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This vibrant review from The Press celebrates Prince & 3rdEyeGirl’s high-energy performance at the Leeds First Direct Arena, highlighting Prince’s triumphant return to the UK stage with his all-female band during the 2014 Hit and Run Tour. Publication: The Press (York edition) Date: Tuesday, May 27, 2014 Country: United Kingdom Section / Pages: Review Title: Crowd goes crazy with purple Prince’s return THE STORY Charles Hutchinson’s review captures the electric atmosphere at Leeds First Direct Arena as Prince made a dramatic return. The piece describes the biblical rain outside and the ecstatic crowd inside as Prince, backed by 3rdEyeGirl, delivered a powerful set filled with hits. It praises Prince’s showmanship, guitar playing (with nods to Jimi Hendrix), and the band’s tight performance, noting standout moments like “Let’s Go Crazy,” “Raspberry Beret,” “Kiss,” and a rousing “Purple Rain” finale. CONTEXT AND NOTES This concert was part of Prince’s spontaneous “Hit and Run Tour” in 2014, known for short-notice announcements and high demand. The review reflects the excitement of UK fans seeing Prince in arenas again and the strong impression left by his new band 3rdEyeGirl. It showcases Prince’s enduring ability to captivate large crowds well into his 50s. FEATURE HIGHLIGHTS Event: Prince & 3rdEyeGirl Live at Leeds First Direct Arena Era: 2014 Hit and Run Tour Tone: Energetic, celebratory, and impressed Photography: Large, dynamic color photo of Prince performing with arm raised amid falling confetti Visual Motifs: Bold headline, striking live concert image, purple accent in design WHAT THE CLIPPING SHOWS Full concert review by Charles Hutchinson Large, vibrant photograph of Prince on stage with confetti Detailed description of the set, band performance, and audience reaction Emphasis on Prince’s guitar work and showmanship RELATED MATERIAL Prince & 3rdEyeGirl (May 19, 2014) “Back on the stadium trail, blistering Prince runs the guitar gamut” – The Guardian (UK) Prince & 3rdEyeGirl (May 20, 2014) “The Purple One is still driving them crazy” – The Independent (UK) Prince & 3rdEyeGirl (June 5, 2014) “Prince & 3rdEyeGirl, Roundhouse, NW1” – London Evening Standard (UK) All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Prince’s self-titled second studio album, released in October19 1979, marked his commercial breakthrough and introduced the world to a more confident, funky, and sexually charged Prince RELEASE DETAILS Artist: Prince Label: Warner Bros. Records Date: October 19, 1979 Catalogue: BSK 3366 Format: LP Country: United States (international releases followed) THE STORY Prince’s self-titled album is a major step forward from his debut, showcasing a more assured artist with stronger funk, pop, and R&B grooves. Once again, Prince played nearly all instruments himself and handled production, though he began incorporating a few collaborators. The album features some of his earliest signature songs, including the breakthrough hit “I Wanna Be Your Lover.” CONTEXT & NOTES Coming just 18 months after For You, this album established Prince as a major new force in Black music. It was his first album to crack the Top 40 on the pop charts and reached the Top 5 on the Soul charts. The success of “I Wanna Be Your Lover” helped launch his first major U.S. tour. TRACK LIST Side One I Wanna Be Your Lover (5:47) Why You Wanna Treat Me So Bad? (3:49) Sexy Dancer (4:18) When We’re Dancing Close and Slow (5:18) Side Two With You (3:59) Bambi (4:22) Still Waiting (4:14) I Feel For You (3:24) It’s Gonna Be Lonely (5:26) PERSONNEL Musicians Prince — all vocals and instruments (except where noted) André Cymone — vocal harmony on “Why You Wanna Treat Me So Bad?” (uncredited) Production Prince — producer, arranger, remixer, album cover concept Gary Brandt — engineer Mark Ettel — assistant engineer Bob Mockler — remixer Bernie Grundman — mastering (A&M) Lynn Barron & George Chacon — album design (RIA Images) Jurgen Reisch — photography (front cover and inner sleeve) Chris Callis — photography (back cover) Terry Taylor — calligraphy Special Thanks "Very special thanks to: God, Perry Jones, Tony Winfrey, André Cymone, Bobby Z., Dez Dickerson, Gayle Chapman, Matt Fink, Bob Cavallo, Joe Ruffalo, Alvin Winfrey, Chris Brice, Jim Brooks, Thurman Brooms, Chris Brotman, Warner Bros., Pepé Willie, Eric Eisner, Charleville Music, Bambi, Brighton Artists, Cynthia Horner, Ted Astin, Kim, Barry Gross, Murray Nagel, Knut Koupee, Lee Phillips, and all the beautiful people who got into my first album. I love you all." CHARTS America Country: Chart | Entry Date | Peak Position | Weeks in Chart USA: Billboard Top LP’s & Tapes | 17 Nov. 1979 | 22 | 28 USA: Billboard Soul LPs | 17 Nov. 1979 | 3 | 31 USA: The Billboard 200 | 7 May 2016 | 52 (R) | 5 SINGLES RELEASED “I Wanna Be Your Lover” (b/w “My Love Is Forever”) “Why You Wanna Treat Me So Bad?” (b/w “Baby”) “Still Waiting” (b/w “Bambi”) “Sexy Dancer” (UK & Japan only) “Bambi” (Belgium & Netherlands only) Overall, the album was much more diverse and well-received than For You, critically and commercially, selling three million copies. It is notable for containing standard R&B ballads performed by Prince, before he would go on to establish himself with sexual romps on later albums. The album was certified platinum and contained three R&B/dance hits: "Why You Wanna Treat Me So Bad?", "Sexy Dancer" and "I Wanna Be Your Lover." "I Wanna Be Your Lover" sold over one million copies and received a gold disc, rushing to No. 11 on the Billboard Hot 100 (becoming Prince's first hit single) and topped the R&B charts. In addition, it peaked at No. 41 in the United Kingdom (his first entry in the country) and reached number 2 on the Billboard Dance/Disco Singles chart. Prince performed both "I Wanna Be Your Lover" and "Why You Wanna Treat Me So Bad?" on American Bandstand on 26 January 1980. Overall, the success of this album geared Prince towards his next album, Dirty Mind, which would be called a complete departure from his earlier sound. SOURCES Prince Vault, Discogs, The Warner Bros. archives, Wikiepida. COPYRIGHT NOTICE All album artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. Prince (November 20, 1979) Prince Album Review – The Minneapolis Star USA

"Soft And Wet" is Prince’s debut single, released from his first album For You. It marked the beginning of his legendary recording career at the age of 19. RELEASE DETAILS Artist: Prince Label: Warner Bros. Records Format: 7" Vinyl Single Country: USA (and select international markets) Released: 7 June 1978 (Prince’s 20th birthday) Genre: Funk, R&B, Pop Length: 3:01 (A-side) A-Side: Soft And Wet (3:01) B-Side: So Blue (4:26) Catalogue #: US: WBS 8619 THE STORY A smooth, sensual funk ballad with catchy hooks, breathy vocals, and a memorable synthesizer melody. The song showcases Prince’s early blend of funk, pop, and seductive lyricism that would define his sound for decades. CONTEXT & NOTES Released two months after the For You album, this was Prince’s first official commercial single. A promotional version featured a mono mix of the A-side. The single performed modestly on the charts but helped establish Prince as a promising new artist on the R&B scene. Prince (November 10, 1978) “For You,” the debut album by Minneapolis Prince – The Minneapolis Star US PACKAGING & VISUALS The image shows the classic Warner Bros. 7" vinyl center label with the iconic “WB” shield logo. It credits Prince as producer, arranger, and composer, with Tommy Vicari as executive producer, and notes the track is from the For You album (BSK 3150). PERSONNEL Prince — all vocals and instruments Tommy Vicari — executive producer CHARTS USA Billboard Hot 100 — Peak: 92 Billboard Hot Soul Singles — Peak: 12 SOURCES Prince Vault, Warner Bros. Records single label, Billboard charts (1978), For You album credits.

Jon Bream’s review of Prince’s debut concert at the Capri Theater captures the moment a 19-year-old prodigy stepped onto the stage and announced himself as a star. Publication: The Minneapolis Star Date: January 8, 1979 Country: United States Section / Pages: Entertainment / Concert Review THE STORY This review covers Prince’s first public concert at the Capri Theater in Minneapolis. Despite technical delays and a small crowd, Bream describes Prince’s performance as energetic, sexy, and highly professional, praising his multi-instrumental skills, stage presence, and original material from the forthcoming album For You. CONTEXT & NOTES Just weeks before the release of his debut album For You, this was Prince’s first major hometown performance. The review is one of the earliest documented accounts of Prince as a live performer, marking the transition from studio wunderkind to captivating stage artist. RELATED MATERIAL For other relevant posts, see the tags at the foot of the page. All magazine artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

at The Armory, MPLS over 4 hours condensed into just under 4 minutes! What a Beautiful Night 💜 #Prince #Prince4Ever #PrinceLive #PrinceCelebration2026 @prince @PaisleyPark

The first-ever vinyl release of Prince’s 2001 album The Rainbow Children, issued as a limited-edition 2LP set on crystal clear vinyl with a gatefold sleeve, 16-page booklet, and rainbow slipmat. RELEASE / PUBLICATION DETAILS Artist: Prince Title: The Rainbow Children Date: May 28, 2020 Label: NPG Records / Legacy / The Prince Estate Format / Type: 2×LP, Album, Limited Edition, Reissue, Crystal Clear Vinyl Country: Europe Catalogue: 19075918041 TRACK LIST Side One Rainbow Children Muse 2 The Pharaoh Digital Garden Side Two The Work Pt. 1 Everywhere The Sensual Everafter Mellow Side Three 1+1+1 Is 3 Deconstruction Wedding Feast She Loves Me 4 Me Family Name Side Four The Everlasting Now Last December (no audio) Last December (Reprise) THE STORY The Rainbow Children is Prince’s spiritually charged 2001 concept album, blending jazz, funk, and spoken word elements. This 2020 limited reissue marks its long-awaited debut on vinyl, pressed on stunning crystal clear vinyl. CONTEXT & NOTES Originally released in 2001, the album explores themes of faith, spirituality, and redemption. This special edition was part of The Prince Estate’s ongoing vinyl reissue campaign and includes a 16-page booklet with lyrics and credits plus a rainbow slipmat. PACKAGING / ARTWORK HIGHLIGHTS Limited Edition Crystal Clear Vinyl (2LP) Gatefold cover 16-page booklet with lyrics and credits Rainbow slipmat Yellow hype sticker noting the limited edition WHAT THE SLEEVE SHOWS Front Cover: Vibrant, colorful painting by C’babi featuring musicians and instruments with “the rainbow children” title Back Cover: Tracklist presented as “chapters” over the artwork Vinyl: Crystal clear with standard labels RELATED MATERIAL Rave In2 The Joy Fantastic Limited Purple Vinyl (2019) Musicology Limited Purple Vinyl (2019) 3121 Limited Purple Vinyl (2019) SOURCES Discogs, The Prince Estate, Sony Music, We Are Vinyl All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

When Jesse Johnson left The Time, Jimmy Jam and Terry Lewis were suddenly without their guitarist and wondering how the band would continue. Prince called them up and asked, “What’s happening with Jesse?” They replied, “He’s just being Jesse.” Prince then asked, “Have you got it sorted?” When they said not yet, Prince didn’t hesitate: “I’ll be your guitar player!” That single phone call and Prince’s willingness to step in as guitarist helped keep The Time moving forward during a difficult moment. Jimmy Jam has often said that Prince “set us free” — giving them the confidence and support to eventually step out on their own as producers while still maintaining their connection to the Minneapolis Sound family. A perfect example of Prince’s loyalty, vision, and hands-on approach to the artists he believed in.

started with a panel titled featuring Maya McClean, Ashley Tamar Davis, Cassandra O'Neal and the one and only Lisa Coleman. Here are some highlights

A landmark 2007 promotional package from The Mail on Sunday featuring Prince’s new album Planet Earth given away for free, accompanied by an in-depth feature “To the People!” Publication: The Mail on Sunday (with Live Magazine supplement) Date: July 15, 2007 Country: United Kingdom Section / Pages: Front Page + Review Section (multi-page feature) Title: To the People! / FREE Prince’s New Album THE STORY The coverage includes a striking front-page promotion of the free 10-track Planet Earth album and a detailed interior feature with multiple photos of Prince across his career. The article discusses his name change to a symbol, the “Slave” inscription, his battles with Warner Bros., and his determination to connect directly with fans through the groundbreaking free release. CONTEXT AND NOTES This was one of Prince’s most audacious moves — releasing a full new studio album for free with a national newspaper. It generated massive media attention and was part of his broader strategy to bypass traditional music industry structures. The accompanying article reflects on his evolution, spirituality, and commitment to his audience. FEATURE HIGHLIGHTS Event: Planet Earth Free Worldwide Release Era: 2007 (Planet Earth era) Tone: Empowering, celebratory, and reflective Photography: Mix of archival and contemporary images, including Prince in blue suit with guitar and more intimate portraits Visual Motifs: Bold purple and yellow headlines, collage-style photo layouts WHAT THE CLIPPING SHOWS The Mail on Sunday front page promoting the free Planet Earth album “To the People!” headline with career-spanning Prince photos In-depth article discussing his name change, industry battles, and fan-focused philosophy Additional coverage and reviews of the album RELATED MATERIAL Live Magazine (July 7, 2007) – “The People’s Prince” Word Magazine (August 18, 2004) – “Meet the New Prince” All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A striking cover story from Satellite Times magazine featuring an exclusive interview with Prince, promoted as a major highlight alongside a competition to win a fairytale trip to see him perform in Paris. PUBLICATION Publication: Satellite Times Date: July 1993 Country: United Kingdom Section / Pages: Front Cover Title: Prince Talks! / Win a Fairytale Trip to See Prince THE STORY This vibrant cover features a close-up portrait of Prince with dramatic lighting and his hand near his face. The bold multicolored headline “THE Prince OF POP IN PARIS” promotes an exclusive interview and a reader competition offering tickets to see Prince live in Paris plus other prizes. The issue also highlights other stars like Kathleen Turner, Yasmin Le Bon, Gene Hackman, and Tony Jacklin. CONTEXT AND NOTES Published in July 1993 during Prince’s active touring and promotional period (around The Hits/The B-Sides), this cover reflects his continued mainstream popularity in the UK. The “Prince Talks!” exclusive captures public interest in his thoughts at a time when he was beginning to push boundaries with his identity and label relations. FEATURE HIGHLIGHTS Event: Exclusive Interview Cover Story + Reader Competition Era: Early 1990s / Pre-Symbol Era Tone: Glamorous, exciting, promotional Photography: Dramatic, intimate close-up portrait Audience: UK satellite TV, music, and entertainment readers WHAT THE CLIPPING SHOWS The full front cover of Satellite Times magazine with Prince prominently featured, bold colorful typography, and promotional text for the interview and competition. Includes the magazine’s masthead and other celebrity features listed on the cover. RELATED MATERIAL Prince (May 5–12, 1993) AAOOW! – Time Out London (UK) Prince (Fall/Winter 1993) NPG Catalogue Volume 1 – New Power Generation (US) COPYRIGHT NOTICE All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Jimmy Jam (James Samuel Harris III) (born June 6, 1959) is an American keyboardist, songwriter, producer, and founding member of The Time. Known for his sophisticated synthesizer work, infectious grooves, and visionary production style, he became one of the most important architects of the Minneapolis Sound. PRINCE CONNECTION Prince personally recruited Jimmy Jam (along with Terry Lewis and other members of the band Flyte Tyme) in 1981 to form The Time. Jimmy served as the group’s primary keyboardist and contributed significantly to their early sound. Although Prince (under the pseudonym Jamie Starr) was heavily involved behind the scenes as writer and producer, Jimmy Jam brought his own musical sensibility to the band’s funky, high-energy performances and recordings. The relationship evolved into a complex but highly creative one that extended beyond The Time into broader Minneapolis music scene collaborations. KEY RELEASES WITH PRINCE / THE TIME The Time (1981) What Time Is It? (1982) Ice Cream Castle (1984) Various Prince-related projects and productions through the Jam & Lewis partnership STAGE WORK & LATER CAREER Jimmy Jam was a core member of The Time during their explosive early-’80s period, known for their sharp choreography and dynamic live shows. After a lineup change in 1983 (when he and Terry Lewis were dismissed by Prince during a tour), the duo shifted focus to production. As Jam & Lewis, they became one of the most successful production teams in pop and R&B history, working with Janet Jackson, The S.O.S. Band, Alexander O’Neal, Cherrelle, Mariah Carey, Usher, and countless others. They have continued occasional reunions with The Time and remain deeply respected figures in the Minneapolis music community. WHY THEY MATTER TO THE PRINCE UNIVERSE Jimmy Jam was instrumental in establishing the Minneapolis Sound alongside Prince. His work with The Time helped define the funky, synth-driven aesthetic that Prince popularized globally. Through his later production successes with Jam & Lewis, he extended the influence of that sound far beyond Prince’s direct orbit, shaping the sonic landscape of 1980s and 1990s R&B and pop. He represents the creative talent Prince cultivated in his early bands and the lasting legacy of the Minneapolis scene. SOURCES Prince Vault, Discogs, interviews with Jimmy Jam and Morris Day, official Jam & Lewis discography, Rhino Records reissue liner notes. All images, photographs, and artwork referenced or displayed remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.