Step back into the glitter-soaked, platform-heeled, electric-booted madness of the early 70s – where rock became theatre and the world turned day-glo. This is your time machine built from original music papers, scrapbook clippings, record sleeves, adverts, reviews, and every scrap of 1970–1976 ephemera we can lay our hands on. Feel the bass drum stomp of Slade, the cosmic curl of Bolan’s hair, the sneer of Alice Cooper swinging from a gallows, the alien cool of Bowie’s lightn

The bubblegum-turned-glitter-booted stompers who gave us the ultimate teenage rampage soundtrack. They started as squeaky-clean pop pups churning out Chinn & Chapman bubblegum hits, but by 1973 they’d grown their hair, slapped on the makeup, zipped into satin, and turned into the loudest, campest, catchiest glam rock war machine on the planet. The Glam Slam Essentials Sweet Fanny Adams (1974) – Album Release (1974)The moment they went heavy – “The Six Teens”, “AC-DC”, “Set Me

The Glam Rock Hitmakers a visual journey via Record Sleeves Discography, Music Papers, and Magazine Features. Below is a comprehensive UK discography for The Sweet (also known as Sweet), including their studio works, live albums, compilation albums, and singles. This covers all eras from their formation as Sweetshop through glam rock hits, self-produced phases, lineup changes (e.g., Andy Scott's Sweet), and posthumous/reissue releases. Information is sourced from reliable di

released October 4, 1980 as a 7-inch vinyl single on Polydor Records (catalog: POSP 160) "Sixties Man" backed with "Tall Girls" by Sweet was issued to promote their album Sweet VI (also known as Give Us a Wink in some markets), this single marked the band’s shift toward a synth-infused '80s sound, moving away from their classic bubblegum glam of the '70s. Without original vocalist Brian Connolly, it reflected The Sweet’s attempt to stay relevant amid a changing musical landsc