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✦ Let’s Pretend We’re Married – Single US: Nov. 1983

  • Writer: Escape
    Escape
  • Nov 23, 1983
  • 3 min read

Updated: Feb 11



A synth‑funk seduction paired with one of Prince’s fiercest B‑sides of the early ’80s


✦ Summary

Let’s Pretend We’re Married was released in the United States on November 23, 1983 as a 7-inch single on Warner Bros. Records (9‑29548‑7 / 7‑29548). Drawn from 1999, the A‑side delivered Prince’s most playful, hyper‑charged synth‑funk plea, while the B‑side Irresistible Bitch — recorded with Wendy & Lisa — became one of the most celebrated non‑album tracks of the era. Issued both with and without a picture sleeve, the single peaked at No. 52 on the Billboard Hot 100 and remained on the chart for ten weeks. Multiple US pressings exist, including Jacksonville, Specialty (SRC), and Winchester variants, along with several promotional mono/stereo editions. International releases in Canada, Ireland, and Japan added further label, sleeve, and runout distinctions, making this one of the most collectible singles of the 1999 era.


✦ Highlights

• Released November 23, 1983 in the US

• A‑side from 1999 (1982)

• B‑side: Irresistible Bitch — non‑album track

• Peaked at No. 52 on the Billboard Hot 100 (10 weeks)

• Issued with and without picture sleeve

• Multiple US pressings: Jacksonville, SRC, Winchester, Allied promos

• International variants in Canada, Ireland, and Japan


✦ Track Details

7-inch Vinyl – US (9‑29548‑7 / 7‑29548)

A: Let’s Pretend We’re Married — 3:40

B: Irresistible Bitch — 4:11

Backing vocals: Wendy & Lisa

Published by Controversy Music

Pressed by Capitol Records Pressing Plant, Jacksonville

Labels: 7‑29548

Picture sleeve: 9‑29548‑7

Side A label note: From the Warner Bros. two‑record 1999 (1‑23720)


✦ US Variants

Commercial – Jacksonville Pressing

• Paper labels, large centre, picture sleeve

Commercial – SRC Pressing

• SRC logo in runouts, issued with picture sleeve

Commercial – Winchester Pressing

• No picture sleeve

Promotional – Allied Pressing

• Mono/Stereo edits (3:40)

• Styrene, “PROMOTION NOT FOR SALE”

• Some copies issued with picture sleeve

Promotional – SRC Pressing

• Mono/Stereo edits, SRC runouts

Promotional – Allied (alt. logo variant)

• Smaller WB logo than other promo editions


✦ Country Variations

Canada – Warner Bros. 92 95487

• Promo and commercial editions

• Paper labels, company sleeve

• Same tracklist as US

• Manufactured/Distributed by WEA Music of Canada


Ireland – Warner Bros. W 9613 / 929613‑7

• A: Let’s Pretend We’re Married (Edit)

• B: All The Critics Love U In New York

• Pressed by Carlton Productions

• “The Robot” etched in runouts


Japan – Warner Bros. P‑1836 (Feb. 22, 1984)

• Series: Dance Contemporary

• Cream paper labels, insert + picture sleeve


• Promo and commercial editions

• Japanese titles for both tracks


✦ Production and Context

Written, arranged, composed, produced, and performed by Prince.

A‑side: Synth‑funk seduction from 1999, driven by drum machines, stacked vocals, and Minneapolis minimalism.

B‑side: Irresistible Bitch — a darker, funkier outtake featuring Wendy & Lisa, later re‑recorded for The Hits/The B‑Sides.

Promoted via MTV rotation and US radio.


✦ Chart Performance

United States: No. 52 — Billboard Hot 100

Debut: Dec. 17, 1983

Peak: Jan. 28, 1984

Weeks on chart: 10


✦ Discography

1999 Era Singles:

1999 — Single: 1982

Little Red Corvette — Single: 1983

Delirious — Single: 1983

Let’s Pretend We’re Married — US Single: Nov. 1983


✦ Prince Era Mini‑Timeline

Oct. 1982 — 1999 released

1983 — Three singles chart from the album

Nov. 23, 1983 — Let’s Pretend We’re Married released

1984 — Purple Rain era begins


✦ Glam Flashback

Let’s Pretend We’re Married captures Prince at his most mischievous — a breathless, synth‑driven sprint that pushed the boundaries of early ’80s pop. Paired with the snarling Irresistible Bitch, the single showcased both sides of his Minneapolis genius: playful seduction and razor‑sharp funk minimalism. Its multiple pressings and international variants make it a treasure for collectors and a key chapter in the evolution from 1999 to Purple Rain.


✦ Image & Artwork Copyright Notice

All images, photographs, and artwork referenced or displayed in this post remain the property of their respective copyright holders. They are included strictly for historical, educational, and archival purposes under fair‑use principles. No ownership is claimed, and all rights belong to the original creators, photographers, designers, and publishers.


✦ Sources

Prince Vault, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, Billboard Chart History, Official Charts Company, YouTube



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