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Rhino Records celebrates Black Music Month with a premium Rhino Reserve reissue of The Time’s influential 1984 album Ice Cream Castle. This limited-edition 180g vinyl pressing faithfully reproduces the original Minneapolis Sound classic, featuring the smash hits “Jungle Love” and “The Bird”. RELEASE / PUBLICATION DETAILS Artist: The Time Title: Ice Cream Castle Date: June 3, 2026 Label: Warner Bros. Records / Rhino Reserve Format / Type: LP (180g Vinyl) Country: United States Catalogue: RES1 25109 / 081227804343 TRACK LIST Side One A1. Ice Cream Castles – 7:33 A2. My Drawers – 4:04 A3. Chili Sauce – 5:45 Side Two B1. Jungle Love – 5:29 B2. If The Kid Can't Make You Come – 7:33 B3. The Bird – 7:40 THE STORY Ice Cream Castle was The Time’s third studio album, recorded during the height of the Minneapolis Sound era. Produced by Morris Day and The Starr Company, it delivered a perfect mix of funk, pop, and playful swagger, highlighted by the Prince-penned (uncredited) hits “Jungle Love” and “The Bird”. CONTEXT & NOTES Originally released in 1984, Ice Cream Castle became one of The Time’s most successful albums. This 2026 Rhino Reserve edition on 180g vinyl offers superior sound quality and collectible packaging, making it a must-have for fans of the Purple Funk sound. PERSONNEL Morris Day – lead vocals, drums Jesse Johnson – guitar Jellybean Johnson – drums Monte Moir – keyboards Jimmy Jam – keyboards Terry Lewis – bass Production Produced by Morris Day and The Starr Company PACKAGING / ARTWORK HIGHLIGHTS 180g black vinyl Faithful reproduction of the original gatefold artwork Rhino Reserve branding and premium mastering WHAT THE SLEEVE SHOWS The front cover features The Time posing in front of a stone castle with a yellow car, dressed in flamboyant 80s fashion. The iconic yellow “Ice Cream Castle” logo and red “THE TIME” title dominate the top. SOURCES Discogs, Rhino Records, All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

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Jimmy Jam (James Samuel Harris III) (born June 6, 1959) is an American keyboardist, songwriter, producer, and founding member of The Time. Known for his sophisticated synthesizer work, infectious grooves, and visionary production style, he became one of the most important architects of the Minneapolis Sound. PRINCE CONNECTION Prince personally recruited Jimmy Jam (along with Terry Lewis and other members of the band Flyte Tyme) in 1981 to form The Time. Jimmy served as the group’s primary keyboardist and contributed significantly to their early sound. Although Prince (under the pseudonym Jamie Starr) was heavily involved behind the scenes as writer and producer, Jimmy Jam brought his own musical sensibility to the band’s funky, high-energy performances and recordings. The relationship evolved into a complex but highly creative one that extended beyond The Time into broader Minneapolis music scene collaborations. KEY RELEASES WITH PRINCE / THE TIME The Time (1981) What Time Is It? (1982) Ice Cream Castle (1984) Various Prince-related projects and productions through the Jam & Lewis partnership STAGE WORK & LATER CAREER Jimmy Jam was a core member of The Time during their explosive early-’80s period, known for their sharp choreography and dynamic live shows. After a lineup change in 1983 (when he and Terry Lewis were dismissed by Prince during a tour), the duo shifted focus to production. As Jam & Lewis, they became one of the most successful production teams in pop and R&B history, working with Janet Jackson, The S.O.S. Band, Alexander O’Neal, Cherrelle, Mariah Carey, Usher, and countless others. They have continued occasional reunions with The Time and remain deeply respected figures in the Minneapolis music community. WHY THEY MATTER TO THE PRINCE UNIVERSE Jimmy Jam was instrumental in establishing the Minneapolis Sound alongside Prince. His work with The Time helped define the funky, synth-driven aesthetic that Prince popularized globally. Through his later production successes with Jam & Lewis, he extended the influence of that sound far beyond Prince’s direct orbit, shaping the sonic landscape of 1980s and 1990s R&B and pop. He represents the creative talent Prince cultivated in his early bands and the lasting legacy of the Minneapolis scene. SOURCES Prince Vault, Discogs, interviews with Jimmy Jam and Morris Day, official Jam & Lewis discography, Rhino Records reissue liner notes. All images, photographs, and artwork referenced or displayed remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Prince’s estate continues to generate significant revenue nearly a decade after his death, thanks to his vast music catalogue, streaming royalties, licensing deals, merchandise, and unreleased vault material. Key Facts (as of 2026): Estate Valuation: Officially settled at $156.4 million following a prolonged legal battle and IRS settlement. Death: April 21, 2016 — Prince passed away without a will, triggering one of the most complex and expensive celebrity estate battles in music history. Ongoing Earnings: Millions annually from streaming (Spotify, Apple Music), publishing rights, deluxe reissues, vault releases, Paisley Park tourism, and licensing. Major Assets Paisley Park (his iconic 65,000 sq ft studio/home now operating as a museum and event space) Extensive music catalogue and publishing rights Thousands of unreleased recordings in the legendary Paisley Park vault Merchandise, branding, and live event revenue Inheritance & Legal Battle Because Prince passed intestate, Minnesota law determined the heirs — primarily his sister Tyka Nelson and several half-siblings. After years of litigation, a 2022 settlement distributed the estate. Some heirs later sold portions of their rights to music company Primary Wave. Legacy & Continued Success Prince’s music remains commercially strong. Recent vault releases, anniversary projects, and events like Celebration 2026 keep his work relevant. Original Source:

Even a decade after his passing, Prince’s music, vault releases, and cultural influence continue to captivate new generations and longtime fans alike. Prince may no longer be with us, but in 2026 the “purple buzz” is louder than ever. Fresh vault drops, meticulously remastered reissues, viral TikTok moments of his guitar solos, and ongoing discussions about unreleased material keep his legacy feeling remarkably current. Why He Still Resonates The Vault Keeps Giving: Expanded editions of classics like 1999 and Sign O’ the Times, along with full live concerts, remind everyone how prolific and forward-thinking Prince was. Every new release feels like a major event. Live Legacy: Official releases of historic concerts let new fans experience the intensity of his shows — marathon sets, electrifying guitar work, and seamless genre shifts that still set the standard. Timeless Innovation: From his genre-blending sound and boundary-pushing performances to his fierce advocacy for artists’ rights and ownership of masters, Prince’s work and principles align with today’s conversations in music. New Generations Discovering Him: Gen Z and younger listeners are finding Prince through short clips, playlists, and deep dives, often reacting with awe to how modern his music sounds. Whether through Dolby Atmos remasters, streaming algorithms surfacing deep cuts, or fan discussions on Reddit and TikTok, Prince’s catalog feels like a living, breathing body of work rather than a frozen archive. As the estate continues opening the vault and preserving his performances, his influence only grows stronger. Key Takeaway: Prince wasn’t just ahead of his time — in many ways, he still is. Original Source: Why Prince Still Feels Shockingly New in 2026

This 1990 article announces Prince’s plans to open a fashion and merchandise shop in Minneapolis, offering fans his distinctive look for sale. Publication: St. Cloud Times  (Saint Cloud, Minnesota) Date: Thursday, July 12 1990 Country: United States Section / Pages: Entertainment News Title: New Shop Offers Princely Items The store, scheduled to open in September within the Heaven & Earth nightclub, would feature clothing designed by Prince’s wardrobe department and influenced directly by his personal style. Among the items mentioned were see‑through shirts, hip‑hugger pants, and one‑shoulder Lycra jumpsuits — all signature pieces from Prince’s stage wardrobe. His spokeswoman Jill Willis explained that the apparel might be available either in stock or as custom orders, while Jim Shearon, head of the wardrobe division at Paisley Park Enterprises in Chanhassen, noted that the project was still in its preliminary stages. The article also mentions plans for a line of official Prince merchandise, including T‑shirts, sweatshirts, “love symbol” jewelry, photo badges, calendars, and posters, potentially expanding to department stores in the future. CONTEXT AND NOTES This article reflects Prince’s growing interest in merging music, fashion, and lifestyle branding at the dawn of the 1990s. The proposed shop and merchandise line anticipated his later ventures into design and retail, reinforcing his status as a multidimensional artist and cultural innovator. Source: St. Cloud Times, Saint Cloud, Minnesota, July 12 1990. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This early‑summer 1994 feature documents Prince’s public appearance at Club USA in New York City, shortly after his name change to the unpronounceable symbol. Publication:  Staten Island Advance (New York) Date: Tuesday, July 12 1994 Country: United States Section / Pages: The Name Game Feature Title: (a.k.a.) Prince The article describes his attire — a black lace and silver one‑piece pantsuit with halter top and open back — and his clear glass cane filled with gold nuggets, noting his hour‑long stay grooving among the dancers. The piece explains Prince’s reasoning behind the name change, quoting his remarks from Vibe magazine: “You don’t [pronounce it],” he said, adding that he didn’t mind jokes or cynicism — “that’s part of it, but this is what I choose to be called.” He compared his transformation to Muhammad Ali’s shift from Cassius Clay, emphasizing that the move to a symbol allowed him to operate twin careers: continuing to release five albums under the Prince name while pursuing new creative freedom as TAFKAP. Prince described the symbol as containing elements of both male and female — “the cross and the arrow” — representing balance and unity. He dismissed speculation of a publicity stunt, saying, “This isn’t a scheme, some master plan. It’s in God’s hands now.” CONTEXT AND NOTES This article captures the first wave of media fascination surrounding Prince’s identity shift. His comparison to Ali underscored the seriousness of his decision — a spiritual and artistic declaration rather than a marketing ploy. The Staten Island Advance piece remains one of the earliest local press accounts of his symbolic rebirth. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This short syndicated item reports on Prince’s interview in the July 1994 issue of Vibe magazine, where he publicly addressed his decision to change his name to the unpronounceable symbol. Identified as TAFKAP , he explained that the change followed “the advice of my spirit” and reflected a desire to move beyond his old persona and explore new musical directions. Publication: Star‑Gazette  (Elmira, New York) Date: Tuesday, July 12 1994 Country: United States Section / Pages: Entertainment News Title: Former Prince Explains Name Prince described his spiritual awakening and identity search, saying he would “wake up nights thinking ‘Who am I?’ ” and wanted to “close the door on Prince the Artist.” The article also notes his clarification that the symbol combines male and female elements, representing unity and transformation. When asked how to pronounce it, he replied simply: “You don’t.” CONTEXT AND NOTES This brief report captures the essence of Prince’s mid‑1994 identity shift — a moment of artistic liberation and personal redefinition. His remarks in Vibe were among the first to frame the name change as a spiritual act rather than a publicity move, marking the beginning of his Symbol‑era philosophy Source: Star‑Gazette, Elmira, New York, July 12 1994. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Early Life & Formation George Edward Clinton was born July 22, 1941 in Kannapolis, North Carolina and grew up in Plainfield, New Jersey. As a teenager, while working in a Plainfield barbershop, he formed a doo‑wop group called The Parliaments, inspired by Frankie Lymon & the Teenagers. Plainfield’s Silk Palace barbershop — partly owned by Clinton — became a hub for young musicians and future members of Parliament‑Funkadelic, shaping the early proto‑funk scene of the 1950s and 1960s. Rise to Fame & P‑Funk Revolution In the late 1960s, Clinton worked as a Motown staff songwriter, while The Parliaments scored a hit with “(I Wanna) Testify” (1967). By the early 1970s, Clinton evolved the group into two intertwined bands: Parliament and Funkadelic — collectively known as Parliament‑Funkadelic or P‑Funk. Their sound fused funk, psychedelia, Afrofuturism, surreal humor, and outrageous fashion, becoming one of the most influential movements in Black music. Clinton is widely regarded alongside James Brown and Sly Stone as one of funk’s greatest innovators. Throughout the 1970s, Parliament‑Funkadelic released over 40 R&B hit singles, including multiple No. 1s, and several platinum albums. Solo Career & Prince Connection Clinton launched his solo career with Computer Games (1982), featuring the R&B No. 1 hit “Atomic Dog.” He recorded for Capitol Records both as George Clinton and the P‑Funk All‑Stars, continuing to work with core P‑Funk musicians. In 1989, Clinton released The Cinderella Theory on Paisley Park, Prince’s label — marking a direct creative connection between the two artists. He continued with Paisley Park on Hey, Man, Smell My Finger (1993). Prince’s world and Clinton’s world overlapped heavily: • Clinton appeared in Graffiti Bridge (1990). • Prince’s label supported Clinton’s late‑80s/early‑90s output. • Clinton’s funk innovations deeply shaped Prince’s own musical language. Influence on Hip‑Hop & G‑Funk Clinton’s 1970s work became foundational for 1990s hip‑hop, especially Dr. Dre’s G‑funk era, which sampled Parliament‑Funkadelic extensively. Clinton collaborated with: • Tupac Shakur (“Can’t C Me”) • Ice Cube (“Bop Gun”) • Outkast (“Synthesizer”) • Wu‑Tang Clan (“Wolves”) • Redman, Souls of Mischief, Killah Priest, and more. Later Career, Honors & Legacy Clinton continued releasing albums, producing for other artists, and appearing in films and TV. Major recognitions include: • Rock & Roll Hall of Fame induction (1997, with Parliament‑Funkadelic) • Grammy Lifetime Achievement Award (2019) • Star on the Hollywood Walk of Fame (2024) • Songwriters Hall of Fame induction (2025) He also voiced characters (e.g., Trolls World Tour, 2020), exhibited artwork, and remained active in music well into the 2020s. Why George Clinton Matters Clinton didn’t just create funk — he expanded it into a universe: • Afrofuturist mythology • The Mothership • Outrageous stage shows • A massive collective of musicians • A sound that shaped Prince, hip‑hop, electronic music, and modern R&B He is one of the central architects of American funk, with a career spanning seven decades. SOURCES Wikipedia. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Guitar was the first single from the album Planet Earth. An alternate version was previously released on 3121.com. Promo CD versions also exist. Released July 9, 2007 CD Single Guitar (3:45) Somewhere Here On Earth (5:46) UK VARIANTS: • UK Promo CD CHART PERFORMANCE UK: Gallup Singles Chart – Peak 81 (1 week) INTERNATIONAL VARIANTS: • EU Promo CD • France Promo CD • Japan Promo CD RELEASE This was the lead single from Prince’s album Planet Earth. It was released physically in Europe and made available as a download earlier through Verizon Wireless and O2. BACKGROUND Guitar was released a week before the album Planet Earth was given away free with The Mail on Sunday in the UK and Ireland. The single received limited commercial success in Europe, reaching the top 20 only in the Netherlands and Italy. RECEPTION The song was ranked number 39 on Rolling Stone’s list of the 100 Best Songs of 2007. PRINCE SINGLES CHRONOLOGY "Fury" (2006) "Guitar" (2007) "F.U.N.K." (2007) SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts Prince Vault, Sleeveographia2 All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

One of the most exciting and important eras in Prince’s career arrived after the dark, heavy atmosphere surrounding The Black Album. Brimming with renewed inspiration, Prince channelled a powerful spiritual energy into the creation of Lovesexy, an album that radiated positivity, rebirth, and transcendence. The accompanying Lovesexy Tour took the live experience to new theatrical heights, revealing — through staging, narrative, and performance — the deeper reasons behind The Black Album’s cancellation. It was a transformative period that showcased Prince’s ability to reinvent himself completely, turning personal revelation into a vivid, celebratory musical journey. Prince and the full Lovesexy band deliver a sold‑out 130‑minute show at Paris‑Bercy, blending spiritual intensity with funk precision before 16,000 fans. SHOW DATA Venue: Palais Omnisports de Paris‑Bercy City, Country: Paris, France Advertised Start Time / Start Time: 20:30 / ? Length of Show: 130 minutes Attendance / Capacity: 16,000 / sold out Ticket Price: FF 16 BAND LINE‑UP Prince (vox, guitar, piano) Sheila E. (drums, vox) Levi Seacer Jr. (bass, vox) Miko Weaver (guitar, vox) Dr. Fink (keyboards) Boni Boyer (keyboards, vox) Eric Leeds (saxophone, flute) Atlanta Bliss (trumpet) Cat (dance, vox) Guest(s): none SHOW FACTS - Sold‑out capacity of 16,000 fans - Full Lovesexy band line‑up with Sheila E. and Cat featured prominently - Performance length approximately 130 minutes - Part of the European leg of the Lovesexy Tour - Known for its extended medleys and spiritual themes linking Lovesexy and Sign O' the Times eras CONTEXT AND NOTES The Paris show captured Prince at his creative peak - a fusion of theatrical lighting, religious imagery, and tight musicianship. The Lovesexy Tour was noted for its circular stage and symbolic narrative of temptation and redemption. This performance remains one of the tour's most celebrated European dates. SETLIST • Erotic City (incl. Escape intro & Sex Shooter instrumental) • Housequake • Slow Love • Adore • Delirious • Jack U Off (incl. It Don’t Mean A Thing / Twelve) • Sister (Adore coda) • U Got The Look • I Wanna Be Your Lover • Head • When You Were Mine (Blues improvisation & coda) • Little Red Corvette • Pop Life • Controversy • Dirty Mind • Superfunkycalifragisexy (Controversy coda) • Bob George • Anna Stesia Intermission • Eye No No • Alphabet St. • Glam Slam • The Cross • I Wish U Heaven (part 2 / God Is Alive) • Kiss • Dance On (drum solo coda) • When 2 R In Love (full band arrangement) • Let’s Go Crazy (incl. Shave And A Haircut) • When Doves Cry (incl. La, La, La, He, He, Hee instrumental / It coda) • Purple Rain • 1999 • Positivity • Lovesexy (incl. It’s Gonna Be A Beautiful Night & 80s Medley) All photographs, tickets, and original text excerpts remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference.

Rhino and Warner Records deliver a vibrant 40th anniversary expanded reissue of The Time’s groundbreaking 1981 self-titled debut album. Pressed on limited-edition red and white vinyl, this double-LP set includes the original album plus all single edits, celebrating the explosive birth of the Minneapolis Sound. RELEASE / PUBLICATION DETAILS Artist: The Time Title: The Time Date: July 16, 2021 (Original: July 29, 1981) Label: Warner Records / Rhino Records Format / Type: 2xLP (Red + White Vinyl), Album, Expanded, Remastered Country: USA & Europe Catalogue: 603497843954 / RCV1 654316 TRACK LIST LP1 – Red Vinyl Side One A1. Get It Up – 9:08 A2. Girl – 5:36 A3. After Hi School – 4:22 Side Two B1. Cool – 10:06 B2. Oh, Baby – 4:59 B3. The Stick – 8:22 LP2 – White Vinyl (Single Edits) Side One C1. Get It Up (Single Edit) – 3:01 C2. Girl (Edit) – 3:40 C3. Cool (Part I) – 3:12 Side Two D1. Cool (Part II) – 3:06 D2. After Hi School (Single Edit) – 2:48 D3. The Stick (Single Edit) – THE STORY The Time’s 1981 debut was largely written, performed, and produced by Prince (under the pseudonym Jamie Starr), with Morris Day on lead vocals. It introduced the world to the slick, funky Minneapolis Sound and launched a band that would become legendary for their high-energy live performances. CONTEXT & NOTES This expanded reissue marks the first vinyl release of the album since the original 1981 pressing. The red-and-white colored vinyl edition was part of Rhino’s Black Music Month celebrations. The album peaked at #50 on the Billboard 200 and #7 on the Top Soul LPs chart, eventually going Gold. It features iconic tracks like “Get It Up,” “Cool,” and “The Stick.” PERSONNEL Musicians Morris Day – lead vocals, backing vocals, drums Jesse Johnson – guitar, vocals Jellybean Johnson – drums, percussion Jimmy Jam – keyboards, vocals Monte Moir – keyboards, vocals Terry Lewis – bass, co-lead vocals, backing vocals Production Produced by Jamie Starr (Prince) & Morris Day Engineered & Mixed by Jamie Starr Remastered by Bill Inglot & Dan Hersch PACKAGING / ARTWORK HIGHLIGHTS Limited edition red and white vinyl Classic black & white front cover photo of the band on building steps Back cover with iconic “hands on the wall” silhouette photo Hype sticker noting the expanded content and colored vinyl WHAT THE SLEEVE SHOWS Front cover: The Time posing confidently on the steps of a brick building with a “Please No Loitering” sign. Back cover: The band from behind, hands against a wall in a playful police lineup pose, with red track titles listed above. RELATED MATERIAL Ice Cream Castle (1984) What Time Is It? (1982) Original 1981 Warner Bros. LP SOURCES Rhino Records, Discogs, Prince Vault, Wikipedia, Billboard All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. PERSONNEL Morris Day – lead vocals, drums Jesse Johnson – guitar Jellybean Johnson – drums Monte Moir – keyboards Jimmy Jam – keyboards Terry Lewis – bass Production Produced by Morris Day and The Starr Company PACKAGING / ARTWORK HIGHLIGHTS 180g black vinyl Faithful reproduction of the original gatefold artwork Rhino Reserve branding and premium mastering WHAT THE SLEEVE SHOWS The front cover features The Time posing in front of a stone castle with a yellow car, dressed in flamboyant 80s fashion. The iconic yellow “Ice Cream Castle” logo and red “THE TIME” title dominate the top. SOURCES Discogs, Rhino Records, All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.