T.Rex: "The Unobtainable T. Rex" Album (1989)

Marc Bolan & T.Rex’s The Unobtainable T. Rex was released as a CD album in Japan by Teichiku Records Co. (catalog number unknown) in 1989, marking its first CD release, with a later heavy weight 12-inch vinyl reissue in Europe in 2016.

Release Details: Label: Marc On Wax – 18DN-94 Format: CD, Compilation

Country: Japan Released: 1989

Purpose:

A compilation of non-album B-sides from T. Rex’s singles, primarily from their glam rock peak (1971–1973) and later years up to 1977. The title reflects the rarity of these tracks, as many original singles were out of print (“unobtainable”) by 1980.

Background:

After Marc's passing in a car accident on September 16, 1977, EMI capitalized on his enduring popularity by releasing this compilation to collect B-sides that were not included on T. Rex’s studio albums.

The album captures the band’s prolific output, showcasing Bolan’s knack for crafting high-quality B-sides that often rivaled their A-side hits in creativity and energy.

Released three years after Bolan’s passing, The Unobtainable T. Rex served as a tribute to his legacy and a gift to fans seeking rare tracks.

Tracklist (1989 CD, 18DN-94):

"Celebrate Summer"

"Sunken Rags"

"Tame My Tiger"

"City Port"

(Vocals – Gloria Jones, Marc Bolan)

"Thunderwing"

"Satisfaction Pony"

"Midnight"

"Jitterbug Love"

"To Know Him Is To Love Him"

(Vocals – Gloria Jones)

" Do You Wanna Dance"

" Dock of the Bay"

(Vocals – Gloria Jones, Marc Bolan)

" Cadillac"

" Free Angel"

" Life's an Elevator"

"Sitting Here"

" Lady"

"1Truck On (Tyke)"

"London Boys"

Musical Style and Content

Glam Rock Core:

The majority of tracks reflect T. Rex’s signature glam rock sound—driving guitar riffs, boogie rhythms, and Bolan’s charismatic, sensual vocals. Songs like “Thunderwing,” “Cadilac,” and “Jitterbug Love” capture the raw energy and swagger of T. Rex’s 1972–1973 peak.

Later Period Tracks: Tracks from 1975–1977, such as “Celebrate Summer” and “Tame My Tiger,” show Bolan experimenting with punk and disco influences, reflecting his adaptability to changing musical trends.

Cover Songs: The three covers (“To Know Him Is to Love Him,” “Do You Wanna Dance,” “Dock of the Bay”) feature backing vocals by Gloria Jones (Bolan’s partner) and are often criticized for their softer, less distinctive arrangements compared to Bolan’s originals.

Standout Tracks:

“Thunderwing”: A fan-favorite B-side with a catchy riff and glam rock flair, often considered hit-worthy.

“Cadilac”: A raw, boogie-driven track with Bolan’s playful energy.

“Celebrate Summer”: Bolan’s final single B-side, blending glam with punk’s raw edge, released just before his death.

“Life’s an Elevator”: A melodic, upbeat track showcasing Bolan’s knack for hooks.

Production:

Most tracks were produced by Tony Visconti, T. Rex’s longtime collaborator, who crafted their polished yet gritty sound during the glam era. Later tracks (1975–1977) were produced by Bolan and others.

The album features various T. Rex lineups, including Marc Bolan (vocals, guitar), Mickey Finn (percussion), Steve Currie (bass), Bill Legend (drums), and later members like Gloria Jones (vocals) and Dino Dines (keyboards).

Reception and Significance

Critical Reception:

The Unobtainable T. Rex is celebrated as a “fan favorite” for compiling rare B-sides that showcase Bolan’s songwriting depth. Amazon reviews (e.g., 5/5 stars) praise its value and the enduring appeal of T. Rex’s music, even decades after Bolan’s death.

The cover songs are seen as weaker, with some reviewers noting their “middle-of-the-road” style, but the original tracks like “Thunderwing” and “Cadilac” are considered essential for glam rock enthusiasts.

The album is valued for preserving tracks that were hard to find in 1980, before digital reissues made them more accessible.

Cultural Significance:

Released during a post-punk era when T. Rex’s influence was still felt (e.g., on bands like The Smiths), the compilation highlighted Bolan’s ability to deliver strong B-sides, a testament to his prolific output.

It captures T. Rex’s evolution from glam rock pioneers to a band adapting to mid-1970s trends, offering a broader view of Bolan’s career.

Additional Notes

Context in T. Rex’s Catalog:

The Unobtainable T. Rex stands out for focusing exclusively on B-sides, unlike studio albums or hits collections. It’s a snapshot of Bolan’s creativity across his career, from the glam rock peak to his final years.