July 17, 1947:
- Sweet
- Jul 16, 1947
- 5 min read
Happy Birthday, Mick Tucker! Born July 17, 1947, the Sweet drummer's killer beats in "Ballroom Blitz" & "Fox on the Run" rocked the glam world. Your legacy drums on! #MickTucker #Sweet #GlamRockLegend

Michael Thomas “Mick” Tucker (July 17, 1947 – February 14, 2002) was known as the drummer and co-founder of the glam rock band Sweet, a major force in the 1970s British music scene.
Early LifeBorn: July 17, 1947, in Harlesden, North West London, England, to Hubert and Ellen Tucker.
Early Interests: As a boy, Tucker was initially passionate about drawing. By age 14, his interest shifted to drumming, inspired by jazz drummers like Sandy Nelson, Buddy Rich, and Gene Krupa.
First Drum Kit: His father bought him a drum kit on the condition that he take drumming seriously. Tucker’s first gig was sitting in for Brian Bennett of The Shadows at a local workingman’s club, a nerve-wracking but successful experience.
Musical Career
Pre-Sweet: Wainwright’s Gentlemen (1965–1968)At 18, Tucker joined Wainwright’s Gentlemen, a Harrow-based soul band, where he played alongside future Deep Purple vocalist Ian Gillan. After Gillan left, Brian Connolly replaced him, and the band played a mix of R&B, Motown, and early psychedelic music.
The band split in 1968, but recordings from this period exist, including a cover of “Ain’t That Just Like Me” (The Coasters/The Hollies), released in 2011 on the compilation Rare Mod, Volume 3.
Formation of Sweet (1968)In January 1968, Tucker co-founded The Sweetshop with vocalist Brian Connolly, bassist Steve Priest, and guitarist Frank Torpey. The name reflected the era’s trend of “sugary” band names like Marmalade or Tangerine Peel. It was shortened to The Sweet later that year.
The lineup evolved: Torpey was replaced by Mick Stewart in 1969, who was then succeeded by Andy Scott in 1970, forming Sweet’s best-known lineup: Connolly (vocals), Priest (bass), Scott (guitar), and Tucker (drums).
Sweet’s Rise to Fame (1971–1978)Breakthrough: Sweet signed with RCA in 1971 and teamed up with songwriters Nicky Chinn and Mike Chapman, plus producer Phil Wainman. Their early hits, like “Funny Funny” (1971), “Co-Co” (1971), and “Little Willy” (1972), were bubblegum pop, but the band transitioned to a harder, Who-influenced rock sound with tracks like “Block Buster!” (1973, UK #1), “Hell Raiser” (1973, #2), “The Ballroom Blitz” (1973, #2), and “Teenage Rampage” (1974, #2).
Musical Style: Tucker’s drumming was pivotal to Sweet’s evolution from bubblegum to glam and hard rock. His complex rhythms and dynamic fills shone in songs like “Set Me Free,” “Sweet F.A.,” and “The Man with the Golden Arm,” the latter featuring an 8.5-minute drum solo in live performances.
Glam Image: Sweet embraced the glam rock aesthetic, with Tucker adopting the stage name “Michelle” and wearing flamboyant outfits, including silver boots and platform shoes. However, he noted that Connolly was less enthusiastic about the makeup-heavy look.
Drum Solos and Showmanship: Tucker was known for his theatrical drum solos, often incorporating Elmer Bernstein’s The Man with the Golden Arm theme, played on tubular bells and timpani, with video projections of himself drumming. His stick-twirling became a trademark, and he was praised for balancing technique and audience engagement.
Drum Setup: From 1973, Tucker used a Ludwig Chrome-over-wood eight-piece kit with two bass drums, three hanging toms, two floor toms, and Paiste cymbals. He later added a five-piece Ludwig set from a Belgium tour, re-wrapped in chrome. His sticks were Promark American Hickory 419, printed with the Sweet logo and his autograph.
Later Years with Sweet (1979–1991)
Connolly’s Departure: Brian Connolly left in 1979. Priest and Scott shared lead vocals, and Tucker took on production duties for Connolly’s vocals on Cut Above the Rest (1979).
Vocal Contributions: Tucker sang lead vocals on “Own Up,” “Dorian Gray,” and “Eye Games” from Water’s Edge (1980) and Cut Above the Rest (1979). He also provided backing vocals, including on Ole Evenrude’s album This Ole Town.
Band Disbandment: Sweet disbanded in 1981 after releasing Identity Crisis (1982, limited release). Tucker and Scott reformed Sweet in 1985 with new members, including Paul Mario Day (vocals), Phil Lanzon (keyboards), and Mal McNulty (bass). Tucker left in 1991 due to health issues.
Post-Sweet Career
After leaving Sweet, Tucker joined the band The Monroes and worked on other projects, including backing vocals and drums for Ole Evenrude’s This Ole Town. He retired from music in the late 1990s after his leukemia diagnosis.
Health and Death
Leukemia Diagnosis: Tucker was diagnosed with leukemia between 1996 and 1997, which forced him to retire from music.
Death: He passed away on February 14, 2002, at 11:35 AM in Welwyn Garden City, Hertfordshire, at age 54. His funeral was held on February 25, 2002, and he is buried in an unnamed grave at Chorleywood House Cemetery (coordinates: 51°39.644'N, 0°30.330'W), marked by a sleeping angel.
Legacy and Tributes
Underrated Talent: Tucker was often considered one of the most underrated drummers of the 1970s, with peers comparing him to Keith Moon, John Bonham, and Ian Paice. His complex rhythms, impeccable timing, and soulful playing were praised by bandmates and contemporaries like Cheap Trick’s Bun E. Carlos, who noted his ability to make double bass drumming swing in songs like “Ballroom Blitz.”
Bandmate Tributes:
Steve Priest: “He was the most underrated drummer that ever came out of England… He was the powerhouse of the band. He was technically marvelous. His timing was impeccable, but he had a lot of soul as well and he really felt what he was playing.”
Andy Scott: “Mick Tucker was the best drummer around in the ’70s. I played in the same band as him and was proud to do so.”
Fan Appreciation:
Posts on X highlight Tucker’s enduring influence, with fans calling him an “amazing underrated drummer” and praising his work on tracks like “No You Don’t.”
Influence: Sweet, with Tucker’s drumming, influenced bands like Kiss, the Ramones, and Def Leppard, and their songs like “Ballroom Blitz” and “Fox on the Run” remain iconic, featured in films like Wayne’s World (1992) and Guardians of the Galaxy Vol. 2 (2016).
Notable Achievements
Sweet’s Success: The band sold over 35 million albums worldwide, with 13 UK Top 20 hits, including eight #1s in Germany.
Drum Style: Tucker’s innovative use of double bass drums, complex fills, and theatrical solos (e.g., in “The Man with the Golden Arm”) set him apart. His intro to “Ballroom Blitz” is one of the most iconic drum openings in rock.
Discography Highlights:
Sweet Fanny Adams (1974): Showcased Tucker’s heavier drumming style.
Desolation Boulevard (1974): Featured his extended solo in “The Man with the Golden Arm.” Give Us a Wink (1976): Highlighted Sweet’s shift to self-written material.
Critical Perception
Tucker’s talent was sometimes overshadowed by Sweet’s glam image and commercial hits, which led to their music being dismissed as “teenie-pop” by critics. However, their harder-edged songs and Tucker’s technical skill earned respect from musicians and later generations.
Fans and drummers on platforms like Reddit and Musiker-Board praise his musicality, noting that his drumming felt “more than just a rhythm machine” and inspired younger players.
Additional Notes
Post-Sweet Struggles: Sweet faced challenges in the late 1970s with the rise of punk and new wave, which made their glam style seem dated. Tucker’s later years with the band were marked by internal tensions, particularly with Connolly’s health issues.
Tribute Site: A fan-run tribute website, Mick Tucker Drums, was maintained by Hans van Terheijden but is no longer active. Some material has been hosted on thesweet.com.
Cultural Impact:
Sweet’s music, driven by Tucker’s drumming, continues to resonate in pop culture, with “Ballroom Blitz” used in Suicide Squad (2016) and “Fox on the Run” in Guardians of the Galaxy Vol. 2.
Mick Tucker was a powerhouse drummer whose technical skill, showmanship, and soulful playing helped define Sweet’s sound and left a lasting mark on glam and hard rock. His contributions, though underappreciated during his lifetime, continue to be celebrated by fans and musicians alike.
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