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20Ten is Prince’s 35th studio album, a vibrant, funk-rock driven release issued as a free covermount with several European newspapers — continuing the innovative distribution strategy he pioneered with Planet Earth. RELEASE DETAILS Artist: Prince Label: NPG Records Format: CD (newspaper covermount) Catalogue: UP20TEN001 (promo) Country: Europe (primarily Belgium & UK) Released: 10 July 2010 (Belgium & UK newspapers) / 22 July 2010 (Germany & France) Genre: Rock, Funk, Soul Length: 39:18 THE STORY A tight, energetic album blending sleek funk, rock edge, and soulful grooves. Standouts include the spiritual “Compassion,” the soaring “Future Soul Song,” the playful “Sticky Like Glue,” and the powerful “Act Of God.” The album ends with the hidden track “Laydown.” CONTEXT & NOTES Released during Prince’s 20TEN Tour in Europe, the album served more as a promotional tool for the tour than vice versa. It was given away with major newspapers (Het Nieuwsblad, de Gentenaar, Daily Mirror, Daily Record, Rolling Stone magazine, etc.), generating huge publicity but making it ineligible for official charts. A rumored 20Ten Deluxe companion album was announced but never materialized. TRACK LISTING (CD) Compassion — 3:57 Beginning Endlessly — 5:27 Future Soul Song — 5:08 Sticky Like Glue — 4:46 Act Of God — 3:14 Lavaux — 3:04 Walk In Sand — 3:30 Sea Of Everything — 3:49 Everybody Loves Me — 4:09 Laydown — 3:07 (hidden track – listed as track 77; tracks 11–76 are silence) Total Length: 39:18 PERSONNEL Musicians Prince — all vocals and instruments (except where noted) Vocals Shelby J., Liv Warfield, Elisa Dease — background & additional vocals Horns (on Compassion) Maceo Parker — saxophone Greg Boyer — trombone Ray Monteiro — trumpet Production Prince — producer, arranger James “Fluff” Harley — engineer Debbie McGuan — design Anthony Malzone — additional design PACKAGING & VISUALS The striking cover art (shown in your image) is a vibrant, hand-drawn illustration of Prince in a flamboyant multicolored outfit with a prominent 20Ten logo and the Love Symbol. The design features bold colors, flowing shapes, and Prince’s signature aesthetic. CHARTS Not eligible for official charts due to its free newspaper distribution model. SOURCES Album liner notes, official discography, Discogs, 45cat, Official Charts, Wikipedia, Prince Vault. COPYRIGHT NOTICE All album artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference

The first single from Carmen Electra’s self-titled album, released on June 18 1992 on Warner Bros. / Paisley Park Records. It was issued simultaneously across North America, the UK, and Europe. RELEASE DETAILS Artist: Carmen Electra Label: Warner Bros. / Paisley Park Records Release Date: June 18 1992 Country: United States / UK / Europe / Australia Format: 7", 12", CD, Cassette, Promos THE STORY “Go Go Dancer” was released eight months before the Carmen Electra album (originally planned for simultaneous release). The track samples “Lost In Music” by Sister Sledge (incorrectly credited to Chic on the single). It features multiple club-oriented remixes and was part of the early Paisley Park-associated releases for Carmen Electra. CONTEXT & NOTES This maxi-single showcases an extensive set of remixes. Non-album tracks include various mixes not found on the final album configuration. The single did not achieve commercial chart success but remains a collectible Paisley Park-era release. VARIANTS 7" Single A. Go Go Dancer (Radio Edit) (4:27) B. Go Go Dancer (Album Version) (5:02) (GER: 5439-18839-7 / UK: W 0114) CD Maxi Single (USA: 9 40458-2) Go Go Dancer (Radio Edit) (4:27) Go Go Dancer (12" Mix) (6:03) Go Go Dancer (The Dub) (5:53) Go Go Dancer (Factory Mix) (6:01) Go Go Dancer (The Dub Dub Dancer) (6:02) Go Go Dancer (Royal Mix) (6:02) 12" Single (GER: 9362-40484-0 / UK: W0114T) A1. Go Go Dancer (12" Mix) (6:03) A2. Go Go Dancer (The Dub Dub Dancer) (6:02) B1. Go Go Dancer (Royal Mix) (6:02) B2. Go Go Dancer (Factory Mix) (6:01) B3. Go Go Dancer (The Dub) (5:53) 12" Single (USA: 40458-0) A1. Go Go Dancer (12" Mix) (6:03) A2. Go Go Dancer (The Dub) (5:53) A3. Go Go Dancer (Radio Edit) (4:27) B1. Go Go Dancer (Factory Mix) (6:01) B2. Go Go Dancer (The Dub Dub Dancer) (6:02) CD Maxi Single (EUR: 9362 40485-2 / W0114CD) Go Go Dancer (Radio Edit) (4:27) Go Go Dancer (12" Mix) (6:03) Go Go Dancer (The Dub Dub Dancer) (6:02) Go Go Dancer (Royal Mix) (6:02) Go Go Dancer (Factory Mix) (6:01) CD Maxi Single (GER: 9362-40458-2) Go Go Dancer (Radio Edit) (4:27) Go Go Dancer (12" Mix) (6:03) Go Go Dancer (The Dub) (5:53) Go Go Dancer (Factory Mix) (6:01) Go Go Dancer (The Dub Dub Dancer) (6:02) Go Go Dancer (Royal Mix) (6:02) 12" Promo A. Go Go Dancer (12" Mix) (6:03) B. Go Go Dancer (5:02) (longer version from an early album configuration) Cassette Single (AUS: 5439 18839-4) A1. Go Go Dancer (Radio Edit) (4:27) A2. Go Go Dancer (Album Version) (5:02) B1. Go Go Dancer (Radio Edit) (4:27) B2. Go Go Dancer (Album Version) (5:02) CHART PERFORMANCE Did not chart in the USA or elsewhere. RELATED MATERIAL Carmen Electra – Carmen Electra (Album) Carmen Electra – Go Go Dancer (Music Video) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Wikipedia, sleevographia2, Discogs and 45cat. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The extended 12" single release from Prince’s eighth studio album Around the World in a Day. Released in the United States on June 19 1985 on Paisley Park / Warner Bros. Records. This was Prince’s first single on his own Paisley Park label. RELEASE DETAILS Artist: Prince and The Revolution Label: Paisley Park / Warner Bros. Records Release Date: June 19 1985 (12" release) Country: United States Format: 12" Single (Commercial & Promo) TRACK LISTINGS (US 12") Commercial 12" Single (0-20355) A. Raspberry Beret (New Mix) (6:34) B. She’s Always In My Hair (New Mix) (6:31) Promo 12" Single (PRO-A-2313) A. Raspberry Beret (3:31) B. Raspberry Beret (3:31) PRINCE ODDITY Stickered sleeve 12" - Philippines - DS-044 A Side Raspberry Beret (7:25) B Side She's Always In My Hair (6:48) CHART PERFORMANCE (US) Billboard Hot 100: Peak No. 2 (17 weeks) Billboard Hot Black Singles: Peak No. 3 (14 weeks) Billboard Hot Dance/Disco - Club Play: Peak No. 4 (7 weeks, listed with “She’s Always In My Hair”) THE STORY “Raspberry Beret” was the lead single from Around the World in a Day. The commercial 12" version features extended “New Mix” versions of both the A-side and the non-album B-side “She’s Always In My Hair”. The promo 12" contains the standard album edit on both sides for radio play. CONTEXT & NOTES The 12" maxi-single provided club-friendly extended mixes, while the promo version was used for radio promotion. “She’s Always In My Hair” was a strong non-album track exclusive to the single formats at the time. This release marked the official launch of the Paisley Park label imprint. RELATED MATERIAL Prince and The Revolution – Around the World in a Day (1985 Album) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Wikipedia, sleevographia2, Discogs and 45cat. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The eleventh studio album by Prince and the first (and only) soundtrack album he created for a major motion picture — Tim Burton’s Batman (1989). Released in Europe on June 19 1989 (one day before the US release) on Warner Bros. Records. The album features songs written from the perspectives of characters in the film. RELEASE DETAILS Artist: Prince Label: Warner Bros. Records Release Date: June 19 1989 (Europe) / June 20 1989 (USA) Country: Europe (and worldwide) Format: LP, Picture Disc, CD (standard, limited, metal can), Cassette Length: 42:34 Studio: Paisley Park Studios, Chanhassen, MN Side 1: The Future (4:07) Electric Chair (4:07) The Arms Of Orion (5:02) Partyman (3:11) Vicki Waiting (4:51) Side 2: Trust (4:23) Lemon Crush (4:15) Scandalous (6:14) Batdance (6:13) All songs written by Prince, except: “The Arms Of Orion” written by Prince and Sheena Easton “Scandalous” written by Prince and John L. Nelson PERSONNEL Prince — all vocals and instruments (except where noted) Sheena Easton — co-lead vocals on The Arms Of Orion Sounds of Blackness — sampled choir Clare Fischer Orchestra — orchestra on The Future (sampled) Eric Leeds, Atlanta Bliss, and sampled voices from Michael Keaton, Jack Nicholson, Kim Basinger, etc. THE STORY Prince was approached by Tim Burton after “1999” and “Baby I’m a Star” were used in a rough cut. Recorded quickly in February–March 1989 at Paisley Park, with “Batdance” as a last-minute replacement for “Dance With The Devil”. The album was a massive commercial success. CHART PERFORMANCE US: Billboard 200 – No. 1 (6 weeks) UK: UK Albums Chart – No. 1 (20 weeks) Strong Top 5 placements across Europe. EUROPEAN VARIANTS SINGLES RELEASED Batdance b/w 200 Balloons Partyman b/w Feel U Up The Arms Of Orion b/w I Love U In Me Scandalous! b/w Sex The Future (Europe only) b/w Electric Chair Trust (Hong Kong promo only) CERTIFICATIONS RIAA (USA): 2× Platinum BPI (UK): Platinum Gold/Platinum in France, Germany, Australia, etc. Cassette (925 936-4 / WX281C / WX 281 C) Standard cassette release with same track listing as above. Vinyl LP – Limited Edition Picture Disc, Diecut Frame Cover (WX 281P / 927 489-1) Same track listing as standard LP. CD – Limited Edition (927 489-2) Same track listing as standard CD. CD – Limited Edition Metal Can (925 978-2) Circular metal can packaging containing a picture disc CD and circular booklet. Same track listing. Full page advertisement from New Musical Express (UK) June 24, 1989 CONTEXT & NOTES Batman was Prince’s only major motion picture soundtrack. Multiple deluxe European variants were issued, including a striking picture disc in a diecut frame cover and a limited metal can CD edition. No tour supported the album, though several tracks were performed on the 1990 Nude Tour. RELATED MATERIAL Prince – Batman Singles (Batdance, Partyman, etc.) Tim Burton’s Batman (1989 Film) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Wikipedia, sleevographia2, Discogs and 45cat. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Prince resurrects a 1982 vault classic for the Welcome 2 Canada era with a sleek, modern funk overhaul. On June 19 2013, a new version, titled Extraloveable Reloaded, with the rap omitted and horns added, was released on 3rdEyeGirl.com and included two and a half years later as Xtraloveable on Hitnrun Phase Two. RELEASE DETAILS Date: November 23, 2011 (Canada iTunes exclusive) / November 24–30, 2011 (worldwide rollout) Format: Digital Single (AAC, 256 kbps) Country: Worldwide Track: “Extraloveable” – 5:01 (2011 re-recording) THE STORY Released on November 23, 2011 as a digital single, “Extraloveable” marked the long-awaited public debut of one of Prince’s most famous unreleased tracks. Originally recorded in 1982 but shelved due to controversial lyrical content, the song was completely re-recorded in 2011 and issued to promote the Welcome 2 Canada Tour, which began two days later. A remixed version titled “Xtraloveable” later appeared on HITnRUN Phase Two (2015) CONTEXT & NOTES The 2011 re-recording bridged Prince’s early-’80s vault material with his contemporary digital-era sound. The staggered rollout began in Canada before expanding globally, reflecting Prince’s flexible, platform-first distribution strategy of the 2010s. The track’s release highlighted Prince’s willingness to revisit and reinvent his unreleased catalogue for new audiences. TRACK LIST Digital Single Extraloveable – 5:01 (2011 re-recording) CHART PERFORMANCE No official chart entries reported. PERSONNEL Prince – vocals, all instruments, production (2011 re-recording) RELATED MATERIAL Welcome 2 Canada Tour (2011) HITnRUN Phase Two (2015 album) Early 1980s vault tracks For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault • Sleevographia2 • NPG Records announcement • Discogs All single artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The Daily Mirror offers readers a free CD of Prince’s brand new album 20Ten as a special promotional giveaway bundled with the newspaper. Publication: Daily Mirror Date: Saturday, July 10, 2010 Country: United Kingdom Location: London, England Section: Promotional poster / In-store newsagents display THE STORY A vibrant, full-color promotional poster advertises that a free CD of Prince’s latest album is included inside the Daily Mirror newspaper that day. The eye-catching design features an illustrated portrait of Prince in his signature flamboyant style, with bold text announcing “FREE CD INSIDE THE NEW PRINCE ALBUM.” CONTEXT AND NOTES In 2010, Prince partnered with the Daily Mirror to distribute his album 20Ten (his 34th studio album) as a free cover-mounted CD — a major promotional move typical of the era when physical album sales were declining. This was part of a broader strategy by Prince to reach a wide audience directly through mainstream media. The album was also released in other European countries with similar newspaper tie-ins. FEATURE HIGHLIGHTS Event: Promotional newspaper giveaway of Prince album 20Ten Era: 2010 / Prince’s independent / newspaper-distribution era Tone: Exciting, commercial, promotional Photography: Stylized color illustration of Prince in a vibrant vest and open shirt with chest tattoos, purple symbol logo, and a colorful sunset-style background with a CD graphic. WHAT THE CLIPPING SHOWS Prince’s continued innovation in album distribution methods in the digital age High-profile mainstream media partnership (tabloid newspaper) Classic Prince visual aesthetic — dramatic, colorful, androgynous imagery Physical media promotion strategy still being used in 2010 RELATED MATERIAL This continues the long arc of Prince’s UK press coverage and promotional tactics. It pairs well with earlier 1970s–1990s clippings showing his evolution from emerging artist to global superstar using unconventional release strategies. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The May 10, 2008 issue of NME features Prince’s legendary Coachella 2008 performance with a striking cover image and in-depth coverage of his headline set, including his unforgettable cover of Radiohead’s “Creep”. Publication: NME Date: May 10, 2008 Country: United Kingdom Location: London Section: Live! / Cover Feature THE STORY Prince delivered a career-defining performance at Coachella 2008, headlining the festival in the baking California desert. The NME coverage highlights his flamboyant white-and-mirrored stage outfit, energetic showmanship, and the emotional centrepiece of the set — a powerful cover of Radiohead’s “Creep”. The feature captures the magic of the moment, describing Prince as a true legend. CONTEXT AND NOTES By 2008 Prince was already a music icon, but his surprise appearance and masterful headline set at Coachella became one of the most talked-about festival performances of the decade. This NME feature captures the excitement of the era, showcasing Prince’s ability to reinvent songs and dominate a stage like no other artist. FEATURE HIGHLIGHTS Event: Coachella 2008 Headline Performance Era: 2008 (Prince’s iconic festival return) Tone: Reverent, celebratory, vivid Photography: Dynamic full-page colour live shots of Prince in white mirrored suit WHAT THE CLIPPING SHOWS Large striking photo of Prince in white embellished outfit with leopard-print guitar strap, performing dramatically Pink highlight box: “Prince’s cover of ‘Creep’ is the centrepiece of his set: the man’s a true legend” Coachella 2008 festival overview titled “California dreamy” Multiple supporting images from the weekend RELATED MATERIAL This NME feature captures Prince’s legendary Coachella set. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 2014 cover of Essence Magazine features Prince in a striking portrait with the headline “A NIGHT WITH PRINCE: WHAT REALLY HAPPENS AT THE AFTER-PARTY”, accompanied by an in-depth “Prince After Dark” feature. Publication: Essence Date: June 2014 Country: United States Location: New York Section: Cover + Interior Feature THE STORY In a rare and intimate interview, Prince pulls back the purple curtain on his legacy, mentoring, creativity, and the magic of live performance. Photographed by Randee St. Nicholas, the multi-page spread includes stunning portraits, backstage moments at the Hollywood Palladium, and insights into his process, band, and enduring genius. The feature captures Prince during an exclusive ESSENCE photo shoot and interview. CONTEXT AND NOTES By 2014 Prince remained an enigmatic icon who rarely granted in-depth interviews. This Essence feature offers a rare glimpse into his world — his perfectionism, spirituality, musical innovation, and connection with his band. It highlights his timeless creativity and influence across generations. FEATURE HIGHLIGHTS Event: In-depth cover story and photo shoot Era: 2014 (Prince’s later career renaissance) Tone: Intimate, reverent, vibrant Photography: Striking colour portraits and live/action shots by Randee St. Nicholas WHAT THE CLIPPING SHOWS Iconic cover with Prince in afro, sunglasses, fringed vest, and custom guitar Bold headline “PRINCE AFTER DARK” Multiple studio portraits in varied outfits (maroon velvet, black suit, white vest) Backstage and performance images from the Hollywood Palladium Pull quotes and deep interview excerpts RELATED MATERIAL This Essence cover story and photo feature stands as one of the most revealing Prince interviews of the 2010s. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A 1985 feature article from The Winona Daily News focusing on Vanity (Denise Matthews), Prince’s former protégé and leader of Vanity 6 / Apollonia 6, as she attempted to move beyond her provocative “nasty girl” image toward a more controlled and multifaceted career in film and music. Publication: The Winona Daily News Date: June 5, 1985 Country: United States Section / Pages: Entertainment / Feature Page Title: “Prince Protege Sheds ‘Nasty Girl’ Image” THE STORY The article by Darren Leon (Associated Press) profiles Vanity as she distances herself from the highly sexualized image cultivated during her time with Prince. It discusses her assertiveness in taking control of her career, turning down the role in Purple Rain, adopting the name Apollonia 6 for the group, and her work on the Motown album Wild Animal and the film Berry Gordy’s The Last Dragon. A large portrait photo of Vanity accompanies the piece, highlighting her shift toward a more sophisticated image. CONTEXT AND NOTES Published in mid-1985, this piece captures the period shortly after Vanity’s departure from Prince’s camp and the success of Purple Rain. It reflects the public fascination with Prince’s protégés and the challenges female artists faced in breaking free from the highly sexualized personas associated with the Purple Rain era. FEATURE HIGHLIGHTS Event: Profile on Vanity’s career transition post-Prince Era: Purple Rain / Post-Vanity 6 (1985) Tone: Intrigued, somewhat sensational, focusing on image transformation Photography: Large black & white portrait of Vanity smiling, wearing a stylish jacket and floral top Visual Motifs: Typical 1980s newspaper entertainment layout with bold headline and prominent celebrity photo WHAT THE CLIPPING SHOWS Full newspaper feature page from The Winona Daily News Main headline “Prince Protege Sheds ‘Nasty Girl’ Image” Large portrait photo of Vanity Detailed article text covering her history with Prince, career moves, and new projects Mentions of Wild Animal, The Last Dragon, and her desire for more artistic control All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Vanity, Prince’s former protégé and former leader of Vanity 6 / Apollonia 6, asserts full control over her career, starring in the new film The Last Dragon and releasing her own solo album on Motown. Publication: Chronicle Tribune Date: Monday, June 10, 1985 Country: United States Location: Marion, Indiana Section: Entertainment THE STORY The article profiles Vanity (Denise Matthews) one year after Purple Rain, highlighting how she has taken complete charge of her career after leaving Prince’s camp. It describes her playfully pushing her manager aside during a photo session to fix her own hair and straighten her leopard-skin sash. Vanity insists she is talented, in control, and more than just the sexy image she projects. She discusses her three-year relationship with Prince, her exit from the group (now Apollonia 6), her role in Purple Rain, and her new film The Last Dragon where she plays a more subdued character. She is also preparing her debut Motown solo album Wild Animal and writing songs for her next project. The piece notes mixed reviews of her film work and her comfort with her sensual stage persona. CONTEXT AND NOTES This story appeared exactly one year after the release of Purple Rain. Vanity had left Prince’s inner circle in 1984, reverted to her stage name Vanity, and signed with Motown for her solo career. The article captures the moment she was stepping out from under Prince’s shadow while still benefiting from the massive exposure Purple Rain had given her. It also reflects the mid-1980s trend of Prince protégés (Vanity, Apollonia, Sheila E., etc.) launching independent careers. FEATURE HIGHLIGHTS Event: Vanity career profile / post-Prince independence Era: Post-Purple Rain / 1985 solo career Tone: Feature / Celebrity profile (Associated Press) Photography: Black-and-white photo of a storefront (B&L Appliances Video Disc Center) alongside the article; small illustrated ad for B&L Laundromat at bottom right WHAT THE CLIPPING SHOWS Bold headline: “Prince protege takes charge of career” Vanity asserting independence from Prince and her former management Details of her role in Purple Rain and new film The Last Dragon Discussion of her sensual image, songwriting, and upcoming Motown album Wild Animal Quotes from Vanity about talent, control, and moving beyond the “Nasty Girl” person RELATED MATERIAL Connects directly to the 1984 Purple Rain campaign clippings and earlier coverage of Vanity 6 / Apollonia 6 as Prince protégés. For other relevant posts, see the tags at the foot of the page. Connects directly to the 1984 Purple Rain campaign clippings and earlier coverage of Vanity 6 / Apollonia 6 as Prince protégés. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The April 28, 1983 cover of Rolling Stone features Prince with Vanity in a striking, intimate portrait under the bold headline “PRINCE’S HOT ROCK”, accompanied by a major interior feature on Prince’s secret life Publication: Rolling Stone Date: April 28, 1983 Country: United States Location: New York Section: Front Cover + Interior Feature THE STORY The cover shows Prince in a purple jacket and ruffled shirt with Vanity in a matching purple studded outfit. Inside, the extensive feature titled “Prince: The secret life of America’s sexiest one-man band” includes iconic photographs by Richard Avedon, exploring Prince’s persona, music, and personal world during the height of his early 1980s breakthrough. CONTEXT AND NOTES 1983 was a pivotal year for Prince as he transitioned from rising star to superstar. This Rolling Stone cover and feature captured him at the peak of his Purple Rain-era mystique, alongside Vanity (of Vanity 6), highlighting his bold fashion, sexuality, and artistic control during a time of massive commercial and creative ascent. FEATURE HIGHLIGHTS Event: Rolling Stone cover story and photo shoot Era: 1983 (Prince’s early breakthrough / Purple Rain period) Tone: Sensual, mysterious, provocative Photography: Iconic Richard Avedon portraits and studio shots WHAT THE CLIPPING SHOWS Iconic cover portrait of Prince and Vanity in coordinated purple outfits Bold yellow headline “PRINCE’S HOT ROCK” with “Mr. Prince Rogers Nelson and Miss Vanity” caption Large interior headline “Prince” with Avedon photos Additional portraits of Prince in blue military-style jacket and Vanity in black lace and white outfit In-depth text exploring Prince’s life, music, and persona RELATED MATERIAL This 1983 Rolling Stone cover and feature pairs beautifully with other early Prince magazine pieces in the collection. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The April 26, 1986 cover of NME boldly declares “FLESH FOR FANTASY PRINCE EXPOSED!”, featuring a striking close-up portrait of Prince alongside an extensive interior feature exploring his persona, music, and androgynous image. Publication: NME (New Musical Express) Date: April 26, 1986 Country: United Kingdom Location: London Section: Front Cover + Major Interior Feature THE STORY This in-depth NME cover story delves into Prince’s enigmatic world with provocative photography and analysis. The feature examines his boundary-pushing artistry, sexual ambiguity, and cultural impact through sections like “The Voice of Androgyny”, accompanied by multiple striking portraits and stills from his performances and videos. CONTEXT AND NOTES 1986 was a high point in Prince’s career following the massive success of Purple Rain and Around the World in a Day. This NME piece captures the intense media fascination with Prince’s mystique, fashion, and deliberate blurring of gender and sexual lines during the height of his 1980s dominance. FEATURE HIGHLIGHTS Event: Major cover story and photo feature Era: 1986 (Prince’s mid-80s peak) Tone: Provocative, analytical, sensual Photography: Close-up blurred portraits, multiple studio and performance shots WHAT THE CLIPPING SHOWS Iconic NME cover with extreme close-up of Prince’s face and bold headline “FLESH FOR FANTASY PRINCE EXPOSED!” Extensive interior spreads with large portraits and montages Sections including “The Voice of Androgyny”, “Flesh on Parade”, and various Prince images (Shock Head Monarch, Hamlet Prince of Madness, etc.) Detailed text exploring Prince’s image, sexuality, and artistic evolution RELATED MATERIAL This 1986 NME cover story complements other Prince magazine features from the 1980s in the scrapbook. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. Tags: Prince, Prince Scrapbook, NME, 1986, Flesh For Fantasy, Prince Exposed, New Musical Express, 1980s Prince