cry (Full Length Version) Disc 1 – Side B 17 Days Disc 2 (SAM 199) – Side A 1999 Disc 2 (SAM 199) – Side B D.M.S.R. PERSONNEL Prince – vocals, all instruments, production (on When Doves Cry) Prince and the Revolution – on 17 Days THE STORY “When Doves Cry” was the lead single from the Purple Rain album and film. Released five weeks before the album, it became Prince’s first US No. 1 single and a global smash. This UK double 12" pack was a clever commercial release that bundled the full-length version and “17 Days” with a bonus 12" containing “1999” and “D.M.S.R.” to drive additional sales. CONTEXT & NOTES The main sleeve features Prince’s iconic close-up portrait with round sunglasses. The two 12"s were cellophaned together with a hype sticker promoting the free bonus disc. Double packs like this were a popular marketing tactic in the 1980s to increase sales volume. CHART PERFORMANCE UK Top 40 – #4 (peaked June 30, 1984) US Billboard Hot 100 – #1 (5 weeks) US Billboard Black Singles – #1 US Billboard Dance/Disco Top 80 – #1 RELATED MATERIAL Prince (1984) Purple Rain (Album) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Discogs, sleevographia2. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The July 9, 1990 edition of the Irish Independent reviews Prince’s “Nude” tour concert at Páirc Uí Chaoimh in Cork, celebrating a massive 50,000-strong crowd and Prince’s electrifying performance. Publication: Irish Independent Date: July 9, 1990 Country: Ireland Location: Dublin / Cork Section: Entertainment / Music Review THE STORY The article describes Prince’s raunchy and provocative set in Cork as a huge success, with over 50,000 fans roaring in approval. Despite some local opposition, the crowd was enthusiastic and the show was described as a “wonderful, chaotic, extraordinary excursion.” CONTEXT AND NOTES This review covers Prince’s major outdoor concert during the 1990 Nude Tour in Ireland. The piece highlights the contrast between moral objections and the overwhelming positive response from fans, capturing the excitement and controversy surrounding Prince’s live shows at the time. FEATURE HIGHLIGHTS Event: Concert review Era: 1990 (Nude Tour) Tone: Excited, vivid, celebratory Photography: Large live photo of Prince performing on stage WHAT THE CLIPPING SHOWS Bold headline “Prince rolls in and rocks the town” Dramatic photo of Prince on stage Detailed review by Miriam Lord and Tony O’Brien Descriptions of the crowd size, atmosphere, and Prince’s performance style All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. Tags: Prince, Prince Scrapbook, Irish Independent, 1990, Concert Review

Released July 9, 1982 7" Vinyl Single Reference: US: 7-29955 A. He’s So Dull (2:32) B. Make-Up (2:40) Notes: He’s So Dull was the first single from Vanity 6’s only album. Prince appears as a musician on the A-side. The B-side Make-Up was written by Prince. US VARIANTS: • USA - Warner Bros. - 1982 (Mono promo) - 7-29955 A Side He's So Dull (Stereo 2:31) B Side He's So Dull (Mono 2:31) CHART PERFORMANCE Netherlands (Nederlandse Top 40): Peak position 16 (1983 re-release) INTERNATIONAL VARIANTS: • Australia - Warner Bros. Records – 729955 - 1982 • Benelux - Warner Bros. Records – WB 17.983 / 17.983 - 1982 • Ecuador - Warner Bros. Records – 7-29955 - 1982 • Europe - Warner Bros. Records – 17.983 / WB 17.983 - 1982 • Netherlands - Warner Bros. Records – WB 17.983 - 1982 • New Zealand - Warner Bros. Records – 7-29955 - 1982 • Portugal - Warner Bros. Records – WAR 17983 - 1982 • UK - Warner Bros. Records – K 17983 - 1982 • UK - Warner Bros. Records – K 17983T / FWBD 0712 - 1982 (12") RELEASE This single was released four weeks before the album Vanity 6. It was re-released in the Netherlands and UK in early 1983. PERSONNEL Vanity – lead and backing vocals Brenda Bennett – lead, co-lead and backing vocals Susan Moonsie – lead and backing vocals BACKGROUND He’s So Dull was written by Dez Dickerson. The single did not chart in the USA but performed better in the Netherlands upon re-release. Prince contributed to Make-Up and Wet Dream (the latter included on the UK 12" version). SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts Prince Vault, Sleeveographia2 All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The July 9, 1990 edition of the Evening Herald celebrates Prince’s massive concert at Páirc Uí Chaoimh in Cork, with over 50,000 fans turning out for his high-energy “Nude” tour performance. Publication: Evening Herald Date: July 9, 1990 Country: Ireland Location: Dublin / Cork Section: Entertainment / Music Review THE STORY The article describes the huge turnout and electric atmosphere as Prince delivered a raunchy, sensational show. It highlights the crowd’s enthusiasm, Prince’s dynamic stage presence, and the mix of rock, funk, and provocative energy that defined the night. CONTEXT AND NOTES This review covers one of the standout dates on Prince’s 1990 Nude Tour in Ireland. The Cork concert drew a record-breaking crowd and became a major event in Irish rock history, showcasing Prince at his most charismatic and controversial. FEATURE HIGHLIGHTS Event: Concert review Era: 1990 (Nude Tour) Tone: Excited, celebratory Photography: Multiple live black & white photos of Prince and fans RELATED MATERIAL July 9, 1990 Irish Independent “Prince rolls in and rocks the town” July 13, 1990 The Kerryman “Prince earns roars of approval” For other relevant posts, see the tags at the foot of the page. WHAT THE CLIPPING SHOWS Bold headline “Thousands flock to hear the Prince of raunchy rock” Large dramatic photo of Prince performing Sub-headline “Lark in the Pairc!” Fan photos and detailed review by Eugene Moloney All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The third studio album by The Time, released in conjunction with the band’s appearance in the movie Purple Rain. Largely written, recorded, and produced by Prince (under the pseudonym Jamie Starr), Ice Cream Castle features the hits “Jungle Love” and “The Bird” and marked the group’s biggest commercial success. Artist: The Time Title: Ice Cream Castle Date: July 2/9, 1984 Label: Warner Bros. Records Format / Type: LP / Cassette / CD Country: USA TRACK LIST LP / MC Side One Ice Cream Castles – 7:33 My Drawers – 4:04 Chili Sauce – 5:45 Side Two Jungle Love – 5:29 If The Kid Can’t Make You Come – 7:33 The Bird – 7:40 CD (same sequence as LP) US VARIANTS Standard LP sleeve with inner sleeve Test pressing (June 18, 1984), Colored LP reissue (July 20, 2018) Japanese remastered CD (August 19, 2015) THE STORY Sessions began in late March 1983 at Sunset Sound with “Jungle Love.” Other tracks like “Chili Sauce” and “If The Kid Can’t Make You Come” followed in mid-April. “The Bird” was recorded live at First Avenue in early October 1983 and chosen over the studio version. The album was largely created by Prince with input from Morris Day and Jesse Johnson. PERSONNEL Musicians Morris Day – Lead Vocals, Drums on My Drawers Prince (uncredited) – All other instruments and background vocals Jesse Johnson – Guitar, Drums on If The Kid Can’t Make You Come Sharon Hughes – Dialog on Chili Sauce, Background Vocals Novi Novog – Violin on Chili Sauce Mark Cardenas, Paul Peterson – Keyboards on The Bird Jellybean Johnson – Drums on The Bird Jerome Benton – Percussion on The Bird Jill Jones – Background Vocals (uncredited) CONTEXT & NOTES The album reached #24 on the Billboard 200 and #3 on the Billboard Soul LPs chart. It was certified Gold in September 1984 and Platinum in January 1985. “Jungle Love” and “The Bird” were featured in the film Purple Rain. A 2015 Japanese digitally remastered reissue was released with no additional tracks. A colored LP reissue appeared in 2018. PRODUCTION Produced by: Prince (as Jamie Starr) and Morris Day Engineers: David Leonard, Peggy McCreary (“Peggy Mac”), Terry Christian Mastered by: Bernie Grundman CHARTS USA Billboard 200: Peak #24 USA Billboard Soul LPs: Peak #3 CERTIFICATIONS RIAA (USA): Gold (September 18, 1984) RIAA (USA): Platinum (January 10, 1985) SINGLES TAKEN FROM Ice Cream Castles Jungle Love The Bird RELATED MATERIAL What Time Is It? (1982) Pandemonium (1990) Purple Rain film and soundtrack (1984) SOURCES Discogs, Warner Bros. Records, Wikipedia, Prince Vault, sleevographia2 All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A 1985 feature article from The Winona Daily News focusing on Vanity (Denise Matthews), Prince’s former protégé and leader of Vanity 6 / Apollonia 6, as she attempted to move beyond her provocative “nasty girl” image toward a more controlled and multifaceted career in film and music. Publication: The Winona Daily News Date: June 5, 1985 Country: United States Section / Pages: Entertainment / Feature Page Title: “Prince Protege Sheds ‘Nasty Girl’ Image” THE STORY The article by Darren Leon (Associated Press) profiles Vanity as she distances herself from the highly sexualized image cultivated during her time with Prince. It discusses her assertiveness in taking control of her career, turning down the role in Purple Rain, adopting the name Apollonia 6 for the group, and her work on the Motown album Wild Animal and the film Berry Gordy’s The Last Dragon. A large portrait photo of Vanity accompanies the piece, highlighting her shift toward a more sophisticated image. CONTEXT AND NOTES Published in mid-1985, this piece captures the period shortly after Vanity’s departure from Prince’s camp and the success of Purple Rain. It reflects the public fascination with Prince’s protégés and the challenges female artists faced in breaking free from the highly sexualized personas associated with the Purple Rain era. FEATURE HIGHLIGHTS Event: Profile on Vanity’s career transition post-Prince Era: Purple Rain / Post-Vanity 6 (1985) Tone: Intrigued, somewhat sensational, focusing on image transformation Photography: Large black & white portrait of Vanity smiling, wearing a stylish jacket and floral top Visual Motifs: Typical 1980s newspaper entertainment layout with bold headline and prominent celebrity photo WHAT THE CLIPPING SHOWS Full newspaper feature page from The Winona Daily News Main headline “Prince Protege Sheds ‘Nasty Girl’ Image” Large portrait photo of Vanity Detailed article text covering her history with Prince, career moves, and new projects Mentions of Wild Animal, The Last Dragon, and her desire for more artistic control All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A rare and elegant 1985 Christmas card personally sent by Prince, featuring striking original artwork on the front The card features a bold, artistic front cover with a winged angel in a red robe standing on a globe against a black-and-white geometric background, accented by a flowing red ribbon. Below the illustration it reads “Happy Christmas” in elegant script. Inside, on a plain cream background, Prince wrote the simple message “Love God” followed by his flowing signature.

The extended 12" single release from Prince’s eighth studio album Around the World in a Day. Released in the United States on June 19 1985 on Paisley Park / Warner Bros. Records. This was Prince’s first single on his own Paisley Park label. RELEASE DETAILS Artist: Prince and The Revolution Label: Paisley Park / Warner Bros. Records Release Date: June 19 1985 (12" release) Country: United States Format: 12" Single (Commercial & Promo) TRACK LISTINGS (US 12") Commercial 12" Single (0-20355) A. Raspberry Beret (New Mix) (6:34) B. She’s Always In My Hair (New Mix) (6:31) Promo 12" Single (PRO-A-2313) A. Raspberry Beret (3:31) B. Raspberry Beret (3:31) PRINCE ODDITY Stickered sleeve 12" - Philippines - DS-044 A Side Raspberry Beret (7:25) B Side She's Always In My Hair (6:48) CHART PERFORMANCE (US) Billboard Hot 100: Peak No. 2 (17 weeks) Billboard Hot Black Singles: Peak No. 3 (14 weeks) Billboard Hot Dance/Disco - Club Play: Peak No. 4 (7 weeks, listed with “She’s Always In My Hair”) THE STORY “Raspberry Beret” was the lead single from Around the World in a Day. The commercial 12" version features extended “New Mix” versions of both the A-side and the non-album B-side “She’s Always In My Hair”. The promo 12" contains the standard album edit on both sides for radio play. CONTEXT & NOTES The 12" maxi-single provided club-friendly extended mixes, while the promo version was used for radio promotion. “She’s Always In My Hair” was a strong non-album track exclusive to the single formats at the time. This release marked the official launch of the Paisley Park label imprint. RELATED MATERIAL Prince and The Revolution – Around the World in a Day (1985 Album) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Wikipedia, sleevographia2, Discogs and 45cat. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A contemporary news article in the Star Tribune discussing the controversy surrounding sexually explicit lyrics in popular music, prominently citing Prince’s “Erotic City” as a key example. PUBLICATION Publication: Star Tribune (Minneapolis Star and Tribune) Date: May 28, 1985 Country: United States Section / Pages: Page 24 Title: Sexually Explicit Songs Still Lead Charmed Life THE STORY The article by Carolyn Skorneck (Associated Press) examines how songs with explicit sexual content, including Prince’s “Erotic City” (which contains a clear slang reference to the sex act), continue to receive radio airplay despite growing concerns from parent groups. It references the National Parent Teacher Association’s efforts to pressure record companies and notes Prince’s silence on the issue. CONTEXT AND NOTES Published in May 1985, shortly after the release of Around the World in a Day, this piece reflects the growing national debate over explicit lyrics in the mid-1980s — a period that would later lead to the formation of the PMRC and the Parental Advisory sticker. “Erotic City” (the B-side to “Raspberry Beret”) had become a lightning rod for criticism due to its provocative content. FEATURE HIGHLIGHTS Event: Media controversy over explicit lyrics Era: 1985 / Purple Rain era Tone: Journalistic, observational Key Mention: Prince’s “Erotic City” highlighted as a prime example alongside Sheena Easton’s “Sugar Walls” WHAT THE CLIPPING SHOWS Full newspaper article from the Star Tribune discussing Prince and other artists in the context of sexually explicit music and broadcast standards. RELATED MATERIAL Prince and The Revolution (February 15, 1985) Let’s Go Crazy / Take Me With U - Single 7" UK Sugar Walls – Single UK: Mar. 1985 The Family (Prince’s 1985 Side Project) COPYRIGHT NOTICE All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A local Minnesota newspaper publishes a three-star review of Prince’s hit film Purple Rain, praising his musical performances while noting the film’s stiff dramatic elements PUBLICATION Publication: Post-Bulletin Date: Saturday, May 25, 1985 Country: United States Section / Pages: Page 42 Title: PURPLE RAIN (R) PUBLICATION Publication: Post-Bulletin Date: Saturday, May 25, 1985 Country: United States Section / Pages: Page 42 Title: PURPLE RAIN (R) THE STORY The review describes Purple Rain as a semi-autobiographical musical melodrama in which Prince “sparkles” while performing his songs. It highlights the story of a young singer’s tumultuous home life and love affair with a beautiful vocalist (Apollonia Kotero). While criticizing the backstage drama as “stiff, mean-spirited and awkward,” the reviewer praises Prince’s music, specifically mentioning the hits “When Doves Cry,” “Darling Nikki,” and the title song. The film receives ★★★ (3 stars) and notes profanity and brief nudity. It was playing at the Starlight Drive-In on Hwy. 218 South. CONTEXT AND NOTES This review was published almost a year after the film’s theatrical release (July 1984), likely for a re-release or drive-in summer showing in 1985. It reflects the typical mixed critical response to Purple Rain — strong praise for the music and Prince’s star power, but criticism of the acting and storyline. The Post-Bulletin serves Rochester, Minnesota, not far from Prince’s hometown. FEATURE HIGHLIGHTS Event: Movie review of Purple Rain Era: Purple Rain Era (1985) Tone: Mixed — enthusiastic about the music, critical of the drama Photography: None (text-only clipping) Audience: Local moviegoers in southeastern Minnesota WHAT THE CLIPPING SHOWS A classic 1980s drive-in theater movie listing and review. It captures the public’s fascination with Prince as both a musician and film star, while showing how local newspapers balanced hype with honest critique. RELATED MATERIAL Prince (May 24, 1984) Purple Rain Movie Announcement - St. Cloud Times Prince (May 24, 1986) Under the Cherry Moon Movie Announcement - St. Cloud Times Apollonia 6 Artist Profile COPYRIGHT NOTICE All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.