Step back into the glitter-soaked, platform-heeled, electric-booted madness of the early 70s – where rock became theatre and the world turned day-glo. This is your time machine built from original music papers, scrapbook clippings, record sleeves, adverts, reviews, and every scrap of 1970–1976 ephemera we can lay our hands on. Feel the bass drum stomp of Slade, the cosmic curl of Bolan’s hair, the sneer of Alice Cooper swinging from a gallows, the alien cool of Bowie’s lightn

The operatic, over-the-top, caped crusaders who turned rock into theatre and made every stadium their playground. They didn’t just play glam – they hijacked it, cranked the volume to eleven, layered harmonies like cathedrals, and gave the world a singer who strutted in harlequin leotards and a crown. The Glam Slam Essentials Queen (1973) – Album Release (1973)The debut – “Keep Yourself Alive”, “Liar” – raw, heavy, and already ridiculous. Queen II (1974) – Album Release (1974)

One year on – the world still weeps at Garden Lodge gates Freddie Forever, a one-page tribute in Bravo magazine, December 9, 1992. On the first anniversary of Freddie Mercury’s death (November 24, 1992), fans from across the globe gathered at 1 Logan Place, London. Flowers, candles, tears, and a thousand voices singing “We Are the Champions”. Mary Austin joined them; a wax figure was unveiled at Rock Circus; one pregnant fan even legally changed her name to Freddie Mercury. N

The Melancholy Houston Bonus Released as a 7-inch vinyl single in the UK on November 27, 1989, on Parlophone Records (catalogue: QUEEN 15), Queen’s “The Miracle” was the fifth and final single from the album of the same name. The title track (produced by Queen & David Richards) was backed with the blistering live “Stone Cold Crazy” from the Rainbow 1974 and, on 12"/CD, the Houston 1977 “My Melancholy Blues.” Peaked at No. 21 on the Official Singles Chart for 5 weeks. Issued