The 2018 release of Nothing Compares 2 U marked the first official posthumous Prince single, unveiling his original 1984 studio recording. Issued two years after his passing, the release presented the full‑length version alongside a newly prepared edit, supported by a surprise digital rollout and a video featuring raw 1984 rehearsal footage of Prince and The Revolution. The physical editions followed shortly after, forming the centrepiece of a multi‑format release strategy. �

Nothing Compares 2 U is a digital single by Prince, issued during the posthumous archival period. Released digitally on 19 April 2018, the track marked the first official posthumous Prince single, unveiling Prince’s original 1984 studio recording of a song he had given to The Family for their 1985 album The Family. The release reflects a return to Prince’s mid‑80s sonic palette, showcasing the clarity and emotional weight of the original arrangement. The track was recorded in

A cluster of April 2014 press reports captures a pivotal moment in Prince’s long struggle for artistic ownership. The tone across the clippings is one of resolution, renewal, and cautious optimism as Prince regains control of the master recordings from his Warner Bros. years. 📰 Quotes from the Articles “Prince now owns the rights to the music he recorded on Warner Bros. Records.” “A brand‑new studio album is on the way.” The clippings present multiple short news items announ

A dramatic headline and a classic brooding portrait of Prince announced his bold decision to step away from traditional album recording — a headline-grabbing moment that reflected his growing frustration with the music industry. Published on 28 April 1993, this wire story captured Prince at a pivotal crossroads during the final years of his Warner Bros. contract. 📰 What the Clipping Shows A single-column newspaper article with a large, eye-catching headline “Prince says sayo

A bold, eye-catching headline announced Prince’s dramatic decision to step away from traditional studio albums, reflecting his growing dissatisfaction with the constraints of the major-label system. Published on 28 April 1993, this article captured one of the most pivotal public moments in Prince’s long battle for creative freedom. 📰 What the Clipping Shows A single-column news story with the dramatic headline “Prince says he will retire from recording” and a striking black-

A bold, questioning headline and a piercing portrait of Prince captured the growing mystery and speculation surrounding the artist as he publicly distanced himself from traditional album-making in the spring of 1993. Published on 28 April 1993, this in-depth feature explored Prince’s surprising announcement and the questions it raised among fans and industry insiders. 📰 What the Clipping Shows A full newspaper article layout with the large headline “What is Prince really up

A striking black-and-white portrait of Prince stares out from the page beneath a bold, speculative headline that captured the growing tension between the artist and his label in the early 1990s. Published on 28 April 1993, this Associated Press wire story reflected the mounting frustration in Prince’s camp during the final years of his Warner Bros. contract. 📰 What the Clipping Shows A clean, single-column newspaper layout featuring a close-up photo of Prince looking directl

Little Red Corvette was released for the first time in the UK on April 4 1983 as part of a concentrated promotional push surrounding Prince’s planned London dates at the Dominion Theatre. Multiple formats — a standard 7", a double‑pack 7", and two 12" editions — were issued to support the campaign

Released on March 25, 1980, “Still Waiting” b/w “Bambi” appeared only in the USA and New Zealand, with the NZ edition containing a unique full‑length version of the A‑side.