Sheila E. is a world‑class percussionist, vocalist, and bandleader whose decades‑long collaboration with Prince helped define the Minneapolis sound and some of the most iconic performances in his career.

Eric Leeds blends jazz‑funk sophistication with Paisley Park DNA on an album where “Aguadilla” quietly echoes Prince’s melodic fingerprints.

The fifth and final commercial single from Diamonds And Pearls – released March 16, 1992 in the UK – featuring the socially conscious title track and unreleased B-side Call The Law.

Released on 24 February 1987, the album includes five tracks co‑written with Prince and recorded between 1985 and 1986, featuring extensive uncredited musical input.

Minneapolis dominates the national charts while its musicians gather to learn, grow, and follow the path Prince helped carve.

Released on 4 March 1986, the album includes three Prince‑written tracks — 100 MPH, Strawberry Lover, and I Guess It’s All Over — alongside seven additional songs produced by Brownmark and David Z.

A concise but powerful snapshot of the Purple Rain Tour’s humanitarian reach, as Prince’s fans help push a nationwide food drive toward record‑breaking territory.

A sharp, stylish debut that proves the Minneapolis Sound was never a one‑man universe — Jesse Johnson steps forward with authority.

A trio of brief updates that, taken together, reveal Prince’s world in motion — a film nearing completion, protégés rising, and national critics taking notice.

A sultry, iconic image of Prince and his then-girlfriend Denise “Vanity” Matthews wrapped in each other’s arms graced the cover of Rolling Stone, perfectly capturing the erotic mystique and superstar aura surrounding Prince in the early 1980s. Issued on 28 April 1983, this cover story offered a rare, in-depth look at “The secret life of America’s sexiest one-man band.” 📰 Quotes from the Article “Good evening, this is your pilot, Prince, speaking...” “He’s a song called ‘Head