Prince (December 26, 1981) “Controversy” – The Los Angeles Times
- GlamSlamEscape

- Dec 26, 1981
- 4 min read
In The Los Angeles Times’ year-end “Single of the Year” roundup, Prince’s “Controversy” is ranked #2, praised as an invigorating, mocking rock ’n’ funk slap at rigid pop and social attitudes, including prejudice and hypocrisy, by a major new pop-rock figure

Publication: The Los Angeles Times Date: Saturday, December 26, 1981 Country: United States
Section / Pages: Part V / Calendar (continued from first page)
Title: Single of the Year: The ‘Eyes’ Have It
THE STORY
The piece places Kim Carnes’ “Bette Davis Eyes” at #1 but gives strong runner-up status to Prince’s “Controversy.” Reviewer highlights the track’s passion, provocation, and social commentary, describing it as a bold statement that blends rock and funk while challenging societal norms. It positions Prince as a rising major figure in pop-rock.
CONTEXT AND NOTES
This year-end accolade for the title track of the Controversy album (released October 1981) reflects growing critical respect for Prince’s ability to fuse eroticism, social critique, and danceable music. Coming at the close of 1981, it helped solidify his momentum heading into 1982.
FEATURE HIGHLIGHTS
Event: Year-end / retrospective album review
Era: Controversy era (1981) Tone: Positive, intellectually engaged, and culturally contextual Photography: None visible in the provided scan
Visual Motifs: Clean newspaper review layout with star rating symbol
WHAT THE CLIPPING SHOWS
Growing critical recognition of Prince’s intentional use of provocation for artistic and social liberation
Early framing of his work within broader cultural and sexual politics
Positive hometown (Los Angeles) validation during a key transitional period
RELATED MATERIAL
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All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference

Controversy is Prince’s fourth studio album, released in October 1981. A bold, socially conscious, and sexually charged record, it further refined his unique blend of funk, rock, and new wave while tackling themes of religion, sex, politics, and identity
RELEASE DETAILS
Artist: Prince
Label: Warner Bros. Records
Date: October 14, 1981 (USA) / November 13, 1981 (UK)
Catalogue: BSK 3601
Format: LP
Country: United States (international releases followed)


THE STORY
Controversy continues Prince’s rapid artistic evolution, blending explicit sexuality with social commentary. The album features Prince’s signature one-man-band approach with select contributions from early band members. Standout tracks include the title song, the sensual ballad “Do Me, Baby,” and the funk-rocker “Let’s Work.”
CONTEXT & NOTES
Released just one year after Dirty Mind, Controversy solidified Prince’s reputation as a provocative and boundary-pushing artist. The album’s newspaper-themed cover and lyrics addressing God, sex, and politics created significant buzz and controversy. It marked another step toward the massive success that would arrive with 1999 and Purple Rain.

TRACK LIST
Side One
Controversy (7:14)
Sexuality (4:20)
Do Me, Baby (7:43)
Private Joy (4:37)
Side Two
Ronnie, Talk to Russia (1:51)
Let’s Work (3:52)
Annie Christian (4:21)
Jack U Off (3:08)
PERSONNEL
Musicians
Prince — all vocals and instruments (except where noted)
Dr. Fink — keyboards on “Jack U Off”
Lisa Coleman — background vocals on “Controversy,” “Ronnie, Talk to Russia,” and “Jack U Off”; keyboards on “Jack U Off”
Bobby Z. — drums on “Jack U Off”
Production
Prince — producer, arranger
Mic Guzauski, Bob Mockler, Ross Pallone — engineers
Peggy McCreary — engineer (uncredited)
Bernie Grundman — mastering (A&M Studios)
Allen Beaulieu — photography
Special Thanks "Special thanks to God and U."
PACKAGING HIGHLIGHTS
Iconic cover featuring Prince in a purple suit against a newspaper background
Bold magenta “PRINCE” logo
Newspaper headline collage design
WHAT THE SLEEVE SHOWS
The front cover shows a confident Prince in a lavender suit with a black bow tie, staring intensely at the viewer. The background is designed as overlapping newspaper headlines addressing controversy, religion, sex, and politics — perfectly reflecting the album’s themes.
CHARTS America
Country: Chart | Entry Date | Peak Position | Weeks in Chart
USA: Billboard Top LP’s & Tapes | 7 Nov. 1981 | 21 | 32
USA: Billboard Soul LPs | 7 Nov. 1981 | 3 | 35
USA: The Billboard 200 | 14 May 2016 | 55 (R) | 2
SINGLES RELEASED
“Controversy” (b/w “When You Were Mine”)
“Sexuality” (Germany, Australia, Japan only)
“Let’s Work” (b/w “Ronnie, Talk to Russia”)
“Do Me, Baby” (b/w “Private Joy”)
In a contemporary review for Rolling Stone, music critic Stephen Holden wrote that "Prince's first three records were so erotically self-absorbed that they suggested the reveries of a licentious young libertine. On Controversy, that libertine proclaims unfettered sexuality as the fundamental condition of a new, more loving society than the bellicose, overtechnologized America of Ronald Reagan." He went on to say, "Despite all the contradictions and hyperbole in Prince's playboy philosophy, I still find his message refreshingly relevant."
Robert Christgau was less enthusiastic in a generally favorable review for The Village Voice, in which he wrote that its "socially conscious songs are catchy enough, but they spring from the mind of a rather confused young fellow, and while his politics get better when he sticks to his favorite subject, which is s-e-x, nothing here is as far-out and on-the-money as 'Head' or 'Sister' or the magnificent 'When You Were Mine.'"[
According to Blender's Keith Harris, Controversy is "Prince's first attempt to get you to love him for his mind, not just his body", as it "refines the propulsive funk of previous albums and adds treatises on religion, work, nuclear war and Abscam." Stephen Thomas Erlewine of AllMusic remarked that it "continues in the same vein of new wave-tinged funk on Dirty Mind, emphasizing Prince's fascination with synthesizers and synthesizing disparate pop music genres".
Controversy was voted the eighth best album of the year in the 1981 Pazz & Jop, an annual critics' poll run by The Village Voice.
SOURCES Wikipedia, Prince Vault, Discogs, Warner Bros. archives.
COPYRIGHT NOTICE
All album artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.




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