A rare and insightful early interview with 17-year-old Prince Nelson while still a senior at Central High School in Minneapolis SOURCE DETAILS Publication: Central High Pioneer Date: February 13, 1976 Country: United States Section / Pages: Student Feature / Music THE STORY In this candid interview, Prince Nelson discusses his two years playing with Grand Central Corporation, his musical beginnings on piano and guitar, and the challenges of breaking into the music industry from Minneapolis. He expresses frustration at the lack of big record companies and studios in the state, while sharing his love for Central High and his ambitions for the future. CONTEXT & NOTES This is one of the earliest known published interviews with Prince, conducted while he was still in high school. At the time, he was already leading a band, writing songs, and dreaming of professional success. The piece offers a fascinating glimpse into his mindset just before he signed with Warner Bros. and began his legendary career. FEATURE HIGHLIGHTS Event: Early student newspaper interview with Prince Nelson Era: 1976 – Pre-fame / High School years Tone: Honest and aspirational Photography: Black-and-white portrait of Prince at the piano Audience: Central High School students and local readers WHAT THE CLIPPING SHOWS A full newspaper article with the headline “Nelson finds it ‘hard to become known’”. It includes a photo of Prince seated at a piano and several paragraphs where he discusses his band, instruments, teachers, and future goals. RELATED MATERIAL For other relevant posts, see the tags at the foot of the page. “I play with Grand Central Corporation. I’ve been playing with them for two years,” Prince Nelson, senior at Central, said. Prince started playing piano at age seven and guitar when he got out of eighth grade. Prince was born in Minneapolis. When asked, he said, “I was born here, unfortunately.” Why? “I think it is very hard for a band to make it in this state, even if they’re good. Mainly because there aren’t any big record companies or studios in this state. I really feel that if we would have lived in Los Angeles or New York or some other big city, we would have gotten over by now.” He likes Central a great deal, because his music teachers let him work on his own. He now is working with Mr. Bickham, a music teacher at Central, but has been working with Mrs. Doepkes. Prince has a brother that goes to Central whose name is Duane Nelson, who is more athletically enthusiastic. He plays on the basket-ball team and played on the football team. Duane is also a senior. Prince plays by ear. “I’ve had about two lessons, but they didn’t help much. I think you’ll always be able to do what your ear tells you, so just think how great you’d be with lessons also,” he said. “I advise anyone who wants to learn guitar to get a teacher unless they are very musically inclined. One should learn all their scales too. That is very important,” he continued. Prince would also like to say that his band is in the process of recording an album containing songs they have composed. It should be released during the early part of the summer. “Eventually I would like to go to college and start lessons again when I’m much older.” He plays several instruments, such as guitar, bass, all key-boards, and drums. He also sings sometimes, which he picked up recently. He played saxophone in seventh grade but gave it up. He regrets he did. He quit playing sax when school ended one summer. He never had time to practice sax anymore when he went back to school. He does not play in the school band. Why? “I really don’t have time to make the concerts.” All magazine artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

All three solo albums from The Time guitarist and funk powerhouse Jesse Johnson are now available together in one essential 2CD collection. SOURCE DETAILS Publication: Official Release (Robinsongs) Date: May 1, 2026 Country: United Kingdom Section / Pages: New Release THE STORY Robinsongs has released Jesse Johnson: Jesse Johnson Revue / Shockadelica / Every Shade Of Love, a 2CD set compiling all three of his 1980s solo albums plus five bonus tracks. The collection brings together his complete A&M solo output for the first time. CONTEXT AND NOTES After making his name as a key member of The Time (featured in Prince’s Purple Rain), Jesse Johnson launched a successful solo career in the mid-1980s. This new set celebrates his distinctive funk-rock sound and includes hits such as “Be Your Man”, “Can You Help Me”, “Crazay” (with Sly Stone), and “Love Struck”. FEATURE HIGHLIGHTS Event: 2CD Complete Solo Albums Release Era: 2026 – Archival Reissue Tone: Celebratory Audience: 1980s Funk, R&B and Prince-related fans THE ANNOUNCEMENT Out Now – The 2CD set includes the full albums Jesse Johnson’s Revue, Shockadelica, and Every Shade Of Love, along with bonus tracks and extended versions. It comes with detailed sleeve notes by Charles Waring. RELATED MATERIAL For other relevant posts, see the tags at the foot of the page ORDER HERE

"Mountains" was the second single from Prince’s eighth album, Parade, the third credited to Prince and the Revolution, released five weeks after the album’s debut. Its B-side, "Alexa De Paris," remains absent from any album release, though an extended version appeared on the European CD single of "Letitgo" in 1994. RELEASE DETAILS Artist: Prince and The Revolution Label: Warner Bros. / Paisley Park Date: May 21, 1986 (US) Catalogue: 0-20465 Format: 12" Single Country: United States THE STORY The 12" single featured extended versions of both tracks: a nearly 10-minute version of “Mountains” on the A-side and the extended instrumental “Alexa De Paris” on the B-side. CONTEXT & NOTES “Alexa De Paris” is an instrumental named after dancer Alexa Fioroni, who appears in Under the Cherry Moon. The extended versions were exclusive to this 12" format. The single reached No.23 on the Billboard Hot 100 and No.11 on the Dance chart. PACKAGING HIGHLIGHTS Full picture sleeve Front cover: Dramatic black-and-white profile shot of Prince wearing a tall black hat and cropped jacket (US version has red text) Back cover: Features Lisa Coleman of The Revolution with visible sheet music from the orchestral arrangement of “Alexa De Paris” Standard black vinyl with custom labels WHAT THE SLEEVE SHOWS The front cover features a striking black-and-white profile photograph of Prince in an elaborate black outfit and tall hat, posed dramatically with one hand extended. The back cover shows Lisa Coleman seated with sheet music from “Alexa De Paris” in front of her, giving the sleeve a sophisticated and artistic feel TRACK LIST Side One MOUNTAINS (Extended Version) – 10:03 Produced, Composed, Arranged and Performed by Prince and The Revolution Original version available on the Parade album From the motion picture Under The Cherry Moon Controversy Music ASCAP Side Two ALEXA DE PARIS (Extended Version) – 4:54 Produced, Composed, Arranged and Performed by Prince and The Revolution Controversy Music ASCAP PERSONNEL Prince – lead and backing vocals, electric guitar Lisa Coleman – synthesizers, backing vocals Wendy Melvoin – electric guitar, backing vocals Dr. Fink – synthesizers Brown Mark – bass guitar, backing vocals Bobby Z. – Simmons SDSV, Linn LM-1 Eric Leeds – saxophone Atlanta Bliss – trumpet Miko Weaver – electric guitar Clare Fischer – orchestral arrangements CHARTS (1986) USA Billboard Hot 100 – Peak: #23 (11 weeks) USA Billboard Hot Black Singles – Peak: #15 (12 weeks) USA Billboard Hot Dance/Disco Club Play – Peak: #11 (7 weeks) RELATED MATERIAL Parade (Album, 1986) Kiss (Single, 1986) Under the Cherry Moon (Film, 1986) For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault • Discogs • 45cat • Official Charts • Wikipedia • All album artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference

Morris Day, Bootsy Collins, Jimmy Jam & Terry Lewis have been confirmed for Prince Celebration 2026 SOURCE DETAILS Publication: Official Prince Announcement / PrinceCelebration2026.com Date: May 2026 (announced) Country: United States Section / Pages: Event Announcement THE STORY Organizers of Prince Celebration 2026 have announced a star-studded lineup of special guests and panelists. Iconic funk legends Morris Day and Bootsy Collins will appear, along with Jimmy Jam & Terry Lewis as panelists. The announcements build excitement for the 10th Anniversary Celebration of Life concert on June 5th at The Armory. CONTEXT AND NOTES Prince Celebration is an annual gathering celebrating Prince’s life, music, and legacy. The 2026 edition marks the 10th anniversary and features multiple high-profile appearances. Morris Day is scheduled for Friday, June 5th, Bootsy Collins for Thursday, June 4th, and Jimmy Jam & Terry Lewis for a panel discussion on June 5th. More special guests are expected to be revealed soon. FEATURE HIGHLIGHTS Event: Prince Celebration 2026 Guest & Panelist Announcement Era: 2026 – 10th Anniversary Celebration Tone: Celebratory and exciting Audience: Prince fans, funk/soul enthusiasts, and music historians THE ANNOUNCEMENT Morris Day – Friday, June 5th, 1:00 PM – 2:30 PM at Hyatt Regency Bootsy Collins – Thursday, June 4th, 1:00 PM – 2:30 PM at Royalston Square Jimmy Jam & Terry Lewis – Friday, June 5th, 3:00 PM – 4:30 PM at Hyatt Regency The main Celebration of Life concert on June 5th at The Armory will feature members of The Revolution and The New Power Generation alongside Morris Day and others. RELATED MATERIAL For other relevant posts, see the tags at the foot of the page. All magazine artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A lavish 25-disc box set celebrating Sheena Easton’s complete singles from her EMI era is coming, featuring two legendary Prince-penned tracks. SOURCE DETAILS Publication: Official Announcement (Cherry Pop) Date: Announced 2026 Country: United Kingdom Section / Pages: New Release THE STORY Cherry Pop will release Sheena Easton: The Singles 1980-1987, a spectacular 25CD clamshell box set compiling all of her UK and US hit singles from the 1980s. The set includes original B-sides, 12” mixes, and 35 previously unreleased bonus tracks. Highlights include the Prince-penned hits “Sugar Walls” and “Eternity” CONTEXT AND NOTES Sheena Easton enjoyed huge success in the 1980s with major hits such as “Morning Train (9 To 5)”, the James Bond theme “For Your Eyes Only”, and her Prince collaborations. This definitive box set brings together her entire singles catalogue from that golden decade, complete with a 52-page booklet, rare photos, and replica vinyl artwork. FEATURE HIGHLIGHTS Event: 25CD Complete Singles Box Set Announcement Era: 2026 – Archival Reissue Tone: Celebratory / Definitive Audience: 1980s Pop, Prince, and Sheena Easton fans THE ANNOUNCEMENT Out 19th June 2026 — The 25CD set features all her major singles including Prince collaborations “Sugar Walls” (with multiple mixes and dubs) and “Eternity” (including unreleased mixes). It also includes 35 previously unreleased recordings from her TV special and alternate versions. RELATED MATERIAL For other relevant posts, see the tags at the foot of the page. ORDER HERE

Bruce Springsteen closed out Stephen Colbert’s penultimate episode with a powerful performance of his protest song “Streets of Minneapolis.” SOURCE DETAILS Publication: The Late Show with Stephen Colbert / Various Reports Date: May 20, 2026 Country: United States Section / Pages: Television / Music Performance THE STORY On the second-to-last episode of The Late Show, Bruce Springsteen delivered a moving solo acoustic performance of “Streets of Minneapolis,” a song written in response to recent events in Minnesota. He dedicated the performance to host Stephen Colbert as the long-running show approached its finale. CONTEXT AND NOTES Springsteen’s appearance came amid the final week of The Late Show, which is ending its run in 2026. The song “Streets of Minneapolis” has become a poignant protest anthem, and Springsteen used the platform to deliver both music and a message of solidarity as the show signed off. FEATURE HIGHLIGHTS Event: Bruce Springsteen live performance on The Late Show Era: 2026 – Late Night Television Finale Tone: Emotional and powerful Audience: Late-night viewers and music fans THE ANNOUNCEMENT Bruce Springsteen closed the episode with “Streets of Minneapolis,” a stirring acoustic rendition that paid tribute to Stephen Colbert and highlighted current social issues. The performance marked one of the final musical moments on the iconic show. RELATED MATERIAL For other relevant posts, see the tags at the foot of the page. All magazine artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A major announcement for the 10th Anniversary Celebration of Life concert honoring the legacy of Prince. SOURCE DETAILS Publication: Official Prince / @prince_announcements announcement Date: May 2026 (announced) Country: United States Event Date: Friday, June 5, 2026 THE STORY Prince fans are invited to celebrate the legacy of the iconic artist at the 10th Anniversary Celebration of Life concert on Friday, June 5, 2026 at The Armory in Minneapolis. For one special night, members of The New Power Generation (NPG) and The Revolution will share the stage together for the very first time. LINEUP Members of NPG & The Revolution Morris Day Miguel Tevin Campbell Bilal Kat Graham Sounds of Blackness Plus more special guests CONTEXT AND NOTES This event is part of the annual Prince Celebration 2026, marking ten years since Prince’s passing in 2016. It promises to be an emotional and historic night, bringing together two of Prince’s most important backing bands for a rare joint performance in his hometown. FEATURE HIGHLIGHTS Event: Prince 10th Anniversary Celebration of Life Concert Date: Friday, June 5, 2026 Venue: The Armory, Minneapolis Tone: Celebratory and historic Audience: Prince fans worldwide RELATED MATERIAL For other relevant posts, see the tags at the foot of the page. All magazine artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A dark, remix‑driven finale to the Batman era, released nearly a year after the film The Future was released on May 18, 1990 as the fifth and final commercial single from Prince’s Batman soundtrack — a Europe‑only issue arriving eleven months after the album’s debut. While Trust had appeared earlier as a Hong Kong‑only promo, The Future served as the last official single tied to the project. Uniquely, the single presented its lead track exclusively in remixed form, marking the first time Prince issued a single without the album version as the primary cut. The remixes were crafted by William Orbit and Mark Moore, both of whom had contributed to the Batdance remix campaign, giving the track a colder, industrial edge that aligned with the film’s noir aesthetic. Commercially, the single performed modestly, charting at No. 7 in the Netherlands and No. 39 in Germany. As the closing chapter of the Batman single cycle, The Future stands as a distinctive, remix‑forward outlier in Prince’s late‑’80s catalogue Highlights • Released May 18, 1990 in Europe • Fifth and final commercial single from Batman • First Prince single where the lead track appears only as a remix • Remixed by William Orbit and Mark Moore • Europe‑only commercial release Discography Batman Era Singles: Batdance — Single: June 1989 Partyman — Single: Aug. 1989 The Arms Of Orion — Single: Oct. 1989 Scandalous — Single: Nov. 1989 The Future — Europe‑Only Single: May 1990 Batman — Album: 1989 Track Listings 12-inch Vinyl – Germany/France (7599‑21570‑0) A: The Future (Remix) — 6:44 B: Electric Chair (Remix) — 5:43 Catalogue number: 7599‑21570‑0 Release date: 18 May 1990 (Europe) Label: Warner Bros. Records Produced, arranged, composed, and performed by Prince Remixes by William Orbit and Mark Moore Chart Performance Netherlands: No. 7 Germany: No. 39 The Future is one of the most atmospheric releases of Prince’s late ’80s output — a brooding, synth‑driven track transformed into a darker, club‑ready statement by Orbit and Moore. Issued long after the Batman frenzy had cooled, it became a cult favourite among European fans and remix collectors. As the final echo of the Batman era, it captures Prince’s willingness to experiment with mood, texture, and reinvention. Sources Prince Vault, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, Official Charts Company, Billboard Chart History, YouTube (All news excerpts remain the property of their respective copyright holders. This entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference.)

Screen legend Kristin Scott Thomas graces the cover of Grazia in a striking golden fur coat, opening up about ambition, marriage, and life in the spotlight for the magazine’s May 11, 2026 issue. ( in shops now) Published on 11 May 2026, this intimate cover story marks one of her most personal and visually striking magazine appearances in recent years. The screen legend lets down her guard. At 65, Kristin Scott Thomas continues to captivate audiences with her elegance, intelligence, and quiet intensity. In this extensive Grazia interview, she reflects on ambition, long-term marriage, and her acclaimed role in the hit series Slow Horses. Kristin Scott Thomas has long been regarded as one of Britain’s most accomplished and elegant actresses. Known for her work in films such as The English Patient, Four Weddings and a Funeral, and The Horse Whisperer, she has built a career defined by subtlety, strength, and sophistication. This Grazia cover story arrives as she continues to enjoy critical acclaim for her performance in the Apple TV+ series Slow Horses. The feature offers readers a rare glimpse behind her famously private persona. In the May 11, 2026 issue of Grazia, Kristin Scott Thomas appears on the cover in a luminous golden fur coat, exuding both strength and vulnerability. The accompanying interview delves into her thoughts on ambition, the realities of long-term marriage, and how she balances her celebrated career with personal life. The piece also touches on her recent work in Slow Horses, where her nuanced performance has been widely praised. Scott Thomas opens up about letting down her guard — a rare moment of candour from an actress known for her poise and privacy. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Prince – “Purple Rain” (1984) Publication: Rolling Stone Date: May 2026 Country: United States Prince crowned No. 1 on Rolling Stone’s 100 Greatest Guitar Solos  of All Time, Prince’s “Purple Rain” solo defines the emotional apex of his career. The article recounts the song’s mythic origins — conceived at First Avenue, Minneapolis, on August 3 1983, during its first live performance. "Prince’s solo, captured that night and immortalised on the album, is described as “a moving cry of the soul rather than a musical spotlight.” "The feature highlights how Prince’s phrasing and string‑pinching technique created notes that “ascended heavenward,” expressing more about the meaning of Purple Rain than its lyrics ever could. It’s a moment of transcendence — the fusion of technical mastery and spiritual release — that secured Prince’s place at the summit of guitar artistry." “While My Guitar Gently Weeps” (Rock & Roll Hall of Fame Ceremony) Ranked No. 15, Prince’s now‑legendary guitar solo from the 2004 Rock & Roll Hall of Fame induction ceremony remains one of the most electrifying live moments in modern music history. The performance — a star‑studded tribute to George Harrison’s “While My Guitar Gently Weeps” — saw Prince emerge unannounced from the shadows, unleashing three minutes of unrestrained virtuosity that stunned Tom Petty, Jeff Lynne, and the audience alike.  Rolling Stone’s commentary describes the solo as “emotionally charged from the first note, erupting into a blaze of acrobatic shredding, rapid‑fire legato runs, and electric showmanship.” Even at his flashiest, Prince’s phrasing stayed rooted in Harrison’s melody — a gesture of respect from one all‑timer to another. The piece notes that the performance’s viral afterlife was partly fuelled by Prince’s earlier omission from the magazine’s 100 Greatest Guitarists list, a snub corrected in later editions. All text, photographs, and original content remain the property of Rolling Stone and their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

LOS ANGELES — Prince fans worldwide are bracing for a major release from the vault. According to L. Londell McMillan, the attorney who helped build and protect Prince’s legacy, a full album of previously unreleased original material will arrive this summer — marking the most significant posthumous release since the artist’s passing in 2016. McMillan told The Scoop that the project will feature more than eight new tracks, possibly forming a double album. “We’re going to have new songs this summer,” he confirmed. “This is going to be new songs.” Prince, who died on April 21, 2016, left behind a vast archive of recordings stored in a climate‑controlled vault beneath Paisley Park in Minnesota. McMillan described the collection as “staggering,” estimating that only a fraction of Prince’s total output has ever been heard publicly. “What Prince put out publicly is just maybe one one‑hundredth of what he actually made,” he said. “Albums, singles, music, platforms, video, concert footage — we have an obligation to put that out to satisfy not only his fans, but to satisfy Prince.” Since 2016, the estate has released more than 190 previously unheard recordings and several box sets, but McMillan emphasised that this summer’s release is different — a proper new album curated to honour Prince’s artistic intent. “Prince is Mozart,” he said. “You don’t just throw it out like he’s some random.” The announcement underscores the estate’s careful stewardship of Prince’s catalogue, reflecting his lifelong fight to control his masters and preserve his art “for the long haul.” The new album promises to open another chapter in Prince’s extraordinary vault — a reminder that even a decade after his death, his creative spirit continues to echo through unreleased music waiting to be heard. Source: Live Nation / NewsNation Now Link: newsnationnow.com/entertainment-news/prince-album-music-summer-release

As the world marks ten years since Prince’s passing on April 21, 2016, The Guardian has published a powerful and intimate tribute featuring memories and reflections from those who knew him best — family, band members, collaborators, and close friends. The piece paints a vivid portrait of Prince not just as a musical genius, but as a deeply spiritual, visionary, and driven artist who believed in his own destiny from an early age. One particularly moving quote captures his ambition: “He’d gaze at the stars and go: I’m gonna be up there one day.” Highlights from the Tribute Personal stories from longtime bandmates in The Revolution and New Power Generation Insights into Prince’s work ethic, spirituality, humor, and relentless pursuit of artistic freedom Reflections on his generosity, complexity, and the lasting impact he had on those around him How his legacy continues to unfold through vault releases, Paisley Park events, and new generations discovering his music Ten years on, the voices of those closest to Prince reveal a man who was far more than his public persona — a once-in-a-generation talent whose light continues to shine brightly. Original Source: ‘He’d gaze at the stars and go: I’m gonna be up there one day’: Prince by those who knew him best, 10 years after his death