Prince (November 15, 1981) “Prince’s ‘Controversy’ Is Hard To Comprehend” – The High Point Enterprise

A mixed and somewhat bewildered album review in The High Point Enterprise by Eric Ries describing Prince’s Controversy as more incomprehensible than controversial, praising the young artist’s talent and wit while struggling with the album’s eclectic style, explicit themes, and cryptic social/political statements

Publication: The High Point Enterprise Date: Sunday, November 15, 1981 Country: United States

Section / Pages: Album Reviews Title: Prince’s ‘Controversy’ Is Hard To Comprehend

THE STORY

The reviewer notes Prince’s enviable talents and fine voice but finds Controversy difficult to grasp. He highlights the title track’s eclectic funk, references to the Lord’s Prayer, “Do Me, Baby,” and political elements (Reagan, taxi cabs, etc.), describing some lyrics as confusing or “froggy-voiced.” While acknowledging Prince’s self-production and irreverent wit, the piece suggests the album may be too opaque or intentionally shocking for broad appeal.

CONTEXT AND NOTES

This early review of Controversy (released October 1981) reflects the confusion and divided reactions the album provoked in some mainstream markets. Many critics were still processing Prince’s rapid evolution from Dirty Mind into more layered social and sexual provocations.

FEATURE HIGHLIGHTS

Event: Album review of Controversy (Warner Bros.) Era: Controversy era (1981) Tone: Perplexed, mixed — appreciative of talent but frustrated by the content Photography: Small portrait of the reviewer (Eric Ries)

Visual Motifs: Standard newspaper “Album Reviews” column layout

WHAT THE CLIPPING SHOWS

• Early critical difficulty in fully interpreting Prince’s dense, provocative style

• Acknowledgment of his gifts alongside skepticism about accessibility

• Typical mainstream reaction to his boundary-pushing phase

RELATED MATERIAL

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All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Controversy is Prince’s fourth studio album, released in October 1981. A bold, socially conscious, and sexually charged record, it further refined his unique blend of funk, rock, and new wave while tackling themes of religion, sex, politics, and identity

RELEASE DETAILS

Artist: Prince

Label: Warner Bros. Records

Date: October 14, 1981 (USA) / November 13, 1981 (UK)

Catalogue: BSK 3601

Format: LP

Country: United States (international releases followed)

THE STORY

Controversy continues Prince’s rapid artistic evolution, blending explicit sexuality with social commentary. The album features Prince’s signature one-man-band approach with select contributions from early band members. Standout tracks include the title song, the sensual ballad “Do Me, Baby,” and the funk-rocker “Let’s Work.”

CONTEXT & NOTES

Released just one year after Dirty Mind, Controversy solidified Prince’s reputation as a provocative and boundary-pushing artist. The album’s newspaper-themed cover and lyrics addressing God, sex, and politics created significant buzz and controversy. It marked another step toward the massive success that would arrive with 1999 and Purple Rain.

TRACK LIST

Side One

Controversy (7:14)

Sexuality (4:20)

Do Me, Baby (7:43)

Private Joy (4:37)

Side Two

Ronnie, Talk to Russia (1:51)

Let’s Work (3:52)

Annie Christian (4:21)

Jack U Off (3:08)

PERSONNEL

Musicians

• Prince — all vocals and instruments (except where noted)

• Dr. Fink — keyboards on “Jack U Off”

• Lisa Coleman — background vocals on “Controversy,” “Ronnie, Talk to Russia,” and “Jack U Off”; keyboards on “Jack U Off”

• Bobby Z. — drums on “Jack U Off”

• 
  

Production

• Prince — producer, arranger

• Mic Guzauski, Bob Mockler, Ross Pallone — engineers

• Peggy McCreary — engineer (uncredited)

• Bernie Grundman — mastering (A&M Studios)

• Allen Beaulieu — photography

Special Thanks "Special thanks to God and U."

PACKAGING HIGHLIGHTS

• Iconic cover featuring Prince in a purple suit against a newspaper background

• Bold magenta “PRINCE” logo

• Newspaper headline collage design

  
  

WHAT THE SLEEVE SHOWS

The front cover shows a confident Prince in a lavender suit with a black bow tie, staring intensely at the viewer. The background is designed as overlapping newspaper headlines addressing controversy, religion, sex, and politics — perfectly reflecting the album’s themes.

CHARTS America

 Country: Chart | Entry Date | Peak Position | Weeks in Chart

USA: Billboard Top LP’s & Tapes | 7 Nov. 1981 | 21 | 32

USA: Billboard Soul LPs | 7 Nov. 1981 | 3 | 35

USA: The Billboard 200 | 14 May 2016 | 55 (R) | 2

SINGLES RELEASED

• “Controversy” (b/w “When You Were Mine”)

• “Sexuality” (Germany, Australia, Japan only)

• “Let’s Work” (b/w “Ronnie, Talk to Russia”)

• “Do Me, Baby” (b/w “Private Joy”)

In a contemporary review for Rolling Stone, music critic Stephen Holden wrote that "Prince's first three records were so erotically self-absorbed that they suggested the reveries of a licentious young libertine. On Controversy, that libertine proclaims unfettered sexuality as the fundamental condition of a new, more loving society than the bellicose, overtechnologized America of Ronald Reagan." He went on to say, "Despite all the contradictions and hyperbole in Prince's playboy philosophy, I still find his message refreshingly relevant."

Robert Christgau was less enthusiastic in a generally favorable review for The Village Voice, in which he wrote that its "socially conscious songs are catchy enough, but they spring from the mind of a rather confused young fellow, and while his politics get better when he sticks to his favorite subject, which is s-e-x, nothing here is as far-out and on-the-money as 'Head' or 'Sister' or the magnificent 'When You Were Mine.'"[

According to Blender's Keith Harris, Controversy is "Prince's first attempt to get you to love him for his mind, not just his body", as it "refines the propulsive funk of previous albums and adds treatises on religion, work, nuclear war and Abscam." Stephen Thomas Erlewine of AllMusic remarked that it "continues in the same vein of new wave-tinged funk on Dirty Mind, emphasizing Prince's fascination with synthesizers and synthesizing disparate pop music genres".

Controversy was voted the eighth best album of the year in the 1981 Pazz & Jop, an annual critics' poll run by The Village Voice.

SOURCES Wikipedia, Prince Vault, Discogs, Warner Bros. archives.

All album artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.