My Name Is Prince was released in the United States across an unusually wide array of formats in late 1992, reflecting Prince’s full‑scale push behind the second single from the Love Symbol album. While the US 12-inch vinyl maxi‑single arrived on October 22, 1992, most other US formats — including the 7-inch, CD single, cassette single, cassette maxi‑single, CD maxi‑single, Digipak edition, and multiple promotional CDs — were issued earlier on September 1, 1992 under Paisley

Prince and the New Power Generation’s Love Symbol album arrived in October 1992 as an 18‑track fusion of funk, hip‑hop, rock, and pop, wrapped in a loose narrative about a princess, a reporter, and a city of intrigue. Issued in explicit and clean editions, it became a UK No. 1 and a defining statement of the Symbol era.

A sparkling fusion of funk, pop, hip‑hop, and new‑era swagger — the rebirth of Prince with the New Power Generation.

Prince’s spiritual‑funk sequel to Purple Rain — a collaborative soundtrack bridging eras, bands, and visions.

Prince’s Batman soundtrack arrived June 20, 1989 as a high‑velocity, sample‑heavy, six‑week creation that fused pop, funk, and cinematic drama. Designed as a cross‑media powerhouse for Warner Bros., it became a multi‑platinum hit and delivered Prince his first No. 1 single since “Kiss.

The B‑side, “200 Balloons,” was previously unreleased and did not appear on the album, though elements of it were repurposed into “Batdance.” The single was issued worldwide two weeks before the soundtrack and quickly became a major commercial success.

Released: March 21, 1989 (Worldwide) Madonna’s Like A Prayer (1989) is the only studio album to feature Prince, including their duet “Love Song” and his uncredited guitar work across three additional tracks.

Third Single from Lovesexy with Camille B-Side On October 24, 1988, Prince released the 7" single I Wish U Heaven b/w Scarlet Pussy (credited to his alter ego Camille) in the United Kingdom through Paisley Park/Warner Bros. Records. As the third and final single from his album Lovesexy, this release juxtaposed a spiritual ballad with a provocative funk track, encapsulating Prince's dual themes of love and sensuality during his post-Sign o' the Times era. Issued in a standard

A spiritual, ecstatic rebirth — Prince’s radiant answer to the darkness of The Black Album.

Prince and the Revolution’s baroque‑funk masterpiece, released worldwide on March 31, 1986.