Prince (August 24 1999) The Vault... Old Friends 4 Sale - Album
- GlamSlamEscape

- Aug 24, 1999
- 3 min read
Updated: May 26

The Vault... Old Friends 4 Sale is Prince’s twenty-second studio album and the final album of previously unreleased material released by Warner Bros. under his 1992 contract. It is a collection of vault tracks recorded between 1985 and 1996.
RELEASE DETAILS
Artist: Prince
Label: Warner Bros. Records
Catalogue: 9362-47372-2
Format: CD
Country: Worldwide
Released: August 24, 1999
Genre: Rock, Funk / Soul, Pop
Length: 39:17


THE STORY
A compilation of unreleased songs and alternate versions spanning over a decade, showcasing Prince’s prolific vault. Highlights include the extended “She Spoke 2 Me,” the soulful “Extraordinary,” and the playful “It’s About That Walk.”
Submitted to Warner Bros. in April 1996 alongside Chaos and Disorder, this album was held until 1999. Prince referred to it as a contractual obligation. Many tracks originated from abandoned projects, including the I’ll Do Anything movie soundtrack. It was released just before Prince’s return to major-label work with Rave Un2 The Joy Fantastic
TRACK LISTING (1999 Original CD)
The Rest Of My Life — 1:38
It’s About That Walk — 4:26
She Spoke 2 Me (Extended Remix) — 8:19
5 Women — 5:12
When The Lights Go Down — 7:10
My Little Pill — 1:08
There Is Lonely — 2:29
Old Friends 4 Sale — 3:27
Sarah — 2:52
Extraordinary — 2:27
Total Length: 39:17

PERSONNEL Musicians Prince — all vocals and instruments (except where noted)
ADDITIONAL MUSICIANS AND BACKGROUND
Michael B. — drums
Sonny T. — bass guitar
Levi Seacer, Jr. — guitar
Tommy Barbarella — keyboards
Rosie Gaines — keyboards
Mr. Hayes — keyboards
NPG Hornz (Michael B. Nelson, Brian Gallagher, Kathy Jensen, Dave Jensen, Steve Strand) — horns
Sheila E. — hand drums
Clare Fischer — orchestral arrangements
Kirk Johnson — additional contributions
Production
Prince — producer, arranger, horn arrangements
Various engineers including Ray Hahnfeldt, Steve Durkee, Peggy Mac, Susan Rogers, Michael Koppelman
Mastering: Steve Durkee, Stephen Marcussen, Kirk Johnson
Photography: Claude Gassain
Art Direction & Design: Parke
PACKAGING HIGHLIGHTS
Standard jewel case with striking cover photo of Prince seated against a brick wall
Liner notes emphasize the tracks as “originally intended for private use only”
Minimalist contractual-obligation presentation
CHARTS
America
USA: Billboard 200 | 11 Sep. 1999 | 85 | 5 weeks
USA: Billboard Top R&B Albums | 11 Sep. 1999 | 33 | 8 weeks
Europe
Belgium: Ultratop Albums Flanders | 4 Sep. 1999 | 31 | 4 weeks
France: SNEP Top Album 75 | 28 Aug. 1999 | 64 | 2 weeks
Germany: MusikWoche Top 100 Albums | 6 Sep. 1999 | 44 | 5 weeks
The Netherlands: Album Top 100 | 28 Aug. 1999 | 15 | 9 weeks
UK: UK Albums Chart | 4 Sep. 1999 | 47 | 1 week
After its release, The Vault: Old Friends 4 Sale received generally mixed reviews from music critics. In a fairly positive review, Stephen Thomas Erlewine of AllMusic called it "an unassuming, jazzy little record that's damn near irresistible." Erlewine suggested that the tracks were comparable to the material found on Graffiti Bridge (1990). Entertainment Weekly's Marc Weingarten appreciated the album, stating that it "sounds more committed than a lot of his indie releases"; however, Weingarten noted that Prince fans would enjoy the album more.
In a mixed review, Mark Zeltner of PopMatters enjoyed songs "Extraordinary" and "It's About That Walk", but criticized the record's "lack of a cohesive musical theme", also calling the track listing "a series of songs that were forgotten or discarded long ago by their creator." A reviewer from Mojo was more mixed with the album, calling it "pleasing though predictable". Keith Phipps, writing for The A.V. Club, was disappointed by the album, blaming Warner Bros. for the "none-too-generous selection of material". Similarly, a critic from NME found the songs to be "mediocre", also noting that Warner Bros. takes "revenge on their erstwhile slave".
Commercial performance
The Vault: Old Friends 4 Sale was moderately unsuccessful after its release, peaking at the lower positions of most record charts. In the United States, the album debuted and peaked at position eighty-five on the Billboard 200. In the United Kingdom, it peaked at number forty-seven, becoming his highest charting album since Emancipation (1996). The album was somewhat successful in the Netherlands, where it peaked at number sixteen. Elsewhere, the album was unsuccessful. In France and Germany, it peaked at positions sixty-four and forty-four, respectively.
SOURCES Album liner notes, official discography, Discogs, 45cat, Official Charts, Wikipedia, Prince Vault.
COPYRIGHT NOTICE All album artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.




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